How the Middle East reacted to the Game of Thrones finale

Updated 21 May 2019
Follow

How the Middle East reacted to the Game of Thrones finale

  • Arabs join fans around the world at marking the end of the HBO series
  • The show became engrained in popular culture over eight epic years

DUBAI: After eight epic years, 47 Emmys and two dead dragons, “Game of Thrones” has said goodbye to devotees worldwide after having redefined weekly “event TV.”

Having been shown in 170 countries, “Game of Thrones” was the most expensive show ever, with a budget of $15 million per episode. 

The blood-spattered tale of noble families vying for the Iron Throne wrapped up on Monday with the 73rd and final episode of one of the most popular shows in TV history.

The final episode had some emotional and surprising scenes, so it kept me hooked.

Mohammed Mansour, an Egyptian student in the UAE

“I watched it on my phone as it premiered. Honestly, the show had kind of written itself into a corner, so I didn’t really think we’d go any further than what we already expected,” Ali Tirkawi, a 22-year-old American who lives in Saudi Arabia, told Arab News after watching the final episode.

“The finale pretty much boiled down to a horribly depressing epilogue about what the main characters want to do next. I feel that the show kind of robbed us of what we had grown to expect from it,” he said. “The whole sense of danger and anxiety, who’d perish, all that really just disappeared. If I could sum up my feeling toward the final episode: Disappointment.”

Both the show’s name and its now-famous tagline, “Winter is Coming,” spawned a plethora of memes that made their way into the global political discourse. 

US President Donald Trump famously alluded to the show in a warning to Iran last year. He posted an image of himself on Twitter with the line “Sanctions are coming” above “November 5.”

The TV-watching habits of millennials have undergone a radical transformation since the first episode aired in 2011. 

Streaming services have appeared on the scene to rival cable services, and the number of shows available to watch has nearly doubled.

One of the darkest and most controversial primetime series ever made, “Game of Thrones” has been the target of criticism over the years for senseless violence as a dramatic device. The scriptwriters brutalized women and killed children, all in glorious close-up.

The adult themes deterred neither the show’s fans nor the industry awards circuit, which saw fit to make the HBO show the most decorated fictional series in history. Season 6 was the first to move beyond the source material, George R. R. Martin’s “A Song of Ice and Fire” novels, and carve its own path. Critics said it marked a return to form, but the shortened final two seasons have been more of a mixed bag, with many fans furious over what they consider poor writing and a rushed conclusion of the plot strands.

“The show meant a lot to me, spanning eight years of my life. I can easily recall each and every time I watched an episode,” he added.

Elia Mssawir, a UAE-based entertainment company executive

The Season 7 finale set an all-time US record for premium cable TV, with 16.5 million people watching live or streaming on the day of transmission, and 15 million more tuning in later. The biggest question of all, who would be sitting on the Iron Throne, was answered — sort of — on Monday.

While thousands of viewers aired their gripes on social media, as they did all season, plenty of others thought it was a fitting end.

While millions watched at home, thousands celebrated or mourned the show’s denouement in public places and backyards from London to Dubai. Among them was Mira Kerbage, a 22-year-old Lebanese student of marketing communications in the UK. 

“I felt overwhelmed with everything. I don’t know if this was just because it was the end of one of my favorite shows, or because the story ended but didn’t really end,” she told Arab News.

 

 

“It was bittersweet, so I felt sad and disappointed. It was like the end of an era. You feel empty,” she said.

“I watched it at 4 a.m. in my room, went to sleep at 6 a.m. and woke up at 8 a.m. to go to university.”

Cries of joy, sobs and applause followed the peaks and troughs of what many regarded as a poignant but so-so finale. 

The episode proved to be as divisive as the rest of Season 8. Chief among the controversies was the rapid descent into the mass-murdering madness of Emilia Clarke’s Daenerys Targaryen, arguably the lead character in an enormous ensemble that has called on the talents of such luminaries as Charles Dance, Sean Bean, Jim Broadbent and Diana Rigg.

OSN, which aired the show in the Middle East with English and Arabic subtitles, had marked the arrival of Season 8 with a social media competition calling on fans to unleash their creativity. 

“From fashion or design to baking, braiding or painting, use your talents to show your love for the Throne,” an OSN press release said in March.

