Saudi artists depict change through art

Some of the most admired artists in the Kingdom have showcased their work during the ongoing visit of Crown Prince Mohammed bin Salman to the US.
Updated 27 March 2018
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Saudi artists depict change through art

NEW YORK: The compelling story of how Saudi Arabia is changing is the theme of an exhibition of contemporary Saudi art, which opened on Monday in New York at the newly established Misk Art Institute.
The four-day exhibition marks the official visit to the US of Crown Prince Mohammed bin Salman and showcases works by some of the most admired artists in the Kingdom, with 27 major artworks. The art institute is part of the Misk Foundation, the non-profit body the crown prince set up to promote and encourage creativity among the Kingdom’s youth.

DANA AWARTANI
Born in Jeddah in 1987, Awartani has a degree in fine art from the prestigious Central St. Martin’s College in London and a master’s degree in traditional arts from the Princes School in London.
She specializes in illumination, tile work and parquetry and her work typically features geometric patterns. She has exhibited her work in Salt Lake City, San Francisco and the Venice Biennale. Several of her works are included in the Farjam Collection, one of the world’s largest collections of Islamic art.

RASHED AL-SHASHAI
One of the most active figures on the Saudi contemporary art scene, Al-Shashai, 40, was born in Al-Baha and raised in Makkah. He is a founder member of the Saudi Arabia Fine Arts Society, the Art Education Society and founder-director of Tasami Centre for Visual Art, which supports cutting-edge art in the Kingdom. He has exhibited widely both in the Gulf region, in North Africa and the US and is considered an important influence on the new generation of Saudi artists. He also lectures and organizes exhibitions and forums.

AHMAD ANGAWI
He studied industrial design at the Pratt Institute in Brooklyn, New York and then did a master’s degree in traditional art at the Prince’s School in London. He says his work is inspired by Islamic principles and firmly believes that industrial designers are the craftsmen of today. Angawi is a cofounder of Al-Hangar, an independent artist initiative, which organizes cultural exchanges through exhibitions and educational programs. He has exhibited throughout the Gulf as well as Venice and the US.

AJLAN GHAREM
Born in 1985 in the southern city of Khamis Mushait, Gharem is now based in Riyadh, where he teaches mathematics and applies mathematical discipline to making his art. He founded the Gharem Studio with his artist brother, Abdulnasser Gharem. He has been exhibited in the US and London and in 2011 was chosen to work with artists and curators at the British Museum, Tate Modern and Penguin Books.
SAEED SALEM
Born in 1984 in Jeddah, Salem is of Yemeni descent and was educated in Malaysia. He graduated from Curtin University, Perth, Australia in 2007 with a degree in advertising, which included a photography module. He had no intention of becoming a photographer but after working in several design and photography studios, he set up his own shop, 181 degrees, in 2009.
His first major stint in the contemporary art world was through Edge of Arabia’s We Need to Talk exhibition in Jeddah in 2012, where Salem began project Neonland, a series of iconic photographs capturing the essence of Jeddah.

FATIMAH HASSAN
The women of Asir, southwest Saudi Arabia are famous for the colorful murals and frescoes they paint to decorate their homes. Hassan, herself an Asiri, is a proud exponent and promoter of the traditional art form, having showcased examples at the UN in New York, among other places. With her son Ahmed, daughter Jamila and the Saudi Commission for Tourism and National Heritage, she has lobbied to have traditional murals in Asir placed on the UNESCO World Heritage list.
The Al-Qatt Al-Asiri murals by women artists from southern Saudi Arabia have been specially commissioned for the Misk Art Institute exhibition.

AMR ALNAGMAH
The conceptual artist has created pieces featuring the Ka’aba. His piece, “Digital Spirituality” has the black cube located in the center of a circuit board. He has exhibited his work at the Arab-American National Museum in Dearborn, Michigan, the only national institution in the US dedicated to the Arab-American experience.


