Rock band Queen plus Adam Lambert open first hostless Oscars in 30 years

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Adam Lambert, left, and Brian May of Queen perform at the Oscars on Sunday at the Dolby Theatre in Los Angeles. (Photo by Chris Pizzello/Invision/AP)
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Best Foreign Language Film nominee for "Capernaum" Lebanese director Nadine Labaki (C), her husband producer Khaled Mouzanar (3rd L) and members of the cast arrive for the 91st Annual Academy Awards at the Dolby Theatre in Hollywood, California on February 24, 2019. (AFP / Mark Ralston)
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Rami Malek arrives at the Oscars on Sunday, Feb. 24, 2019, at the Dolby Theatre in Los Angeles. (Photo by Charles Sykes/Invision/AP)
Updated 27 February 2019
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Rock band Queen plus Adam Lambert open first hostless Oscars in 30 years

  • Despite the celebrity names, all eyes are on the best picture prize in one of the most eclectic Oscar line-ups for years
  • The winners are chosen by the 8,000 members of the Academy of Motion Picture Arts and Sciences

LOS ANGELES: British rock band Queen, featuring “American Idol” star Adam Lambert as lead vocalist, opened the first hostless Oscars show in 30 years on Sunday with a rollicking performance that brought the Dolby Theatre’s celebrity crowd to its feet.

The two active, surviving musicians from Queen’s original lineup — guitarist Brian May and drummer Roger Taylor — joined Lambert, filling in as frontman for the late Freddie Mercury, to play two of the band’s greatest hits: “We Will Rock You” and “We Are the Champions.”

The familiar guitar and drum riffs brought the star-studded theater audience out of its chairs, with many of the Hollywood luminaries seen singing along.

Queen and Mercury are the subject of “Bohemian Rhapsody,” a hit film nominated for best picture and in the running for a total of five categories at this year’s Academy Awards, the 91st edition of the film industry’s highest honors.

Launching the ABC telecast with a live rock band was a virtually unprecedented choice that came about after comedian Kevin Hart, originally picked to host the show, bowed out after a furor over past homophobic material in his standup act and tweets.

Hart’s withdrawal in December left the Oscars without a master of ceremonies for the first time since 1989. That year, the broadcast opened with an 11-minute song-and-dance number, widely derided by critics, featuring Rob Lowe and an actress dressed as Snow White.

In recent years, the opening monologue of the Oscar host has become a platform for gags and jokes lampooning politicians and many of the stars in attendance.

But the Queen performance set the stage for a night that was expected to include a flurry of big musical moments and presentations from such recording luminaries as Bette Midler, Jennifer Hudson, Jennifer Lopez, and record producer Pharrell Williams.

Lambert first appeared with Queen’s May and Taylor in 2009 as a contestant on the hit talent show “American Idol” when he performed two of the band’s hits on that program. The trio went on to collaborate occasionally in 2011 and have since toured repeatedly together as Queen + Adam Lambert.

Oscar producers, anxious to boost viewership after a record low US TV audience in 2018, also are under pressure to keep the telecast from running over its three-hour designated time slot.

One short-lived plan to cut down on time, by handing out four of the two dozen Oscar trophies during commercial breaks, was scrapped after a backlash from movie industry heavyweights to the idea.

The Academy of Motion Picture Arts and Sciences also quickly abandoned an ill-fated proposal to create a new category of best “popular” movie as a way of boosting Oscar ratings.

Despite the lack of an official show host, Maya Rudolph got in some jabs as she took the stage with two fellow actress- comedians — Tina Fey and Amy Poehler — to present the night’s first award, to Regina King as best supporting actress for her role in “If Beale Street Could Talk.”

“So just a quick update for everybody in case you’re confused: There is no host tonight, there won’t be a popular movie category and Mexico is not paying for the wall,” Rudolph deadpanned, skewering the academy as well as US President Donald Trump’s promise to build a southern US border wall at Mexico’s expense. 

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Celebrities began arriving on the Oscars red carpet under sunny skies for an Academy Awards ceremony filled with suspense over the movie industry’s biggest prize and a night of what could be history-making firsts.

Without a host for the first time in 30 years, there’s also curiosity over whether organizers can return the Academy Awards to a must-see television event after a record low audience in 2018.

Lady Gaga, Bette Midler and Jennifer Hudson are all set to perform, along with rock band Queen featuring “American Idol” star Adam Lambert. Tennis champion Serena Williams and talk show host Trevor Noah will also appear on the Dolby Theatre stage in Hollywood in a bid to broaden the show’s appeal beyond movie fans.