Mohammed Mansour, an Egyptian student in the UAE, was surprised and happy, but also a bit disappointed after watching the finale. 

“Happy because it gave closure, disappointed in the way some characters met their fate. It doesn’t do them justice. But the final episode had some emotional and surprising scenes, so it kept me hooked,” he told Arab News.

“It was one of the best shows I’ve seen in my whole life, although the last two seasons weren’t as great.”

A petition calling for the final season to be remade has now passed 1.1 million signatures. 

In China, the show’s rights holder triggered outrage among legions of die-hard fans — some of whom took the morning off work to tune in — by mysteriously delaying its broadcast just before it was due to air. That did not stop fans from flocking online, with one dramatic twist provoking a discussion on the Twitter-like Weibo platform that was viewed more than 230 million times.

“It was even more intense than a football finale,” said Ewald Klautky, 52, one of about 200 fans who watched the final episode together in Los Angeles.

Elia Mssawir, a UAE-based entertainment company executive, watched the episode alone at home. “I really kind of enjoyed it, and it was mostly because of the unexpected turn of events. I loved the fact that they put every character in their place without wasting any time,” he told Arab News. “This was something many ‘Game of Thrones’ fans felt uncomfortable about, but I really enjoyed it. Not every series or movie has to have a happy ending,” he said. 

“The show meant a lot to me, spanning eight years of my life. I can easily recall each and every time I watched an episode,” he added. “I lived in three different countries during this time, and I took the show with me on the road. One time I was touring with an artist, and I made it my mission to get data to stream it on the bus while going to the next gig.”

The ending of “Game of Thrones” was all too much for its stars, including Sophie Turner, who first appeared as Sansa Stark as a young teenager. She wrote on Instagram of her character: “I fell in love with you at 13 and now 10 years on ... at 23 I leave you behind, but I will never leave behind what you’ve taught me.”


‘Bridgerton’ actress says she was warned not to campaign for Palestinians

Updated 26 April 2024
Follow

‘Bridgerton’ actress says she was warned not to campaign for Palestinians

  • Nicola Coughlan: Hollywood insiders told her advocacy could harm her career
  • Irish star feels ‘moral responsibility’ to campaign for ceasefire, continue to fundraise 

LONDON: Irish actress Nicola Coughlan has revealed that she was told her Palestinian advocacy could harm her career.

The “Bridgerton” and “Derry Girls” star told Teen Vogue she had been warned by people in Hollywood not to be openly supportive of Palestinian rights, but has continued to campaign for a ceasefire in Gaza and still publicly wears an Artists4Ceasefire pin.

“You do get told, ‘you won’t get work, you won’t do this,’ but I also think, deep down, if you know that you’re coming from a place of ‘I don’t want any innocent people to suffer,’ then I’m not worried about people’s reactions,” she said.

“My family lived in Jerusalem back in the late ‘70s, early ’80s, before I was born, so I heard first hand stories about them living there.”

She said her father, who served in the Irish military, went to a “lot of war-torn regions after the conflict and try and help rebuild,” and this had left a profound impression on her.

“I’m so lucky I’ve gotten to this point in my career, and I’m privileged as a white woman, first off.

“Then the fact that I get to do the job I love and travel the world and meet amazing people, I feel a moral responsibility to give back.”

She has made a point of continuing to campaign and raise money around the issue, adding: “To me, it always becomes about supporting all innocent people, which sounds oversimplified, but I think you’ve got to look at situations and just think, ‘Are we supporting innocent people no matter where they’re from, who they are?’ That’s my drive.”

Coughlan said social media plays a role in driving advocacy but it requires nuance. “More of us should be trying to understand how upsetting and traumatising this is for Jewish people, and how horrific it is that all these innocent people in Palestine are being murdered,” she added.

A number of Hollywood figures have faced repercussions for their open support of the Palestinians or criticism of Israel.

Mexican actress Melissa Barrera was fired from the latest “Scream” film over social media posts in support of Palestine, while director Jonathan Glazer caused controversy for using his acceptance speech at the Oscars for his film “The Zone of Interest” to criticize the Gaza war.


