Why animation and storytelling are growing in Saudi Arabia

Members of Verve Studios say the platform provides them an ideal place to pursue their passion. (AN)
Updated 14 May 2018
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Why animation and storytelling are growing in Saudi Arabia

  • There is a large audience for animated films in the Kingdom
  • Verve Studios was established in 2015, and now has more than 30 partners

JEDDAH: There is a large audience for animated films in the Kingdom, according to Verve Studios’ animator 23-year-old Saudi Ola Sfeeran. 

“It gives us a great opportunity to actually work and present new kinds of animation related to Saudi culture and closer to the Saudi audience,” she told Arab News. 

Sfeeran said that the field of animation and storytelling had existed for quite a long time, but on a small scale. “But now it is more efficient as we see some of the local companies offering scholarships to Japan, sponsored by famous animation studios and gaming companies such as Toei Animations and Square Enix.”  Sfeeran said that animation had a promising future in the Kingdom, highlighting that “entertainment makes a good business.” 

Verve Studios was established in 2015, and now has more than 30 partners. “We call them partners instead of customers, and the numbers are rising every year.” 

Sfeeran said that Verve Studios was the ideal platform for artists to pursue their passion. “We welcome all artists and share with each other the same language of art and collaborate to empower such passion,” she said. 

Another animator is Samaher Bantan, from Effat University’s Visual and Digital Production (VDP) department. 

Bantan was interested in animation and storytelling from a young age, drawing comics and sharing them with friends and family. She followed her passion for animation by studying it in her free time, and registered at Effat University as soon as she was told about the animation stream at the VDP department.  “VDP is the first filmmaking major in Saudi Arabia; it made a raucous movement in the Kingdom at first, especially as it was the first major that was under an all-female university. That motivated students to work harder to show what they are capable of, and to share Saudi Arabia’s culture and life,” Bantan said. 

Bantan explained the importance of animators in advertisements. 

“Now that Saudis are animating and storytelling more; you notice it especially in advertisements. Companies start asking for more animators to animate whether it is an ad or a video for their websites. Storytelling has started before with novels, and now it is going into films and will go more into animation,” she said.  “It made it easier for customers to get interested in the ad and understand the company purpose in an entertaining way,” she said. 

Bantan also believes in the potential of animation and storytelling in Saudi Arabia. “This field will have a bright future in the Kingdom. Many things are changing with Saudi Vision 2030; cinemas are opening up and a number of Saudis have received awards for their films, soon it will be global and the world will understand Saudi better.” 

Bantan hopes to create her own animated stories one day. “I dream of making my own stories, and animation that carries our good ethics and beliefs for the next generations.” 

“Harb Attaj” comic book series creator Wasim Shaer, a 34-year-old Swede, says that storymaking and animation is a long and challenging process. “It needs time to create good quality — building something out of almost nothing and turning it into a stunning story,” he told Arab News.

“Beautiful animation can take years in production, but when you have the passion and commitment to making it right, you can really come up with a true masterpiece that creates a memorable animated show for many people, and it will last for decades and inspire many generations,” he said.

Shaer creates original content, ideas, plots and art for comic books and storyboards. 

He explained that “these comics’ content become the very first stage and source for animation and animated shows later on.” 

Shaer encourages pre-animators and storytellers to stay committed to ensure a successful bright future in the Kingdom. 

“Not only a bright one but a golden one if the current and future creators stay committed to doing what they are doing,” he said. “Only this will help build up rich local content and make it ready and attractive to be animated.”

Shaer said that there are now Saudi publishing houses fostering pre-animations. “(One is) Ironixcomix, the Saudi company and publishing house that is building up artists and authors communities to help them build and publish high-quality content that is good enough for future animations.” 


Saudi Arabia witnessing comprehensive cultural development, says expert

Updated 14 February 2026
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Saudi Arabia witnessing comprehensive cultural development, says expert

  • Clotilde Entrecanales of Acciona hails pace of change in Kingdom

JEDDAH: Museums, exhibitions and art centers play a crucial role in the development of free and educated societies such as the one now burgeoning in Saudi Arabia, an expert has told Arab News.

