US designer Kate Spade remembered as vibrant and colorful, like her creations

In this May 13, 2004 file photo, designer Kate Spade poses with handbags and shoes from her next collection in New York. (AP)
Updated 06 June 2018
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US designer Kate Spade remembered as vibrant and colorful, like her creations

NEW YORK: Bright. Vibrant. Colorful. And, most essentially, fun.
The same words used so often to describe Kate Spade’s enormously popular handbags — “It” bags that were both aspirational and affordable — were an apt description of the woman herself, say many in the fashion world. And that only contributed to the sense of shock and loss in the industry upon hearing the news Tuesday that Spade had apparently taken her own life at 55.
“She was always just as happy and delightful as her collection was,” said Fern Mallis, industry consultant and former director of the Council of Fashion Designers of America during Spade’s rise to success in the 1990s. “She was every bit the representation of that brand, and the fun of it all.”
Indeed, Spade had said it herself: “I hope that people remember me not just as a good businesswoman,” she told Glamour magazine in 2002, “but as a great friend — and a heck of a lot of fun.”
Spade was found hanged in the bedroom of her Park Avenue apartment Tuesday morning in an apparent suicide, law enforcement officials said.
Spade liked to say that she wasn’t obsessed with fashion, or interested in trends. She tried jeans, for example, decided they didn’t look good on her, and moved on. “I grew up in the Midwest, where you have to have (a fashion item) because you like it, not because you’re supposed to have it,” she told The AP in 2004. “It’s an adornment, not an obsession.”
And a Kate Spade bag was an adornment that was, crucially, affordable, unlike other iterations of “It” bags whose status seemed to hinge on the price tag. “It was a real shift,” Mallis said. “Everybody had Kate Spade bags. You could afford them, and happily buy more than one. They were affordable AND terrific AND fabulous.” Having a Spade bag “was a sign that you were in the know,” said Eric Wilson, fashion news director at InStyle. “You associated yourself with this fun, cool, with-it, hip brand that wasn’t snobbish or so exclusive that it felt like a European luxury brand.”
And the bags seemed to effortlessly appeal to a variety of women. “She had a quirky visual language that captivated Bat Mitzvah girls and artists alike,” wrote actress Lena Dunham on Twitter. “She was also a staple of NYC who spread goodwill.”
Born Katherine Brosnahan, Spade grew up in Kansas City, Missouri. She was working as an accessories editor at Mademoiselle magazine when she launched her company with husband Andy in their New York apartment in 1993, based on six shapes of bags she thought every working woman needed. She called them her “stepping stones” — and said years later that they were still her favorites.
As her brand expanded, “the fun, colorful, bright designs she created added an element of cheerfulness others have tried to emulate,” said Deidra Arrington, associate professor of fashion design and merchandising at Virginia Commonwealth University. “She was a visionary.” One obvious measure of her influence was the number of counterfeit Kate Spade bags one could find on the streets, Arrington said. “Most women remember their first Kate Spade bag. I still have mine.”
Indeed, on social media, many women were recalling their first Spade bag. “My grandmother gave me my first Kate Spade bag when I was in college,” Chelsea Clinton wrote on Twitter. “I still have it.” Jenna Bush Hager wrote: “I will never forget the first Kate Spade bag I got for Christmas in college.”
Spade was not only about bags: she would expand into shoes, apparel, luggage and other accessories, and stationery. “Everyone loves to get a letter,” Spade told the AP in 2006, explaining that she never used computers and had her staff print out emails. “I love sending them. I love getting them.”
Spade, who won multiple CFDA awards and was named a “giant of design” by House Beautiful magazine, walked away from her company in 2007, a year after it was acquired from the Neiman Marcus Group for $125 million by the company then known as Liz Claiborne Inc.
Coach, now known as Tapestry, bought the Kate Spade brand last year for $2.4 billion. Spade and her husband — who is the brother of comedian David Spade — started a new handbag company recently, Frances Valentine.
Wilson, of InStyle, recalled often finding her in her store, helping shoppers. “Often I would walk in and I’d see her there serving customers, not telling them ‘I’m Kate Spade’ or Kate Valentine, her other alias, but just helping people,” he said. “I found her to be just down to earth, a normal mom, talking about the trials and tribulations of raising a child and life in the city.”
Mallis, the former CFDA director, noted that the stunning news of Spade’s death came just the morning after virtually the entire New York fashion industry had gathered at the Brooklyn Museum for the glitzy annual CFDA awards. “Nobody could have ever anticipated that the next day, this was the news that would be flashing on our phones,” she said. “You just never know the demons that people are dealing with.”
Outside a Kate Spade store on Manhattan’s Fifth Avenue Tuesday, Dorothy Ruderman, who said she was a fan of the designer, compared Spade’s death to that of Robin Williams, who hanged himself in 2014. “You see someone who kind of made a career off of making people smile,” she said. “It’s sad.”


