What We Are Reading Today: American Default by Sebastian Edwards

Updated 27 September 2018
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What We Are Reading Today: American Default by Sebastian Edwards

  • In 1933, when in a bid to pull the US out of depression, President Franklin D. Roosevelt depreciated the US dollar in relation to gold, effectively annulling all debt contracts
  • Revaluing the dollar imposed a hefty loss on investors and savers, many of them middle-class American families

JEDDAH: The American economy is strong in large part because nobody believes that America would ever default on its debt. Yet in 1933, Franklin D. Roosevelt did just that, when in a bid to pull the country out of depression, he depreciated the US dollar in relation to gold, effectively annulling all debt contracts. American Default is the story of this forgotten chapter in America’s history.

Sebastian Edwards provides a compelling account of the economic and legal drama that embroiled a nation already reeling from global financial collapse.

It began on April 5, 1933, when FDR ordered Americans to sell all their gold holdings to the government. This was followed by the abandonment of the gold standard, the unilateral and retroactive rewriting of contracts, and the devaluation of the dollar.

Anyone who held public and private debt suddenly saw its value reduced by nearly half, and debtors — including the US government — suddenly owed their creditors far less.

Revaluing the dollar imposed a hefty loss on investors and savers, many of them middle-class American families. The banks fought back, and a bitter battle for gold ensued. In early 1935, the case went to the Supreme Court. 

Edwards describes FDR’s rancorous clashes with conservative Chief Justice Charles Evans Hughes, a confrontation that threatened to finish the New Deal for good— and that led to FDR’s attempt to pack the court in 1937.

At a time when several major economies never approached the brink of default or devaluing or recalling currencies, American Default is a timely account of a little-known yet drastic experiment with these policies, the inevitable backlash, and the ultimate result.

 


REVIEW: ‘Shrinking’ season three flounders but Harrison Ford still shines

Updated 19 February 2026
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REVIEW: ‘Shrinking’ season three flounders but Harrison Ford still shines

DUBAI: In its first two seasons, “Shrinking” offered a smartly written, emotionally intelligent look at loss, therapy and the general messiness of human connection through the story of grieving therapist Jimmy (Jason Segel) — whose wife died in a tragic accident — and the village of flawed but recognizably human characters helping to heal him. Season three struggles to move forward with the same grace and thoughtfulness. It’s as though, encouraged by early praise, it has started believing its own hype.

For those familiar with co-creator Bill Lawrence’s other juggernaut, “Ted Lasso,” it’s a painfully familiar trajectory. That comedy also floundered in its third season. Emotional moments were resolved too quickly in favor of bits and once-complex characters were diluted into caricatures of themselves. “Shrinking” looks like it’s headed in the same direction.

The season’s central theme is “moving forward” — onward from grief, onward from guilt, and onward from the stifling comfort of the familiar. On paper, this is fertile ground for a show that deftly deals with human emotions. Jimmy is struggling with his daughter’s impending move to college and the loneliness of an empty nest, while also negotiating a delicate relationship with his own father (Jeff Daniels). Those around him are also in flux. 

But none of it lands meaningfully. The gags come a mile a minute and the actors overextend themselves trying to sound convincing. They’ve all been hollowed out to somehow sound bizarrely like each other.

Thankfully, there is still Harrison Ford as Paul, the gruff senior therapist grappling with Parkinson’s disease who is also Jimmy’s boss. His performance is devastatingly moving — one of his best — and the reason why the show can still be considered a required watch. Michael J. Fox also appears as a fellow Parkinson’s patient, and the pair are an absolute delight to watch together.

A fourth season has already been greenlit. Hopefully, despite its quest to keep moving forward, the show pauses long enough to find its center again. At its best, “Shrinking” is a deeply moving story about the pleasures and joys of community, and we could all use more of that.