What We Are Reading Today: Swindled

Updated 04 December 2018
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What We Are Reading Today: Swindled

Author: Bee Wilson

Bad food has a history. Swindled tells it. Through a fascinating mixture of cultural and scientific history, food politics, and culinary detective work, Bee Wilson uncovers the many ways swindlers have cheapened, falsified, and even poisoned our food throughout history.
In the hands of people and corporations who have prized profits above the health of consumers, food and drink have been tampered with – in often horrifying ways — padded, diluted, contaminated, substituted, mislabeled, misnamed, or otherwise faked. Swindled gives a panoramic view of this history, from the leaded wine of the ancient Romans to today’s food frauds — such as fake organics and the scandal of Chinese babies being fed bogus milk powder.
Wilson pays special attention to 19th- and 20h-century America and England and their roles in developing both industrial-scale food adulteration and the scientific ability to combat it.
As Swindled reveals, modern science has both helped and hindered food fraudsters.
— increasing the sophistication of scams but also the means to detect them. The big breakthrough came in Victorian England when a scientist first put food under the microscope and found that much of what was sold as “genuine coffee” was anything but — and that you could not buy pure mustard in all of London.


What We Are Reading Today: ‘The Bell Jar’

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Updated 20 December 2025
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What We Are Reading Today: ‘The Bell Jar’

  • The bell jar — clear, enclosing, and distorting the air she breathes — becomes the perfect image of Greenwood’s entrapment. Just as telling is the fig tree she imagines, with each fig representing a possible future: writer, traveler, mother, lover

Author: Sylvia Plath

Sylvia Plath’s “The Bell Jar” (1963) is a raw and luminous portrait of a young woman standing at the edge of adulthood, grappling with ambition, doubt, and the suffocating weight of expectation. 

Through the eyes of the novel’s troubled protagonist Esther Greenwood, Plath reveals the loneliness that can lie hidden beneath achievement and the unease brought on by future expectations.  

The novel opens in New York, where Greenwood’s magazine internship seems the gateway to success. Yet the city’s glamor soon feels hollow, and the confidence around her thin and brittle. 

Her sense of direction begins to fade, and the life laid out before her starts to feel both too small and impossibly distant.  

The bell jar — clear, enclosing, and distorting the air she breathes — becomes the perfect image of Greenwood’s entrapment. Just as telling is the fig tree she imagines, with each fig representing a possible future: writer, traveler, mother, lover. 

Torn between these possibilities, she hesitates until the figs shrivel and drop. This image, perhaps more than any other, reveals how fear of choice can quietly undo a person.   

Plath’s writing is sharp and deeply humane. She exposes the subtle pressures shaping women’s lives at that time without sentiment or complaint. 

The narrative’s erratic rhythm mirrors the character’s disoriented state of mind, where thought and memory blur at the edges. 

“The Bell Jar” speaks to anyone who has felt caught between possibility and paralysis, between who they are and who they are expected to be. 

Plath writes with precision and compassion, turning confusion into clarity and despair into something almost inspiring.