Despite the celebrity names, all eyes are on the best picture prize in one of the most eclectic Oscar line-ups for years.

Disney’s “Black Panther,” the first superhero movie ever nominated for best picture, will compete against popular musicals “A Star is Born” from Warner Bros and 21st Century Fox film “Bohemian Rhapsody,” along with racially themed “Green Book” and “BlacKkKlansman” from Universal Pictures.

Black-and-white Mexican film “Roma,” quirky 18th century Fox Searchlight comedy “The Favourite” and independent political satire “Vice” round out the competition

After two months of intense and costly campaigning, award watchers say the winner is anyone’s guess.

“Best picture is probably a toss up between ‘Roma’ and ‘Green Book,’ and I can maybe see ‘BlacKkKlansman’ sneaking in to win,” said Alison Willmore, critic and culture writer at BuzzFeed News.

The winners are chosen by the 8,000 members of the Academy of Motion Picture Arts and Sciences.

A victory for “Roma,” director Alfonso Cuaron’s sentimental journey back to his childhood, would mark the first Oscar best picture win for Netflix and a sign that streaming services can not only compete with traditional Hollywood studios, but beat them at their own game.

“Roma,” shot entirely in Spanish and with 10 Oscar nominations, is also considered the frontrunner in the foreign language category. No foreign language film has ever won best picture, and no movie has ever won both.

“’Roma’ is a little art-house movie that is impressionistic. It doesn’t have much plot but it does follow the recent pattern of art-house movies winning, like ‘The Shape of Water’ and ‘Birdman’,” said Tom O’Neil, founder of awards website GoldDerby.com.

Lady Gaga is widely expected to take home her first Oscar for her hit song “Shallow,” which she will perform on Sunday in a much-anticipated live duet with co-star and best actor nominee Bradley Cooper.

Gaga is also competing for best actress for her role as a struggling singer in “A Star is Born.” Pundits, however, expect that statuette to go to Glenn Close for “The Wife,” who would finally clinch an Oscar on her 7th attempt.

It could be a momentous night for diversity. Spike Lee is vying to become the first black director to win an Oscar for his explosive take on US race relations in “BlacKkKlansman“; Rami Malek, who has Egyptian heritage, could be named best actor for his performance as the late Queen frontman Freddie Mercury in “Bohemian Rhapsody;” Regina King (“If Beale Street Could Talk“) and Mahershala Ali (“Green Book“) are also seen as strong contenders in the supporting actor races.

The Academy Awards will be televised live on ABC television starting at 8 p.m. EST/5 p.m. PST (0100 GMT on Monday).


‘Bridgerton’ actress says she was warned not to campaign for Palestinians

Updated 26 April 2024
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‘Bridgerton’ actress says she was warned not to campaign for Palestinians

  • Nicola Coughlan: Hollywood insiders told her advocacy could harm her career
  • Irish star feels ‘moral responsibility’ to campaign for ceasefire, continue to fundraise 

LONDON: Irish actress Nicola Coughlan has revealed that she was told her Palestinian advocacy could harm her career.

The “Bridgerton” and “Derry Girls” star told Teen Vogue she had been warned by people in Hollywood not to be openly supportive of Palestinian rights, but has continued to campaign for a ceasefire in Gaza and still publicly wears an Artists4Ceasefire pin.

“You do get told, ‘you won’t get work, you won’t do this,’ but I also think, deep down, if you know that you’re coming from a place of ‘I don’t want any innocent people to suffer,’ then I’m not worried about people’s reactions,” she said.

“My family lived in Jerusalem back in the late ‘70s, early ’80s, before I was born, so I heard first hand stories about them living there.”

She said her father, who served in the Irish military, went to a “lot of war-torn regions after the conflict and try and help rebuild,” and this had left a profound impression on her.

“I’m so lucky I’ve gotten to this point in my career, and I’m privileged as a white woman, first off.

“Then the fact that I get to do the job I love and travel the world and meet amazing people, I feel a moral responsibility to give back.”

She has made a point of continuing to campaign and raise money around the issue, adding: “To me, it always becomes about supporting all innocent people, which sounds oversimplified, but I think you’ve got to look at situations and just think, ‘Are we supporting innocent people no matter where they’re from, who they are?’ That’s my drive.”

Coughlan said social media plays a role in driving advocacy but it requires nuance. “More of us should be trying to understand how upsetting and traumatising this is for Jewish people, and how horrific it is that all these innocent people in Palestine are being murdered,” she added.