Artist in residence program revives Arabic calligraphy in Jeddah

Al Falah hosted the “Dar Al-Qalam Residency Program” exhibition over the weekend, presenting a modern take on Arabic calligraphy
Updated 7 sec ago
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Artist in residence program revives Arabic calligraphy in Jeddah

JEDDAH: Al Falah, Jeddah’s oldest school, hosted the “Dar Al-Qalam Residency Program” exhibition over the weekend, presenting a modern take on Arabic calligraphy.

The program exhibited works by members of an artist-in-residency program run by the Prince Mohammed bin Salman Global Center for Arabic Calligraphy, an initiative of the Saudi Ministry of Culture.

The residency brought together Saudi and international artists in an intensive eight-week program dedicated to contemporary Arabic calligraphy.

It explored the art of Arabic calligraphy through four key themes: its traditional roots, the arts that accompany it, leading contemporary practices and questions surrounding the future of innovation in this art form.

The exhibition was curated by Abdelrahman El-Shahed, supported by assistant curator Layal Al-Gain.

The artists who took part in the second edition of the residency were: Om Kalthoom, Budor Alyafie Al-Alawi, Bushra Al-Kebsi, Rafiq Ullah Khan, Zainab Al-Sabba, Somaya Al-Sayed, Laya Al-Kaff, Mustafa Al-Arab, Hind Djafer and Yomna Ayman.

Assistant curator Layal Al-Gain told Arab News that artists who reside in the heart of Jeddah historical area are offered a transformative platform to sharpen their creative skills through expert mentorship, production support and curatorial guidance.

“The participating artists came from a wide range of multi-disciplinary backgrounds including art, photography, design, architecture and other fields, and what is beautiful about that (is that) they have joined together by their love and passion for the Arabic calligraphy as they approach it in a different way,” Al-Gain said.

The program offered an intensive framework of practical workshops, critique sessions, lectures, research activities and field visits.

These were complemented by meetings with experts and peers, fostering critical exchange within a historically and culturally resonant setting.

For Saudi artist Om Kalthoom, the experience was deeply introspective.

“I have been in residency programs (before) but this one is very impressive because the subject is related to Arabic calligraphy,” she said.

“Being immersed in the heart of this great historical area allowed me to see making as both an act of listening and an act of thinking.”

Speaking about her work, she explained: “It is called ‘Beyond the Light.’ it is a direct message with Arabic letters.

“I try in this project to give visitors a space where they can think, search and connect these letters.”

Saudi artist Laya Al-Kaff said: “We are here to celebrate the Arabic letter not simply as text but as a form of visual expression in itself.”

Al-Kaff said the Dar Al-Qalam Residency Programme was a great experience. “It is a great opportunity (for) us as artists to engage with the residents’ artistic processes, trace the evolving forms of Arabic calligraphy in contemporary practice.

“In this work, I rethought my own background as an artist. I graduated with a degree in dentistry, oral medicine, therefore decided to combine the anatomy I studied at university with the one-line art.”

Rafiqullah Khan, from Pakistan, said he was “thrilled to be part of the second Al‑Qalam Arabic Calligraphy Residency, an initiative of the Prince Mohammed bin Salman Global Center for Arabic Calligraphy.”

“This program gives calligraphers and visual artists a nurturing space to experiment, share knowledge and celebrate Arab identity on both local and world stages.”

He said he was “immersed in the historic heart of Al‑Balad, Jeddah, wandering coral‑stone alleys, sketching timeless facades, and letting the city’s layered stories flow into my work.”

Zainab Al-Sabaa, a Bahraini artist, designer and architect told Arab News that she was inspired by Jeddah’s historical area.

Aligned with Saudi Arabia’s Vision 2030 and the National Culture Strategy, Dar Al-Qalam contributes to a wider effort to support creative practice, nurture artistic research and reposition traditional art forms within global contemporary discourse.