Young Saudis: We value responsibility, hard work, tolerance and justice

Saudi males are focused on boosting their financial capabilities in time for marriage and for building their marital abodes, a study noted (AFP)
Updated 31 December 2019
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Young Saudis: We value responsibility, hard work, tolerance and justice

  • A strong sense of social values still prevails among Saudi Arabia’s large younger generation

JEDDAH/DUBAI: The recent Saudi Youth Development Survey revealed that 67.02 percent of the Saudi population is between the age of 0 and 34.

The survey, which was performed during the second quarter of 2019 and was published by the General Authority for Statistics (GASTAT), aimed to provide many important indicators about the life of young people.
This included social, demographic and economic aspects, as well as the obstacles and challenges that face the younger generation.
Researchers compiled the figures in visits to 5,000 families in 13 regions and results showed that Saudis aged between 15 and 34 years formed 36.7 percent of the total population, 51.03 percent of them males, and 48.97 percent females.
The GASTAT survey also focused on education among youth in the Kingdom, reporting that 31.75 percent believe they have faced learning difficulties during their educational years, of which 31.86 percent were males and 31.64 percent were females.
Amongst these challenges, difficulty in accessing a school or university proved to be significantly low, with only 4.55 percent of males and 5.88 percent of females saying they have struggled to have an education. However, close to 14 percent said they have “difficulty studying.”
Commenting on these difficulties, Dr. Asma Siddiki, a Saudi education management leader with a degree in cognitive psychology from the University of Oxford said: “What’s interesting about this percentage is that it is self-reported. If we were to look at the recently published PISA (Program for International Student Assessment) results, we find that the majority of our 15-year-olds do very poorly with their problem-solving skills in tests on reading, mathematics and science. So it’s no surprise that a third of our 15 to 34 year-olds are aware of their challenges with learning difficulties,” said Dr. Siddiki.


“This is both unfortunate, given the efforts being made in the education sector, and an opportunity, if we are bold enough to recognize that the fix must be in tackling the earlier years and in ensuring that foundations are better laid so that children can be inspired to learn to learn — and not learn to rote learn,” she added.
However, despite a third of respondents facing learning difficulties, the report showed that more than half (58 percent) said they have participated in extracurricular activities, of which 59.67 percent were male and 56.26 percent were females.

The tendency to save more money could be a result of higher income.There are a lot of young people that we classify as youth who are engaged in the economy far more today than a few years back and there are more women in the workforce, which is very positive. Saudi Arabia had a low female labor participation rate in the wider region and that has been improving.

John Sfakianakis, Economist

In addition, the results showed that the percentage of young people fully satisfied in their work was 23.54 percent — 23.9 percent of males, and 21.85 of females. The percentage of working young people who have faced work difficulties, whether past or present, was estimated at 45.88 percent, 45.33 percent of males and 48.53 percent of females.
Wedjan Al-Ghamdi, a 31-year-old BIS graduate from Cardiff Metropolitan University in the UK, returned to the Kingdom and had difficulty finding a job in her field due to her family commitments and her husband’s job, which requires him to move from one city to another every few years.
To ensure that she made use of her degree, which she obtained through the Ministry of Higher Education, she had to settle for jobs that are far from her field and only provided her with one disappointment after another.
“I have changed jobs several times in the past six years,” said Al-Ghamdi. “I had to work in international schools as a supervisor, a teacher and at times an activities supervisor. It was difficult as I moved from one small city to the next due to my husband’s job, but I believe what would have been best for people like me is to find a company that would allow workers to work from home. There weren’t many in my field that provide that and there are many who have returned from abroad who are still finding it difficult to find jobs in their respective fields.”
Al-Ghamdi said that she has recently found a job that she is content with.
The Saudi government has a series of reform plans, including the ambitious Vision 2030, for the country to invest in education for its people to prepare them to participate in the workforce. Additionally, the Kingdom has proposed strict quotas in the private sector to encourage enterprises to prioritize hiring Saudi nationals and ensure economic and social growth.
The percentage of hired young people who considered that their salary was sufficient to meet their financial obligations was 68.91 percent, 69.59 percent of males, and 70.48 percent of females, while the percentage of young people who said that they can save part of their monthly income, was 44.71 percent, 43.62 percent of males, and 50.19 percent of females.

HIGHLIGHTS

• The results showed that Saudis aged between 15 and 34 years formed 36.7% of the total population, 51.03% of them males, and 48.97% females.

• The General Authority for Statistics survey focused on education among youth in Saudi Arabia, reporting that 31.75% believe they have faced learning difficulties during their educational years, of which 31.86% were males and 31.64% were females.

