Where We Are Going Today: Anastna for traditional Hijazi sweets

Updated 19 April 2019
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Where We Are Going Today: Anastna for traditional Hijazi sweets

  • Hijazi desserts can be tricky Anastna get’s it just right

While many restaurants in the Kingdom offer desserts that originated in other countries, Anastna is bucking that trend. 

For Saudi customers in particular, it serves up a wave of nostalgia in its range of the finest traditional Hijazi sweets, to which a few modern twists have been applied in a subtle way that avoids altering the original flavors.

The sweets on offer include: Jauziah, melt-in-mouth biscuits filled with toffee sauce, and haisah made with dates and Labneh sauce, which is a favorite at our office. 

Hijazi desserts can be tricky to make because getting the balance of ingredients correct to ensure the perfect flavor is not something everyone can do, but the chefs at Anastna manage it to perfection.

The cafe also sells a range of candy that anyone who grew up in Saudi Arabia will fondly remember, including Tamarind sour candies. For those with less of a sweet tooth, there are also savory options on the menu. 

Anastna is a great place to eat as it will bring memories of childhood flooding back. You can find it in Jeddah’s Al-Salamah district.


Crown prince sponsors launch of world-class Arabic calligraphy center in Madinah

Updated 23 December 2025
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Crown prince sponsors launch of world-class Arabic calligraphy center in Madinah

  • The Prince Mohammed bin Salman Global Center for Arabic Calligraphy was inaugurated by Prince Salman bin Sultan bin Abdulaziz

RIYADH: A new center for Arabic calligraphy under the patronage of Crown Prince Mohammed bin Salman officially opened in Madinah on Monday.

The Prince Mohammed bin Salman Global Center for Arabic Calligraphy was inaugurated by Prince Salman bin Sultan bin Abdulaziz, governor of Madinah region.

He was joined by Culture Minister Prince Badr bin Abdullah bin Farhan, touring the new facility’s exhibition spaces and receiving briefings on cultural programming and the center’s achievements.

They also viewed collections highlighting Arabic calligraphy’s artistic and historical importance.

Speaking at the opening, Prince Badr said: “From this land of enlightenment and scholarship, we proudly launch a global platform dedicated to Arabic calligraphy as an invaluable cultural asset.”

He went on to credit the crown prince’s “generous and boundless support” for the cultural sector.

The minister said that the center demonstrated to the world the legacy of Arabic calligraphy while underscoring Saudi Arabia’s commitment to safeguarding its cultural identity and heritage.

According to Prince Badr, the facility represents an ambitious vision to elevate Arabic calligraphy as both a universal communication tool and an integral element of Arab heritage, art, architecture and design.

The center further aims to enhance the Kingdom’s cultural identity and strengthen its international presence, targeting calligraphers, emerging talents, visual artists, Islamic arts researchers, educational and cultural institutions, as well as art and heritage enthusiasts worldwide.

It will deliver specialized programs including research and archival services, calligraphy instruction, academic grants, a permanent museum, touring exhibitions, an international calligraphy association and a business incubator supporting calligraphy enterprises.

Additional offerings feature artist residency programs, expert-led workshops, and standardized curriculum development, complemented by international educational partnerships aimed at heritage conservation and expanding global appreciation for this time-honored art form.

The center’s establishment in Madinah carries particular significance, given the city’s historical role as the cradle of Arabic calligraphy and its association with transcribing the Qur’an and preserving Islamic knowledge.