A number of Hollywood figures have faced repercussions for their open support of the Palestinians or criticism of Israel.

Mexican actress Melissa Barrera was fired from the latest “Scream” film over social media posts in support of Palestine, while director Jonathan Glazer caused controversy for using his acceptance speech at the Oscars for his film “The Zone of Interest” to criticize the Gaza war.


‘Game of Thrones’ star Liam Cunningham says world will ‘not forget’ those who stayed silent on Gaza

Updated 26 April 2024
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‘Game of Thrones’ star Liam Cunningham says world will ‘not forget’ those who stayed silent on Gaza

  • Irishman has been vocal advocate for Palestinian causes for decades

LONDON: Irish actor Liam Cunningham has said the public will “not forget” those who have not voiced support for Palestinians during the ongoing Israel-Hamas conflict in Gaza.

The “Game of Thrones” star has been a vocal advocate for Palestinian causes for decades. Speaking during a demonstration in Dublin led by Irish-Palestinian Ahmed Alagha, who has lost 44 family members in the recent Israeli assault on Gaza, Cunningham said he has been commended by his peers in the past for his activism.

“What concerns me is that the people who do care and are not doing anything are, in my opinion, worse than the people who don’t care,” he said.

Cunningham was asked if he had spoken to other actors to convince them to show support for the Palestinian cause, but responded by saying he could not speak for others, The Independent reported.

However, he added, “The internet doesn’t forget. When this comes around, when the ICJ (International Court of Justice) and ICC (International Criminal Court) hopefully do their work honorably, it is going to come out,” he said.

“And the people who didn’t talk — it is not going to be forgotten. It’s livestreamed, this genocide, and (saying) you didn’t know is not an option. You did know. And you did nothing. You stayed quiet. I need to be able to look in the mirror, and that’s why I speak,” he added.

A month after Israel launched its onslaught on Gaza in response to Hamas incursions on Oct. 7 in Israeli territory in which nearly 1,200 people were killed and around 250 hostages were taken, Cunningham said that for Irish people to ignore the treatment of Palestinians would be to “betray” their history.

“If we allow ourselves to accept this behavior, then we allow it to happen to us,” he said at the time. “We have to stand up for standards. We have to stand up for international law and it reduces us as human beings if we don’t.”

Israel’s assault on Gaza has killed more than 34,000 Palestinians, around two-thirds of them children and women, according to Hamas-run health authorities in the enclave.


Saudi Film ‘Hajjan’ wins 6 nominations at Critics Awards for Arab Films

Updated 26 April 2024
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Saudi Film ‘Hajjan’ wins 6 nominations at Critics Awards for Arab Films

DUBAI: Saudi Arabia-based film “Hajjan,” directed by Egyptian filmmaker Abu Bakr Shawky, is nominated for six categories at the eighth Critics Awards for Arab Films.

The movie is competing in the best feature film, best screenplay, best actor, best music, best cinematography and best editing categories. 

“Hajjan” tells the story of Matar, a boy who embarks on a journey across the desert with his camel, Hofira.

The movie is a co-production between the Kingdom’s King Abdulaziz Center for World Culture, or Ithra, and Egyptian producer Mohamed Hefzy’s Film Clinic. 

The movie, which is written by Omar Shama from Egypt and the Kingdom’s Mufarrij Almajfel, stars Saudi actors Abdulmohsen Al-Nemer, Ibrahim Al-Hsawi, among others. 

The awards ceremony, scheduled for May 18 on the sidelines of the Cannes Film Festival, is organized by the Arab Cinema Center in Cairo and assessed by a panel of 209 critics representing 72 countries. 

Sudanese director Mohamed Kordofani’s inaugural feature film, “Goodbye Julia,” and Tunisian filmmaker Kaouther Ben Hania’s Oscar-nominated documentary, “Four Daughters,” scored nominations in seven categories. 

Jordanian filmmaker Amjad Al-Rasheed’s “Inshallah A Boy” and Palestinian-British director Farah Nabulsi’s “The Teacher” have six nominations.


Emirati designer Hamda Al-Fahim dresses Anya Taylor-Joy for Tiffany event

Updated 26 April 2024
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Emirati designer Hamda Al-Fahim dresses Anya Taylor-Joy for Tiffany event

DUBAI: US actress Anya Taylor-Joy this week was spotted at the Tiffany & Co. celebration of the launch of Blue Book in Beverly Hills wearing a dress by Emirati designer Hamda Al-Fahim.

