Millie Bobby Brown jumps from ‘Stranger Things’ to ‘Godzilla: King of Monsters’

Millie Bobby Brown plays the role of Madison in Godzilla, who is a daughter of two scientists. (Supplied)
Updated 02 June 2019
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Millie Bobby Brown jumps from ‘Stranger Things’ to ‘Godzilla: King of Monsters’

  • Godzilla: King of Monsters was Millie Brown's first movie
  • She is also UN's Goodwill Ambassador

DUBAI: Since the moment “Stranger Things” became a global cultural phenomenon in the summer of 2016, Millie Bobby Brown been a star. Her poise and personality, not to mention her talent, has pegged her for a gigantic career that is only just beginning. It’s hard to imagine, as omnipresent as the 15-year old has been, with her work as a UN Goodwill Ambassador and appearance on the Time 100 list, that “Godzilla: King of Monsters” is the actress’s first film.

“Taking on a cinematic experience compared to ‘Stranger Things’ was big time. It’s a high standard to go up against. I feel like I was just really excited. It’s overwhelming and it can be quite scary and daunting, but as soon as I went on set it felt like the first day of school and I immediately learned everyone’s names and it was good,” Brown told Arab News.

In “Godzilla: King of Monsters,” as well as next year’s sequel, “Godzilla vs. Kong,” Brown plays Madison, the daughter of two scientists, played by Kyle Chandler and Vera Farmiga, who work for Monarch, a global organization that specializes in the study of the titans that have been rising from their slumber at various points across the Earth.

“My character Madison is a skilled and intelligent teenager who aspires to be her mother one day. She sis relatable on some levels and her vulnerability level is something I can relate to,” Brown said.

Working with Chandler and Farmiga was the highlight of the experience.

“They are just some of my favorite actors — Kyle I have obviously watched for a really long time and Vera I’ve watched all her movies, so I was quite starstruck when I met them. It was quite easy to play an on-screen family when you have amazing people. Playing mother-daughter with Vera was very easy.”

By the end of the film, Madison goes from bright-eyed and full of wonder to devastated by the destruction that the titan’s battles have caused, both to the world and her family. Moving into Godzilla vs. Kong, Brown consciously approached the character differently.

“Madison has definitely changed. It was actually really exciting and fun for me to move into the next film with the character and evolve her in some way. I think it’s such a coming of age story for her. In the next movie I got so excited that I would be able to a part of her journey again, and changing her and making her become a teenager was awesome,” Brown told Arab News.

“Godzilla: King of Monsters” is set to be released in cinemas across the GCC over the Eid Al-Fitr weekend.


Review: ‘Sorry, Baby’ by Eva Victor

Eva Victor appears in Sorry, Baby by Eva Victor, an official selection of the 2025 Sundance Film Festival. (Supplied)
Updated 27 December 2025
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Review: ‘Sorry, Baby’ by Eva Victor

  • Victor makes a deliberate narrative choice; we never witness the violence of what happens to her character

There is a bravery in “Sorry, Baby” that comes not from what the film shows, but from what it withholds. 

Written, directed by, and starring Eva Victor, it is one of the most talked-about indie films of the year, winning the Waldo Salt Screenwriting Award at Sundance and gathering momentum with nominations, including nods at the Golden Globes and Gotham Awards. 

The film is both incisive and tender in its exploration of trauma, friendship, and the long, winding road toward healing. It follows Agnes, a young professor of literature trying to pick up the pieces after a disturbing incident in grad school. 

Victor makes a deliberate narrative choice; we never witness the violence of what happens to her character. The story centers on Agnes’ perspective in her own words, even as she struggles to name it at various points in the film. 

There is a generosity to Victor’s storytelling and a refusal to reduce the narrative to trauma alone. Instead we witness the breadth of human experience, from heartbreak and loneliness to joy and the sustaining power of friendship. These themes are supported by dialogue and camerawork that incorporates silences and stillness as much as the power of words and movement. 

The film captures the messy, beautiful ways people care for one another. Supporting performances — particularly by “Mickey 17” actor Naomi Ackie who plays the best friend Lydia — and encounters with strangers and a kitten, reinforce the story’s celebration of solidarity and community. 

“Sorry, Baby” reminds us that human resilience is rarely entirely solitary; it is nurtured through acts of care, intimacy and tenderness.

A pivotal scene between Agnes and her friend’s newborn inspires the film’s title. A single, reassuring line gently speaks a pure and simple truth: “I know you’re scared … but you’re OK.” 

It is a reminder that in the end, no matter how dark life gets, it goes on, and so does the human capacity to love.