Emara: The superhero who dons a headscarf

The caped crusader.
Updated 06 September 2018
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Emara: The superhero who dons a headscarf

  • Emara is the superhero alter ego of a young Emirati girl called Moza
  • Fatma Almheiri would like to see more Arab and Muslim representation from Hollywood

DUBAI: Picture your average female superhero, and she is probably dressed in spandex with long bouncy hair and an illogically tiny waist. 

But Emara dons a navy blue headscarf, a green, white and gold costume, a cape lined with red, and golden specs inspired by the burqa. 

Born and raised in Dubai, Fatma Almheiri was just 21 when she created the mini-series on YouTube in 2016. She now aims to put Arab female superheroes on the map.

“I’ve been doodling since I can remember. I grew up watching my mum draw and paint, as well as my cousins, so it’s always been part of my life. But I didn’t decide to take drawing more seriously until high school,” recalled the Emirati.

It was then that she transformed her hobby into a career and enrolled at the Cartoon Network Animation Academy in Abu Dhabi. 

From there, she interned at the UAE’s Cartoon Network Studios Arabia before working fulltime on her personal project, the five-episode cartoon “Emara: Emirates Hero,” which boasts more than 75,000 subscribers.

“Emara is the superhero alter ego of a young Emirati girl called Moza, who harnesses a special power to fight crime in the bustling streets of the UAE,” said Almheiri.

Why create her own show with a strong female lead? “Representation,” she said. “I tried to create the kind of character I wanted growing up but never got.”

In comics and other areas of pop culture, said Almheiri, representation matters because fictional characters are a mirror to society. 

Like Latifa, Saudi Arabia’s first female comic superhero, and Pakistani-American Ms. Marvel, Almheiri said she wants Emara to give a sense of identity to children who, like her, could not relate to traditional superheroes. 

The reaction to her YouTube series has been “overwhelming,” Almheiri added. “I didn’t expect so much support, especially not internationally.”

She said: “The female main character is in a hijab. You don’t really see that often in cartoons… It’s the characters that make the show great.”

While Emara is currently discontinued unless it gets commissioned — “animation isn’t cheap and it takes a lot of time” — its creator has her sights set on the big screen.

“I’d like to create my own animated feature film one day,” said Almheiri. “I’d like to see more Arab and Muslim representation from Hollywood.” 


‘The Wrecking Crew’ — Jason Momoa and Dave Bautista head enjoyable romp

Updated 06 February 2026
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‘The Wrecking Crew’ — Jason Momoa and Dave Bautista head enjoyable romp

RIYADH: Angel Manuel Soto directs this odd-couple action-comedy with a confidence and flair that — along with the chemistry between its central performers and its better-than-you’d-ever-expect script — just about raises it above the slop swarming the streamers.

Jason Momoa and Dave Bautista play estranged half-brothers Jonny and James Halle. Both have the same father — a not-much-liked private detective called Walter who’s just been killed in a hit-and-run in Hawaii (where they were raised and where James, a Navy SEAL, still lives). Neither brother is particularly upset to hear the news of Walter’s death, but when Yakuza henchmen attack Jonny in his Oklahoma home (where he’s a maverick, heavy-drinking cop) demanding a package sent by Walter (a package he hasn’t yet received), he decides to return to Hawaii for the first time in years to attend the funeral and investigate further.

Jonny’s reunion with James is less than cordial, but he does meet James’ wife Leila and their kids for the first time. Leila is a child-psychologist — not afraid to call the brothers out on their emotional shortcomings, nor to try and help them fix their fractured fraternity.

The brothers’ investigation uncovers a plan to build a casino on Hawaiian home lands (an area held in trust for Native Hawaiians). The developer is the extremely wealthy Marcus Robichaux (played with gleeful pantomime-villain campness by Claes Bang), who — it turns out — had hired Walter to investigate his wife, who had hired Walter to investigate her husband.

Now our heroes know who they have to bring down, they’re into far more comfortable territory (both for the characters and, you suspect, the actors). Yep. Forget the dialogue, it’s action time.

Cue multiple scenes of high-octane mayhem expertly helmed by Soto in what’s essentially a slightly updated (emotional healing!) throwback to the dumb-but-fun action blockbusters of the Eighties and Nineties. The nostalgia isn’t hidden, either. The soundtrack starts with Guns N’ Roses and ends with Phil Collins. And there’s a shoutout to Jean-Claude Van Damme in between.

There’s a plot here too, but, honestly, who cares? Momoa and Bautista get to flex their considerable muscles, show off their ink, and make a few wisecracks. No one’s watching this for a clever twist, right? Watch it hoping for a couple hours of entertaining excitement and you’ll be well satisfied.