Clotilde Entrecanales, the Spanish art historian and cultural executive who heads Acciona Living & Culture, a leading creator of technology-driven interactive museums, exhibits and events, said the Kingdom is making efforts to expand the role of culture development to show the world the greatest possible cultural offer.

She added that the Kingdom has quickly infused new energy into the region, and is rapidly establishing itself as a global cultural hub through massive investment in world-class museums, public art and international events, aligning with its 2030 vision.

She said: “With around 70 percent of the population under 30, cultural consumption looks very different than in Europe or the US. These spaces can’t feel like quiet, isolated institutions … they need to be fast, dynamic, brave and deeply connected to the city, blending into everyday urban life rather than sitting apart from it.”

Asked about the role of these sites in the evolving global cultural landscape, particularly in emerging cultural hubs like Saudi Arabia, Entrecanales said: “Our vision is to be a purpose-led partner for cultural and entertainment institutions, helping them be more relevant, connected, inclusive and sustainable.”

She added: “In emerging cultural hubs like Saudi Arabia, that approach feels especially relevant. The cultural transformation underway is moving fast — with major heritage and cultural destinations being developed and opened to the world.”

Speaking about her impression of the Kingdom’s approach to blending heritage with modernity face, Entrecanales said: “Others who attempt to achieve this balance often end up turning heritage into a theme, a layer of storytelling or a cultural program. What feels different about Saudi’s approach is how much pressure there is to treat heritage as the foundation, not just the surface.

“When you’re building at this speed and scale, there’s always a risk that history becomes a backdrop instead of a backbone. The projects that work best are the ones that slow down just enough to let the past set the rhythm for the present.”

Regarding opportunities and challenges, she said: “The opportunity is nothing less than positioning Saudi Arabia as a global cultural center. The challenge, as always, lies in balancing the speed and scale of that ambition with long-term sustainability and a sense of authenticity that remains credible and rooted.”

She added: “You can really feel this in places like the Islamic Arts Biennale, which shows hundreds of historical artefacts of the Islamic world, while re-framing them through contemporary scenography and designs by some of the best design studios in the world; or in AlUla, a world-class heritage site that hosts a major contemporary platform like Desert X, allowing ancient context and present-day artistic practice to coexist in a way that feels genuine.”

Under her guidance, ACCIONA Cultura aspires to create museums and cultural experiences that function as landmarks while fostering sustainable, inclusive and immersive interactions.

She elaborated on how the company is integrating technology, culture, and sustainability to preserve and promote the region’s cultural heritage: “We always start with human connection and storytelling: what’s the story, what should people leave with? Tech comes later.”

Recently, ACCIONA Cultura has been involved in significant projects in Saudi Arabia and is looking forward for more.

She said: “Right now, for example, we’re designing and curating a museum gallery where the entire space is shaped by the practice of a Saudi artist. Another example is the Net Zero exhibition at the King Abdulaziz Center for World Culture (Ithra), where we brought together Saudi and international artists to explore sustainability and our relationship with the planet, including voices like Dina Haddadin, Mohammed Al-Faraj, and Zahrah Al-Ghamdi.”

She added: “One of the projects I’m most proud of isn’t a museum, but our NEXT IN Summit, which we’ve hosted in two editions in our ACCIONA Campus in Madrid, highlighting the Kingdom’s unprecedented cultural momentum as it builds future-facing institutions with a startup mindset.”

About further collaboration with Saudi Arabia, she said: “Let’s just say … something’s definitely simmering in the kitchen.”

Commenting on being recognized among the Blooloop 50 Museum Influencers for 2025, she said: “It means a lot. More than anything, it feels like a nod to the years of teamwork and dedication behind Acciona Cultura, rather than to me personally.”