John Sfakianakis, chief economist at the Gulf Research Center and associate fellow at Chatham House in London, said that the tendency to save more money could be a result of higher income.
“There are a lot of young people that we classify as youth who are engaged in the economy far more today than a few years back and there are more women in the workforce, which is very positive. Saudi Arabia had a low female labor participation rate in the wider region and that has been improving.”
“At one point, youth unemployment rates were higher than they were in Egypt and Greece,” said Sfakianakis. “This was challenging for many years and now we see the overall youth unemployment rates falling, which is proof that many government programs to bolster the economy are working.”
In a recent survey also published by GASTAT, the labor market bulletin for the third quarter of 2019 showed that unemployment rates decreased to 5.5 percent, compared to 5.6 percent for the second quarter of this year. It’s a significant drop in comparison to the fourth quarter of 2018, where it was at 12.7 percent.
Meanwhile, social media proved to play a major role in the lives of Saudi youth.
The GASTAT survey showed that around 98 percent of youth use social media platforms, with 35.83 percent of respondents saying their social relationships have been affected by social media. This included 36.81 percent of males and 34.8 percent of females.
When it comes to societal norms, the report showed that youth believe that social values are strong in their communities. Among these values are an individual sense of responsibility (98.55 percent), hard work (98.12 percent), tolerance (98.26 percent), efficiency (97.46 percent), rational spending (89.22 percent), compliance with regulations (94.64 percent), justice (97.95 percent), moderation (97.42 percent), determination and perseverance (98.41 percent), and transparency (92.64 percent).
“In the unprecedented development that the Kingdom is witnessing, such reported high numbers in the social values that young Saudis share reflect a great sense of patriotism and nationalism,” said Razan Alaquil, Saudi Youth Delegate to the 2018 UN ECOSOC Youth Forum. “Our Saudi identity is being structured and defined on important factors that we as young Saudis not only share, but keep one another accountable for.
“Because this is a time for us to tell the story of our Kingdom through our actions by being responsible citizens who actively contribute. Those actions develop our Kingdom and make the Saudi identity what it is — an identity based upon our sense of contribution and responsibility for our country’s development, hard work, tolerance, efficiency, and so much more. As young Saudis, we keep one another accountable for those civic values because we all look at each other as one.”

 


Saudi youth turn to AI for art and culture

Updated 13 February 2026
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Saudi youth turn to AI for art and culture

  • Creativity, heritage and technology converge in a new generation of artists

RIYADH: As Saudi Arabia’s Vision 2030 places creativity, culture and technological innovation at the core of national development, the impact of these priorities is becoming increasingly visible across a wide range of disciplines and practices.

Through the use of artificial intelligence, young Saudis are integrating technology into their creative work both as a practical tool and as a medium in its own right. In doing so, they are expanding their capabilities, exploring personal and collective identity, and finding new ways to preserve and reinterpret cultural heritage.

“AI gives young Saudis a new way to interact with their own cultural inheritance,” said Dmitry Zaytsev, founder of Dandelion Civilization, a platform designed to help individuals shape unique professional paths.

Dmitry Zaytsev, founder of Dandelion Civilization. (Supplied)

“Traditional design elements such as calligraphy or geometric motifs were once difficult to modify. Experimentation required resources and formal approval. AI removes that barrier and makes exploration immediate. A creator can test many versions of a pattern and see which ones still feel authentic to them,” he told Arab News.

According to Zaytsev, this emerging form of expression does not signal a rejection of tradition, but rather a deeper engagement with it. “The young creator discovers what can change and what must remain constant. AI becomes a sketchbook that allows culture to evolve through curiosity rather than fear. When creators correct a model or push it toward local rhythm, they strengthen rather than dilute cultural identity,” he explained.

Sarah AlBaiz, an art adviser, researcher and artist, uses code to blend visual art with concepts drawn from culture and philosophy. While her early practice focused primarily on painting, her trajectory shifted during the 2020 AI Artathon, a pioneering international event highlighting collaboration between humans and machines in artmaking, where she discovered how to merge her engineering background with her creative work.

DID YOU KNOW?

• Saudi youth are using AI as a creative tool to reinterpret heritage, from calligraphy to folklore.

• AI is helping artists experiment faster without the traditional barriers of resources or formal approval.

• The Kingdom is backing creative AI nationally, with programs like SAMAI aiming to empower 1 million Saudis for an AI-driven future.

Operating within the field of computational creativity, where technology actively participates in the artistic process, AlBaiz explores themes of finance and faith. “Because they’re two sides of who I am,” she said. “When you talk about values, for example, that is both a term used in finance and trade from an objective perspective, but also moral and spiritual value.”

