PARIS: French President Emmanuel Macron will next week make a new push to try and dissuade China’s Xi Jinping from supporting Russian President Vladimir Putin’s war against Ukraine but is unlikely to make a breakthrough on ending the conflict during the visit, observers say.
President Xi’s visit is set to be rich on symbolism — with a sumptuous dinner at the Elysee Palace and a trip to the Pyrenees mountains planned — but risks being short on diplomatic success for the French leader.
“France and the European Union expect him to use his influence on Russia, but Xi Jinping has nothing to offer on Ukraine,” said a former European diplomat, asking not to be named.
Xi is due to make a state visit to France on Monday and Tuesday, followed by visits to Serbia and Hungary, two European countries retaining warm ties with Russia.
While Xi and Macron will discuss international crises, trade, climate change and cultural exchanges, the key aim will be to “point out that for Europe, the first issue with China is its position on Ukraine,” said a source close to the French government.
On a visit to China in 2023, Macron had already called on Xi to “bring Russia to its senses” over Ukraine and urged him not to deliver weapons to Moscow.
Little has changed, however. Xi will host Putin for talks in China later this month.
Macron, 46, indicated he had not given up on the idea of trying to get Xi, 70, on his side.
“It’s not in China’s interest today to have a Russia that destabilizes the international order,” the French president said in an interview with The Economist published on Thursday. “We need to work with China to build peace.”
European Commission President Ursula von der Leyen, who has urged Beijing to play a greater role in ending the Ukraine war, will join Macron and Xi for talks on Monday.
Macron has said he will ask the Chinese president to help him achieve that aim when he visits Paris, which is preparing to host the Olympic Games this summer.
There is a historic tradition that peace should reign during the Olympics — although the opening of the Games in Beijing in August 2008 did not halt Russia’s invasion of Georgia.
“On Ukraine, China has done nothing,” said Marc Julienne, director of the Center for Asian Studies at the French Institute of International Relations (IFRI).
In February 2023, China published a 12-point position paper on Ukraine, but it was rejected by Kyiv and its Western allies.
Beijing, which says it is a neutral party in the Ukraine conflict, has been criticized for refusing to condemn Moscow for its offensive.
The United States had accused China of helping Russia carry out its biggest militarization since Soviet times.
US officials say China has provided dual-use supplies that have let Russia regroup in the face of a long delay in US aid to Ukraine.
In April, US Secretary of State Antony Blinken said this included “machine tools, semiconductors, other dual-use items that have helped Russia rebuild the defense industrial base that sanctions and export controls had done so much to degrade.”
China has rejected the US claims as “groundless accusations.”
Macron, too, is expected to raise “concerns” about “the activity of certain Wuhan companies that could be directly involved in or contribute significantly to the Russian war effort,” according to a member of his team.
Beijing is a major supporter of the Russian economy.
China-Russia trade in 2023 reached a record $240 billion, according to customs data, overshooting a goal of $200 billion set by the neighbors.
Experts say Beijing is unlikely to renounce support for Moscow, which it sees as a priority partner in its opposition to the United States.
“Xi Jinping’s priority is the Global South,” said Emmanuel Lincot, a China expert at the Catholic University of Paris.
“There is a congruence in the Sino-Russian bilateral relationship, particularly in the desire to counter the West. Which is not to say that there is no rivalry.”

DUBAI: Early in February this year, Moroccan contemporary artist and photographer Hassan Hajjaj was given a reminder of just how high his star has risen. Within a few days of each other, Hajjaj had shows opening in the US, Morocco, and — as part of AlUla Arts Festival — Saudi Arabia. 

Hajjaj’s playful portraiture, which incorporates vivid color, funky clothing (almost all of which he designs himself), geometric patterns, and — often — vintage brands from the MENA region, has made him internationally popular, and his instantly recognizable style has established him as one of the world’s leading photographers. 

His show in AlUla consisted of images that he shot in the ancient oasis town in February 2023. That visit was initially supposed to involve shoots with around 20 local people. It’s the kind of thing he’s done a few times before, including in Oman and Abu Dhabi. “It’s always a good opportunity to get to know the culture and the people,” Hajjaj tells Arab News.  

But, as he says himself, he arrived in AlUla as “an outsider,” so needed a team on the ground to persuade locals to come and sit (or stand, in most cases) for him.  