‘Game of Thrones’ star Liam Cunningham says world will ‘not forget’ those who stayed silent on Gaza

Updated 26 April 2024
Follow

‘Game of Thrones’ star Liam Cunningham says world will ‘not forget’ those who stayed silent on Gaza

  • Irishman has been vocal advocate for Palestinian causes for decades

LONDON: Irish actor Liam Cunningham has said the public will “not forget” those who have not voiced support for Palestinians during the ongoing Israel-Hamas conflict in Gaza.

The “Game of Thrones” star has been a vocal advocate for Palestinian causes for decades. Speaking during a demonstration in Dublin led by Irish-Palestinian Ahmed Alagha, who has lost 44 family members in the recent Israeli assault on Gaza, Cunningham said he has been commended by his peers in the past for his activism.

“What concerns me is that the people who do care and are not doing anything are, in my opinion, worse than the people who don’t care,” he said.

Cunningham was asked if he had spoken to other actors to convince them to show support for the Palestinian cause, but responded by saying he could not speak for others, The Independent reported.

However, he added, “The internet doesn’t forget. When this comes around, when the ICJ (International Court of Justice) and ICC (International Criminal Court) hopefully do their work honorably, it is going to come out,” he said.

“And the people who didn’t talk — it is not going to be forgotten. It’s livestreamed, this genocide, and (saying) you didn’t know is not an option. You did know. And you did nothing. You stayed quiet. I need to be able to look in the mirror, and that’s why I speak,” he added.

A month after Israel launched its onslaught on Gaza in response to Hamas incursions on Oct. 7 in Israeli territory in which nearly 1,200 people were killed and around 250 hostages were taken, Cunningham said that for Irish people to ignore the treatment of Palestinians would be to “betray” their history.

“If we allow ourselves to accept this behavior, then we allow it to happen to us,” he said at the time. “We have to stand up for standards. We have to stand up for international law and it reduces us as human beings if we don’t.”

Israel’s assault on Gaza has killed more than 34,000 Palestinians, around two-thirds of them children and women, according to Hamas-run health authorities in the enclave.


Saudi Film ‘Hajjan’ wins 6 nominations at Critics Awards for Arab Films

Updated 26 April 2024
Follow

Saudi Film ‘Hajjan’ wins 6 nominations at Critics Awards for Arab Films

DUBAI: Saudi Arabia-based film “Hajjan,” directed by Egyptian filmmaker Abu Bakr Shawky, is nominated for six categories at the eighth Critics Awards for Arab Films.

The movie is competing in the best feature film, best screenplay, best actor, best music, best cinematography and best editing categories. 

“Hajjan” tells the story of Matar, a boy who embarks on a journey across the desert with his camel, Hofira.

The movie is a co-production between the Kingdom’s King Abdulaziz Center for World Culture, or Ithra, and Egyptian producer Mohamed Hefzy’s Film Clinic. 

The movie, which is written by Omar Shama from Egypt and the Kingdom’s Mufarrij Almajfel, stars Saudi actors Abdulmohsen Al-Nemer, Ibrahim Al-Hsawi, among others. 

The awards ceremony, scheduled for May 18 on the sidelines of the Cannes Film Festival, is organized by the Arab Cinema Center in Cairo and assessed by a panel of 209 critics representing 72 countries. 

Sudanese director Mohamed Kordofani’s inaugural feature film, “Goodbye Julia,” and Tunisian filmmaker Kaouther Ben Hania’s Oscar-nominated documentary, “Four Daughters,” scored nominations in seven categories. 

Jordanian filmmaker Amjad Al-Rasheed’s “Inshallah A Boy” and Palestinian-British director Farah Nabulsi’s “The Teacher” have six nominations.


Emirati designer Hamda Al-Fahim dresses Anya Taylor-Joy for Tiffany event

Updated 26 April 2024
Follow

Emirati designer Hamda Al-Fahim dresses Anya Taylor-Joy for Tiffany event

DUBAI: US actress Anya Taylor-Joy this week was spotted at the Tiffany & Co. celebration of the launch of Blue Book in Beverly Hills wearing a dress by Emirati designer Hamda Al-Fahim.

The actress from “The Queen’s Gambit,” who is the ambassador for the American luxury jewelry label, impressed her fans in a head-turning dark golden brown dress that featured a corset-styled bodice paired with a fitted velvet skirt that flowed down, culminating in a short train trailing behind her.