The actress from “The Queen’s Gambit,” who is the ambassador for the American luxury jewelry label, impressed her fans in a head-turning dark golden brown dress that featured a corset-styled bodice paired with a fitted velvet skirt that flowed down, culminating in a short train trailing behind her.

The dress is called the Velvet Canyon and is from Al-Fahim’s Earthy collection.

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Al-Fahim took to Instagram to share pictures of the star championing her design with her 498,000 followers.

“Anya Taylor-Joy (looks) stunning in our Velvet Canyon,” she wrote on her Stories. 

For her jewelry, Anya chose a glitzy diamond necklace embellished with red rhinestones, accompanied by matching earrings and a ring. She completed the ensemble with a statement chunky silver bracelet.

She styled her blonde hair with a side part, which cascaded in soft waves past her shoulders.

Taylor-Joy was accompanied by a star-studded lineup of celebrities, including Olivia Wilde, Emily Blunt, Gabrielle Union, Quinta Brunson, Rosie Huntington-Whiteley, Reese Witherspoon, Laura Harrier, Suki Waterhouse and Aimee Song, among others.

Wilde flaunted a black figure-hugging dress with a plunging neckline, Blunt was radiant in a white sequin dress, Union opted for a custom-made Staud dress in black and white, Brunson wore a black velvet midi-gown from Roland Mouret and Huntington-Whiteley chose a white Carolina Herrera dress.

Al-Fahim is an Abu Dhabi-based designer known for her elegant and ethereal aesthetic, often featuring intricate embellishments, delicate fabrics and flattering silhouettes. Her creations combine femininity and sophistication, blending traditional craftsmanship with modern sensibilities.

Seen on red carpets, premieres and high-profile events worldwide, Al-Fahim’s creations have captured the attention of international celebrities including Rihanna and Jennifer Lopez.

Al-Fahim has also previously teamed up with US luxury handbag designer Tyler Ellis on a limited-edition capsule collection in 2022.


REVIEW: Sofia Boutella’s heroic efforts can’t save ‘Rebel Moon — Part Two’

Updated 26 April 2024
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REVIEW: Sofia Boutella’s heroic efforts can’t save ‘Rebel Moon — Part Two’

DUBAI: “Rebel Moon — Part One: A Child of Fire” drew scathing reviews (our writer described it as perhaps “the most discombobulating collection of mismatched sci-fi tropes ever committed to film”). “Part Two: The Scargiver” simply adds to that legacy.

The story: Former Imperium soldier Kora and the surviving band of ragtag warriors she’s recruited return to the moon of Veldt — home to simple farming folk in danger of being blown to bits by the mighty Imperium for failing to supply the unreasonable grain quota demanded of them. With just a few days before the deadline, Kora and her band must train the villagers to fight (and harvest the grain in just three days to provide a bargaining chip). What Kora doesn’t know is that Admiral Noble, the bad guy she ‘killed,’ is still alive. And bent on vengeance.

Before the enemy arrives, the warriors tell their life stories in a trust-building exercise — one of the clunkiest pieces of exposition ever written. There are slow-mo shots of the harvest gathering and a brief interlude to show that Kora and farmer Gunnar are very much in love.

Then, thankfully, we’re into the battle(s). Here, at least, director Zack Snyder doesn’t disappoint, even giving an original twist to the ‘spaceship plummeting from the sky’ trope by staging a showdown between Kora, Gunnar and Admiral Noble on a floor that becomes increasingly vertical. Below them, the villagers fight heroically against odds very much stacked against them, even with the help of Nemesis and her two flaming definitely-not-lightsabers.  

The well-constructed battle scenes, though, aren’t enough. Not even with a cast fighting as heroically as the villagers to salvage something. Sofia Boutella, as Kora, emerges with most credit, proving herself a convincing action hero who deserves better than this material to work with (spoiler alert: perhaps even material that allows the heroine to kill the bad guy herself, without the intervention of her boyfriend).

Yes, no one’s sitting down to watch an “epic space opera” in the expectation of thought-provoking dialogue, but “Rebel Moon” is like the result of forcing a seven-year-old to watch all things “Star Wars” and “Star Trek” in random order, then asking them to write down what happened. The best thing to say about “The Scargiver” is that it finishes — but even that comfort is tainted by Snyder’s cynical setting up of a potential part three. Possibly because that seven-year-old fell asleep before writing an actual ending.