Where We Are Going Today: Lily

Updated 02 May 2019
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Where We Are Going Today: Lily

Tired of revisiting the same place for brunch? If so, in Lily, Arab News has unearthed a gem of a restaurant.

Located on Prince Turki Al-Awwal Road, Riyadh, opposite the King Saud University women’s campus, Lily offers a varied breakfast and brunch menu to suit most palates.

The restaurant’s décor is delicate and floral with tables set around a large olive tree and two walls made up entirely of windows overlooking a row of tall plants. Another wall is covered in faux grass and dotted with roses, and the high ceiling and sun streaming through the windows give the dining room an airy feel.

The olive tree is fake, but the real olives on offer are tender and juicy, making the fresh breakfast platter a great choice for simple morning fare. Hungrier customers might enjoy the breakfast burrito, packed with crispy potatoes, bacon, Monterey Jack cheese and bright bell peppers.

Lily staff are friendly and accommodating to food allergies. Of the items we ordered, the clear winner was the crunchy French toast.

Open weekdays from 7 a.m. to 3 p.m. and weekends from 7 a.m. to 5 p.m., Lily’s might be the place to head on your next morning off.


Why this year’s Golden Globes race feels so unpredictable

Updated 09 January 2026
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Why this year’s Golden Globes race feels so unpredictable

  • No dominant frontrunner and openness among voters
  • ‘Hamnet,’ ‘Sinners,’ ‘Sentimental Value’ in contention

LOS ANGELES: With the Golden Globes approaching, this awards season has taken on an unusually fluid shape. Instead of a single dominant frontrunner, the race is being defined by range, taste, and a noticeable openness among voters.

Prestige dramas are sharing space with ambitious studio films, while several contenders have built momentum quietly rather than through aggressive campaigns. The result is a season that feels unpredictable — in the best possible way.

Recently announced presenters include a wide cross section of film, television, and music figures. (Supplied)

That sense of openness is reflected not only in the awards race itself, but also in the broader tone surrounding this year’s ceremony. The 83rd Annual Golden Globes will air live on CBS on Sunday, Jan. 11, 2026, with comedian and actress Nikki Glaser returning as host.

Recently announced presenters include a wide cross section of film, television, and music figures.

Among them are Julia Roberts, George Clooney, Jennifer Garner, Kevin Hart, Miley Cyrus, Snoop Dogg, Amanda Seyfried, Ana de Armas, Ayo Edebiri, Colman Domingo, Dakota Fanning, Kathryn Hahn, Queen Latifah, Zoe Kravitz, and Pamela Anderson.

The 83rd Annual Golden Globes will air live on CBS on Sunday, Jan. 11, 2026, with comedian and actress Nikki Glaser returning as host. (Supplied)

The diversity and generational range of the presenter lineup mirrors the season itself, blending established icons with contemporary voices and signaling a ceremony that leans into variety rather than predictability.

In the drama categories, “Hamnet” has emerged as a serious presence, earning steady respect across critics’ groups and industry conversations. Its restrained approach and emotional weight have resonated with audiences and awards watchers who value craft over spectacle.

At the same time, “Sinners” and “Sentimental Value” remain firmly in contention, particularly if voters gravitate toward character-driven storytelling rather than formal experimentation.

Among them are Julia Roberts, George Clooney, Jennifer Garner, Kevin Hart, Miley Cyrus, Snoop Dogg, Amanda Seyfried, Ana de Armas, Ayo Edebiri, Colman Domingo, Dakota Fanning, Kathryn Hahn, Queen Latifah, Zoe Kravitz, and Pamela Anderson. (Supplied)

On the musical or comedy side, “One Battle After Another” appears especially well-positioned, carried by strong ensemble work and a level of sustained buzz that has followed it throughout the season.

The acting races are no less competitive. Wagner Moura has placed himself near the front of the Best Actor, Drama conversation for his performance in “The Secret Agent,” a role widely praised for its restraint and complexity.

Michael B. Jordan continues to generate strong support for “Sinners,” reinforcing his position as a consistent awards presence.

In the musical or comedy field, Timothee Chalamet has become a frequent prediction for “Marty Supreme,” a performance many see as both charismatic and strategically timed.

The actress races are equally open, with Jessie Buckley and Rose Byrne widely cited as leading figures, while the supporting categories continue to spotlight standout work from Stellan Skarsgard and Inga Ibsdotter Lilleaas.

In directing, momentum appears to favor Paul Thomas Anderson for “One Battle After Another,” reflecting both critical admiration and industry confidence.

Screenplay and score conversations have included “Sinners” and “KPop Demon Hunters,” underscoring a year that balances artistic ambition with broader appeal.

However the night ultimately unfolds, this year’s Golden Globes feels less about safe consensus choices and more about recognizing work that lingered long after the credits rolled.

From the nominees to the presenters taking the stage, the ceremony reflects a film year defined by confidence, creative risk, and a refreshing absence of certainty.