The dress is called the Velvet Canyon and is from Al-Fahim’s Earthy collection.

Caption

Al-Fahim took to Instagram to share pictures of the star championing her design with her 498,000 followers.

“Anya Taylor-Joy (looks) stunning in our Velvet Canyon,” she wrote on her Stories. 

For her jewelry, Anya chose a glitzy diamond necklace embellished with red rhinestones, accompanied by matching earrings and a ring. She completed the ensemble with a statement chunky silver bracelet.

She styled her blonde hair with a side part, which cascaded in soft waves past her shoulders.

Taylor-Joy was accompanied by a star-studded lineup of celebrities, including Olivia Wilde, Emily Blunt, Gabrielle Union, Quinta Brunson, Rosie Huntington-Whiteley, Reese Witherspoon, Laura Harrier, Suki Waterhouse and Aimee Song, among others.

Wilde flaunted a black figure-hugging dress with a plunging neckline, Blunt was radiant in a white sequin dress, Union opted for a custom-made Staud dress in black and white, Brunson wore a black velvet midi-gown from Roland Mouret and Huntington-Whiteley chose a white Carolina Herrera dress.

Al-Fahim is an Abu Dhabi-based designer known for her elegant and ethereal aesthetic, often featuring intricate embellishments, delicate fabrics and flattering silhouettes. Her creations combine femininity and sophistication, blending traditional craftsmanship with modern sensibilities.

Seen on red carpets, premieres and high-profile events worldwide, Al-Fahim’s creations have captured the attention of international celebrities including Rihanna and Jennifer Lopez.

Al-Fahim has also previously teamed up with US luxury handbag designer Tyler Ellis on a limited-edition capsule collection in 2022.


REVIEW: Sofia Boutella’s heroic efforts can’t save ‘Rebel Moon — Part Two’

Updated 26 April 2024
Follow

REVIEW: Sofia Boutella’s heroic efforts can’t save ‘Rebel Moon — Part Two’

DUBAI: “Rebel Moon — Part One: A Child of Fire” drew scathing reviews (our writer described it as perhaps “the most discombobulating collection of mismatched sci-fi tropes ever committed to film”). “Part Two: The Scargiver” simply adds to that legacy.

The story: Former Imperium soldier Kora and the surviving band of ragtag warriors she’s recruited return to the moon of Veldt — home to simple farming folk in danger of being blown to bits by the mighty Imperium for failing to supply the unreasonable grain quota demanded of them. With just a few days before the deadline, Kora and her band must train the villagers to fight (and harvest the grain in just three days to provide a bargaining chip). What Kora doesn’t know is that Admiral Noble, the bad guy she ‘killed,’ is still alive. And bent on vengeance.

Before the enemy arrives, the warriors tell their life stories in a trust-building exercise — one of the clunkiest pieces of exposition ever written. There are slow-mo shots of the harvest gathering and a brief interlude to show that Kora and farmer Gunnar are very much in love.

Then, thankfully, we’re into the battle(s). Here, at least, director Zack Snyder doesn’t disappoint, even giving an original twist to the ‘spaceship plummeting from the sky’ trope by staging a showdown between Kora, Gunnar and Admiral Noble on a floor that becomes increasingly vertical. Below them, the villagers fight heroically against odds very much stacked against them, even with the help of Nemesis and her two flaming definitely-not-lightsabers.  

The well-constructed battle scenes, though, aren’t enough. Not even with a cast fighting as heroically as the villagers to salvage something. Sofia Boutella, as Kora, emerges with most credit, proving herself a convincing action hero who deserves better than this material to work with (spoiler alert: perhaps even material that allows the heroine to kill the bad guy herself, without the intervention of her boyfriend).

Yes, no one’s sitting down to watch an “epic space opera” in the expectation of thought-provoking dialogue, but “Rebel Moon” is like the result of forcing a seven-year-old to watch all things “Star Wars” and “Star Trek” in random order, then asking them to write down what happened. The best thing to say about “The Scargiver” is that it finishes — but even that comfort is tainted by Snyder’s cynical setting up of a potential part three. Possibly because that seven-year-old fell asleep before writing an actual ending.