Iraqi artists pay tribute to dead protesters with sculptures

A sculpture of a protester is on show at Tahrir Square, Baghdad. (AP)
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Updated 30 December 2019
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Iraqi artists pay tribute to dead protesters with sculptures

  • Tahrir Square has emerged as a focal point of the protests, with protesters camped out in tents

BAGHDAD: The sculptures carved by seven art trainees were lined up outside a makeshift workshop in Baghdad’s Tahrir Square. With them were posters depicting protesters who have been killed in anti-government demonstrations in the past three months.
One sculpture showed a protester with a tear gas canister in his eye. Another showed a volunteer tuk tuk driver next to his three-wheeled vehicle who was killed while evacuating wounded protesters during clashes. A third illustrated a protester’s hand flashing the victory sign and colored by the Iraqi flag.
For Iraqi artist Mahdi Qarnous, 53, the exhibition that was recently inaugurated in Baghdad’s central Tahrir Square — the epicenter of Iraq’s anti-government protest movement — is a personal contribution to the movement. It is aimed at immortalizing fellow protesters killed and kidnapped during the demonstrations that have engulfed Iraq since Oct. 1. It is also a way, he says, to allow young, talented Iraqis to channel their talents away from violence.
Iraq has been roiled by protests that have left at least 490 people dead, the vast majority of them demonstrators killed by security forces firing tear gas and live ammunition. The mass uprisings prompted the resignation of former Prime Minister Adel Abdul Mahdi late
last month.
Qarnous said he recruited seven uneducated and unemployed young protesters from Tahrir Square, put them through an intensive six-week course that he personally funded and after three weeks they were able to start their own art projects.

We see this activity as part of the ongoing protests and a memorial monument for our martyrs and our abducted fellow protesters.

Mahdi Qarnous, Iraqi artist

“We see this activity as part of the ongoing protests and a memorial monument for our martyrs and our abducted fellow protesters,” he said.
Tahrir Square has emerged as a focal point of the protests, with protesters camped out in tents. Dozens of people took part in the simple opening of the sculpture exhibition on a recent day. None of the art trainees who were presenting their work attended the event, however, and their names were withheld due to security concerns.
“The current regime produced a generation that is poor in producing and cherishing arts. ... You see here in this exhibition that our people have potential but lack the path,” said Qarnous.
Murtada Muthanna, 23, an artist and activist, said the exhibition is a message to the world.
“It says we are a people with inspirations for life not death. Our revolution is peaceful and we are seeking reform not destruction,” he said.


Art Cairo part of a ‘long-term cultural project,’ founder says

Updated 25 January 2026
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Art Cairo part of a ‘long-term cultural project,’ founder says

CAIRO: As Art Cairo 2026 draws to a close, its founder Mohammed Younis is keen to set the fair apart from its regional counterparts — and also asserts that the annual event is part of a “long-term cultural project.”

The fair, which took place at the Grand Egyptian Museum and wrapped up on Jan. 26, boasted a distinctly Arab flavor, in terms of galleries, artists and the themes of the artworks on show.

Younis says that is all part of a conscious curatorial effort.

“Art Cairo stands apart from other art fairs in the region as the only platform dedicated exclusively and intentionally to Arab art … While many regional fairs present a broad, globalized perspective, Art Cairo emerges from a different vision — one rooted in presenting Arab art from within,” Younis told Arab News.

Across the fair, depictions of golden age icons such as 1950s superstar Mohamed Mohamed Fawzy by painter Adel El-Siwi jostled for attention alongside ancient iconography and pop culture references from the Arab world.

Abu Dhabi’s Salwa Zeidan Gallery, for example, exhibited work by up-and-coming Egyptian artist Passant Kirdy.

“My work focuses on Egyptian heritage in general, including pharaonic and Islamic art. These influences are always present in what I create. This symbol you’re looking at is a pharaonic scarab …  I’m very attached to this symbol,” she told Arab News.

The Arab focus of the curation is part of an effort to bill Art Cairo as a “long-term cultural project,” Younis noted.

“Ultimately, Art Cairo is not simply an art fair; it is a long-term cultural project. It exists to support Arab artists, contribute to building a sustainable art market, and articulate an authentic Arab narrative within the regional and international art landscape.”