“When you understand prompting in AI, you can get it to produce almost anything. But it’s also informed by the training data it has,” she said.

Sarah Albaiz's "Diriyah II (2020)" melds a traditional Saudi landmark with the avant-garde. This generative artwork rejuvenates the historic Alsalwa Palace in Diriyah. By infusing Munira AlTheeb's artistry through GAN style transfer, the piece stands as a testament to the evolving narrative of Saudi heritage. (Supplied)

Rather than relying on a single platform, AlBaiz experiments with multiple AI models to test their limitations and audience reception. “I work a lot with language as well, so large language models are right up my street when it comes to computational creativity.”ee

Her work has gained international recognition. At the 2022 Islamic Arts Biennale in Jeddah, she co-created an artwork under the banner of Super Artistic AI that generated Al-Qatt Al-Asiri motifs from southern Saudi Arabia. The piece received an Audience Award.

Beyond her artistic practice, AlBaiz is developing an intelligent art advisory system aimed at helping users navigate the Saudi art landscape. Designed as an initial point of contact, the system would guide users through potential pathways before they engage with a human adviser.

Inverting established gender norms, Sarah Albaiz's digital collage reimagines masculinity. Set against a generative backdrop, its core message "real men cry" challenges familial WhatsApp discourses. (Supplied)

“It’s about understanding what role AI plays in the pursuit of what you want,” she said. “When I decided to focus on Qantara and building the advisory, I recognized that many of the systems required would need to be intelligent systems that offload a lot of work from me and the team.”

“When AI is an enabler rather than the end result, it becomes less intimidating because it feels risk-free for the end user,” she added.

Zaytsev echoed this idea, describing AI as a kind of rehearsal space. “Young people practice conversations, explore sensitive topics and organize their thoughts without social risk. This builds emotional clarity and confidence,” he said.

While generative tools such as large language models attract much of the attention, AI’s creative applications extend far beyond text and image generation.

Fairooz Alawami, trained as both an architect and engineer, uses AI to create self-expressive visual works inspired by dance.

Fairooz AlAwami's work. (Supplied)

“My practice is focused on contextualizing movement,” she said. “Because of my architectural training, I work with 3D modeling software called Rhino, which includes a visual coding language. Within that environment, you can also write code in Python, JavaScript or C#.”

Alawami employs OpenPose to analyze videos of her dancing by mapping points across her body. She then applies another computer vision model, MIDAS, which converts images or videos into depth frames. “If OpenPose gives me a skeleton, MIDAS gives me depth,” she explained. The resulting data is fed into 3D modeling software, where it is refined and manipulated into finished artworks.

She began dancing at a young age. “I didn’t find it, it found me,” she said. Movement later became the foundation of her artistic practice, leading to her first major project around three years ago while completing her master’s degree using the Grasshopper plugin. At the time, the workflow was slow and fragmented, but the arrival of ChatGPT helped streamline the process by making it easier to write and learn code.

Fairooz AlAwami's work. (Supplied)

“I think my love for dance and my love for art and design came together in a way that felt uniquely me,” she said. “Once I found that space, I just ran with it. It is my singular voice.”

Her work also draws heavily on cultural and musical heritage. One recent project was inspired by folklore referenced in the iconic song “Al Leila wa Leila” by Umm Kulthum. Alawami extracted musical stems from the track and mapped them to characters within the narrative. “The vocals were Shahrazad, the storyteller, and each stem represented a different narrative element,” she said. Earlier works were influenced by Islamic architecture and the geometric patterns found throughout Saudi Arabia and the wider Arab world.

“There are some incredible artists using generative AI to do very impressive things, and I don’t think I fall into that camp,” she said. “For me, AI is more like a skills-gap tool that helps me reach where I want to go.

“As humans, whether we realize it or not, the act of creating feeds us in some way. Lowering the barrier to entry makes creativity less intimidating.”

Opinion

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Today, Saudi Arabia’s creative sector is supported by expanding national infrastructure. Initiatives such as the Cultural Scholarship Program place Saudi students in more than 60 universities worldwide, spanning disciplines from archaeology and literature to design, filmmaking and culinary arts. In parallel, the Kingdom launched the SAMAI initiative last year, aiming to equip 1 million Saudis with the skills needed to engage confidently in an AI-driven world.

Within Vision 2030, culture, tourism, digitalization and AI are treated as strategic sectors rather than peripheral concerns. As Saudi Arabia develops its creative economy as a form of soft power, its youth are becoming increasingly digitally fluent. AI tools are now embedded within creative workflows, enabling a new generation to explore heritage, remix traditional aesthetics and develop narratives that resonate on a global stage.