What We Are Reading Today: The Cognitive Challenge of War: Prussia 1806 by Peter Paret

Updated 15 August 2018
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What We Are Reading Today: The Cognitive Challenge of War: Prussia 1806 by Peter Paret

  • Fields of history that are often kept separate are brought together in this book, which seeks to replicate the links between different areas of thought and action as they exist in reality and shape events

Responding to the enemy’s innovation in war presents problems to soldiers and societies of all times. This book traces Napoleon’s victory over Prussia in 1806 and Prussia’s effort to recover from defeat to show how in one particular historical episode operational analyzes together with institutional and political decisions eventually turned defeat to victory.

The author moves from a comparative study of French and Prussian forces to campaign narrative and strategic analysis. He examines processes of change in institutions and doctrine, as well as their dependence on social and political developments, and interprets works of art and literature as indicators of popular and elite attitudes toward war, which influence the conduct of war and the kind and extent of military innovation. In the concluding chapter he addresses the impact of 1806 on two men who fought on opposing sides in the campaign and sought a new theoretical understanding of war — Henri Jomini and Carl von Clausewitz.

Fields of history that are often kept separate are brought together in this book, which seeks to replicate the links between different areas of thought and action as they exist in reality and shape events.

Peter Paret is professor emeritus at the Institute for Advanced Study. He has written widely on the history of war and society and on the relationship of art, society, and politics. He is the author of Clausewitz and the State (Princeton), now in its third revised edition. Most recently he gave the 2008 Lees Knowles Lectures at Cambridge University, on which this book is based, and was guest curator for the spring 2009 exhibition Myth and Modernity at the Princeton University Art Museum.


What We Are Reading Today: ‘Talking As Fast as I Can’

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Updated 16 January 2026
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What We Are Reading Today: ‘Talking As Fast as I Can’

  • Graham writes the same way she talks; similar to her signature linguistic sing-song banter on the show; her witty and pun-filled rapid-fire dialogue, mostly written by the show’s creator, Amy Sherman-Palladino

Author: Lauren Graham

Did you recently rewatch “Gilmore Girls” now that the winter weather is upon us?

If you are the type who goes down the rabbit hole looking up the actors after binging a show, this book is for you. It is written by none other than the original but fictional Gilmore “girl,” Lorelai, played by actress Lauren Graham.

In her 2016 release, “Talking as Fast as I Can: From Gilmore Girls to Gilmore Girls (and Everything in Between),” Graham celebrates the show — and the character — she is best known for.

Graham writes the same way she talks; similar to her signature linguistic sing-song banter on the show; her witty and pun-filled rapid-fire dialogue, mostly written by the show’s creator, Amy Sherman-Palladino.

But this is Graham’s voice.

Like many others of said demographic, I decided to recently rewatch the show that aired between 2000 and 2007 and was revived in a four-part Netflix special a decade later. It stands the test of time. And it also does not. Both can be true.

Published just days after the 2016 Netflix special, “Gilmore Girls: A Year in the Life,” the overall story in this book is fascinating.

I particularly liked the insider insights on Graham’s journey, from being born in Hawaii (seemingly random) to living part of her childhood in Japan (super kawaii, or cute). It was clear her family was one of adventurers and her zigzagging around the globe as a youngster propelled her into a space in Hollywood and the immense fame that followed her.

She does mention some of her other acting and life roles she acquired, such as a real college student in New York and waitress-waiting-to-make-it, to being a star in another hit show, “Parenthood,” which ran from 2010-2015 (also now available on Netflix).

But, let us face it, she will forever be known as Lorelai. And she seems to be fine with that.

As a young viewer, I used to identify with the character Rory, played by her daughter on the series, Alexis Bledel, who went on to become an aspiring journalist in the show and in the series. As time passed, and the older and wiser I became, I identified more with Lorelai’s mother, Emily. I sort of skipped Lorelai as being my favorite Gilmore “girl” and that is perhaps by design.

Lorelai became a single mother at 16, deciding to run away from her affluent life and “overbearing parents” and into the warm embrace of a tiny town, the fictional Stars Hollow.

At the series start, Lorelai is a stubborn and resourceful 32-year-old with the perfect child, Rory, who is 16 — the same age she was when she birthed her. But somehow, through circumstance and happenstance, Lorelai is forced to flock back to parts of her old life, bringing Rory, and all of us with her.

In 2026, it is 26 years after the original show’s premiere and a decade after the special. Now that both are on Netflix MENA, viewers young and young-at-heart can easily access the Stars Hollow-sphere.

Viewers of this aforementioned demographic will instantly recognize the iconic and airy “la la la…” and while many may not know the composer of those incidental music and vocal interludes embedded throughout the episodes, Sam Phillips, one would certainly recognize the face and voice of Lorelai.

Now you can read all about her in book form.