“It was a bit tough, in the beginning, for them to find people,” Hajjaj explains. “But because it was during a period when lots of art things were happening in AlUla, there were lots of people coming from outside AlUla as well. So we opened it up. I basically said, ‘Just come.’ 

“In the end lots of people turned up, not just locals — people from Riyadh, Jeddah, and people (from overseas) too. I think I shot around 100 people over a few days. So it was a great opportunity,” he continues. “To get to shoot that many people over three days — organizing something like that for myself might take a year. So, as long as I have the energy, when I get these opportunities — you know, I’m in AlUla with this eclectic bunch of people — I’d rather go and grind it, really work hard, and have that moment.” 

A Hassan Hajjaj shoot isn’t your regular portrait shoot, of course. “It’s almost like a performance,” he says. “There’s music, people dress up, it’s like a day out for them, taking them out of themselves for a few hours.”  

He followed the same modus operandi in AlUla. “We got an ambience going. It was fun, there was music… I shot in this beautiful old school that was one of the first girls’ schools in Saudi Arabia, from the Sixties. Upstairs was like a museum — everything was like a standstill from the Seventies and Eighties; even the blackboards had the chalk and the writing from that time,” he says.  

A crucial part of Hajjaj’s practice is to ensure that his subjects are at ease and feel some connection with him (“comfortable” is a word he uses several times when talking about his shoots). While all his portraits bear his clearly defined style, it’s important to him that they should also show something unique to the people in them. 

“It’s that old thing about capturing the spirit of the person in that split second, you know? I’m trying to get their personality and body language in the image,” he says. “Quite often I’m shooting in the street, outdoors, so (the subjects) can start looking at other people, thinking, ‘Are they looking at me?’ So I usually say, ‘Listen. This is a stage I’m building for you. I’m dressing you up, and we’re going to have fun.’ Then I just try and find that personality that can come out and make the image stronger. With some people, though, saying almost nothing can be better — just getting on with it. I try to kind of go invisible so it’s the camera, not the person, that’s doing the work. The best pictures come out when there’s some kind of comfortable moment between me and the person and the camera.” 

It’s the way he’s worked since the beginning — a process that developed organically, as most of his early portraits were of “friends or friends of friends.” 

“There’s a comfort in that because you have a relationship with them. It made it easy,” he says. “And that taught me about how important it is to build trust with people to get into that comfortable zone. But as time went on, obviously, people could see the stuff in the press or on social media, so then people started, like, asking to be shot in that manner; maybe they’ve studied the poses of certain people and stuff like that, so they come ready to do some pose they’ve seen in my pictures. That’s quite funny.” 

The work that was on display over the past two months in Hajjaj’s “AlUla 1445” is a perfect example of what he tries to achieve with his shoots. The images are vibrant, playful, and soulful, and the subjects run from a local goatherder through the AlUla football team to bona fide superstars: the US singer-songwriter Alicia Keys and her husband Swizz Beatz.  

Hajjaj says he has a number of favorites “for different reasons,” including the goatherder.  

“He brought in two goats and it became quite abstract when you put all of them together. I was playing with that notion of the person; you could see that’s his life and even the goats look happy,” he explains. “I wanted to make sure they had that shine in the image as well. I got some great shots of him.” 

The Alicia Keys and Swizz Beatz shoot has been a long time in the making. Hajjaj first met Swizz Beatz a decade ago, and they have been in touch intermittently ever since. The idea of a shoot with Keys first came up about five years ago, but logistics had always got in the way. But since they were playing a concert in AlUla at the same time as Hajjaj was there, it finally happened, on Hajjaj’s last day, with perhaps an hour left before the light faded.  

I ask Hajjaj if his approach to shooting celebrities differs from his shots of “ordinary” people.  

“There’s probably not that much difference,” he says. “They’re coming into my world, so, again, it’s just making sure they’re comfortable with you and you’re comfortable with them; not looking at them (as celebrities). The only thing is you have to imagine they’ve been shot thousands of times — by top photographers, too — so they’re going to have their ways. So I just have to lock in with them and find that comfortable space between the sitter and me.”  

And then there’s Ghadi Al-Sharif.  

“It’s a beautiful picture. She’s got this smile, with her hand over her face. For me, that one really presents the light and the energy of AlUla,” Hajjaj says. “It captures the new generation.”