Lebanese fashion designer lands first regional show in Dubai

Updated 02 November 2019
Follow

Lebanese fashion designer lands first regional show in Dubai

  • Lebanese fashion designer Hass Idriss is showing for the first time in the region
  • The label has also dressed actress Dorra Zarrouk and Leigh-Anne Pinnock

DUBAI: Lebanese fashion designer Hass Idriss is showing for the first time in the region at the prestigious Fashion Forward Dubai (FFWD) event.

His show is slated for the last day of the gathering on Nov. 2. “I have been in the industry 10 years now, but this is my first catwalk presentation in the region, so I know all eyes will be on me,” he said.

The 34-year-old founded his label in 2009 and made his debut at London Fashion Week, having shadowed fashion icons Alexander McQueen and David LaChapelle.




The designer aims to cater for all body types and skin colors. Photographed for the Hass Idriss A/W 2019 campaign

Most of the region’s well-known influencers have been spotted in Idriss’ designs. The label has also dressed actress Dorra Zarrouk and London-based singer and songwriter Leigh-Anne Pinnock.

“My signature look is body conscious, strong shoulders, small waist, sensual hips, flowy romantic bottom, translucent and some three-dimensional embroidery,” he said.

At FFWD he will show his A/W 2020 collection titled “She Rises at Dusk.” Idriss’ fashion house is all about couture and he believes “designers from this region excel at couture because of the Arab women who like to express themselves as individuals.”

Even though he is a couture designer, diversity is very important in his collection, and he aims to cater for all body types and skin colors. “I love sculpting around a real body,” he added.




Idriss’ fashion house is all about couture. Photographed for the Hass Idriss A/W 2019 campaign

Idriss’ approach to design has attracted clients from all around the world. “This collection is an odd mix between two worlds: The geishas of the 1930s and burlesque dancers in Berlin of the same era.”

With the collection being full of elaborate embroideries and having graphic structure, these are statement dresses. For Idriss, fashion is truly an art form and he likes his work to stand out. That is why he has kept the set for his catwalk show clean, to allow the clothes to do the talking. “I am working very hard on lighting and music,” he added.

“The turning point of my career was when I stopped doing what I thought people wanted and decided to give them what I wanted to see. I told myself that even if I failed, I would fail at doing what I love.”


‘One in a Million’: Syrian refugee tale wows Sundance

Updated 24 January 2026
Follow

‘One in a Million’: Syrian refugee tale wows Sundance

PARK CITY: As a million Syrians fled their country's devastating civil war in 2015, directors Itab Azzam and Jack MacInnes headed to Turkey where they would meet a young girl who encapsulated the contradictions of this enormous migration.

In Ismir, they met Isra'a, a then-11-year-old girl whose family had left Aleppo as bombs rained down on the city, and who would become the subject of their documentary "One In A Million," which premiered at the Sundance Film Festival on Friday.

For the next ten years, they followed her and her family's travels through Europe, towards Germany and a new life, where the opportunities and the challenges would almost tear her family apart.

The film is by directors Itab Azzam and Jack MacInnes. (Supplied)

There was "something about Isra'a that sort of felt to us like it encapsulated everything about what was happening there," MacInnes told an audience at the Sundance Film Festival in Park City, Utah on Friday.

"The obvious vulnerability of her situation, especially as being a child going through this, but that at the same time, she was an agent.

"She wasn't sitting back, waiting for other people to save her. She was trying to fight, make her own way there."

The documentary mixes fly-on-the-wall footage with sit-down interviews that reveal Isra'a's changing relationship with Germany, with her religion, and with her father.

It is this evolution between father and daughter that provides the emotional backbone to the film, and through which tensions play out over their new-found freedoms in Europe -- something her father struggles to adjust to.

Isra'a, who by the end of the film is a married mother living in Germany, said watching her life on film in the Park City theatre was "beautiful."

And having documentarists follow her every step of the way as she grew had its upsides.

"I felt like this was something very special," she told the audience after the screening. "My friends thought I was famous; it made making friends easier and faster."