Hoor Al-Qasimi appointed artistic director of the Biennale of Sydney

Updated 18 May 2024
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Hoor Al-Qasimi appointed artistic director of the Biennale of Sydney

DUBAI: The Biennale of Sydney announced this week that Emirati creative Hoor Al-Qasimi will become its artistic director for 2026.

The 25th edition of the biennale will run from March 7 to June 8.

Since its inception in 1973, the biennale has grown to become one of the longest-running exhibitions of its kind and was the first biennale established in the Asia-Pacific region.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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Al-Qasimi created the Sharjah Art Foundation in 2009 and is currently its president and director. Throughout her career, she acquired extensive experience in curating international biennials, including the second Lahore Biennale in 2020 and the UAE Pavilion at the 56th Venice Biennale in 2015.

In 2003, she co-curated the sixth edition of Sharjah Biennial and has remained the director of the event since.

Al-Qasimi has been president of the International Biennial Association since 2017 and is also president of the Africa Institute. She has previously served as a board member for MoMA PS1 in New York and the UCCA Center for Contemporary Art in Beijing, among other roles.

She is also the artistic director of the sixth Aichi Triennale, scheduled to take place in Japan in 2025.


Muhammad second most popular name for baby boys in England, Wales

Updated 17 May 2024
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Muhammad second most popular name for baby boys in England, Wales

  • Name ‘has soared in popularity in recent times’: Daily Mail
  • Layla, Maryam, Yusuf, Fatima, Musa, Ibrahim among popular Arabic names

LONDON: Muhammad was the second most popular name for baby boys in England and Wales in 2022, according to the Office of National Statistics.
The Daily Mail reported on Friday that the Arabic name “has soared in popularity in recent times,” having ranked 20th in 2012.
Variations of the name’s spelling, Mohammed and Mohammad, were also among the top 100 most popular baby boys’ names in 2022, ranked 27th and 67th respectively.
Other popular Arabic names for baby boys were Yusuf (93rd), Musa (99th) and Ibrahim (100th).
In the girls’ list, Layla ranked 56th, Maryam 75th and Fatima 99th.


India’s butter chicken battle heats up with new court evidence

Updated 17 May 2024
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India’s butter chicken battle heats up with new court evidence

  • Two Indian restaurant chains have been sparring since Jan. at Delhi High Court, both claiming credit for inventing the dish
  • The lawsuit that has grabbed the attention of social media users, food critics, editorials and TV channels across the globe

NEW DELHI: With new photographic and video evidence, an Indian court battle over the origins of the world famous butter chicken is set to get spicier.
Two Indian restaurant chains have been sparring since January at the Delhi High Court, both claiming credit for inventing the dish in a lawsuit that has grabbed the attention of social media users, food critics, editorials and TV channels across the globe.
The popular Moti Mahal restaurant chain said it had the sole right to be recognized as the inventor of the curry and demanded its rival, the Daryaganj chain, to stop claiming credit and pay $240,000 in damages. Moti Mahal said founder Kundan Lal Gujral created the cream-loaded dish in the 1930s at an eatery in Peshawar, now in Pakistan, before relocating to Delhi.
That “story of invention of butter chicken does not ring true” and is aimed at misleading the court, Daryaganj said in a new, 642-page counter-filing reviewed by Reuters.
Daryaganj says a late member of its founding family, Kundan Lal Jaggi, created the disputed dish when he helmed the kitchen at the relocated Delhi eatery, where Gujral, his friend-cum-partner from Peshawar only handled marketing.
Both men are dead, Gujral in 1997 and Jaggi in 2018.
Evidence in the non-public filing includes a black-and-white photograph from 1930s showing the two friends in Peshawar; a 1949 partnership agreement; Jaggi’s business card after relocating to Delhi and his 2017 video talking about the dish’s origin.
By virtue of the friends’ partnership, “both parties can claim that their respective ancestors created the dishes,” Daryaganj says in the filing, calling the dispute a “business rivalry.”
Moti Mahal declined to comment. The judge will next hear the case on May 29.
A key point of contention, which the court will have to rule on, is where, when and by whom the dish was first made — by Gujral in Peshawar, Jaggi in New Delhi, or if both should be credited.
Butter chicken is ranked 43rd in a list of world’s “best dishes” by TasteAtlas, and bragging rights about who invented it can matter, brand experts said.
“Being an inventor has a huge advantage globally and in terms of consumer appeal. You are also entitled to charge more,” said Dilip Cherian, an image guru and co-founder of Indian PR firm Perfect Relations.
Moti Mahal operates a franchisee model with over 100 outlets globally. Its butter chicken dishes start at $8 in New Delhi, and are priced at $23 in New York.
Late US President Richard Nixon and India’s first Prime Minister Jawaharlal Nehru are among the famous clients to have visited its primary outlet in Delhi.
Daryaganj started in 2019 and its butter chicken costs $7.50. It has 10 outlets, mostly in New Delhi, with plans to expand to other Indian cities and Bangkok.
In its 2,752-page Indian lawsuit, Moti Mahal had also accused Daryaganj of copying “the look and feel” of the interiors of its outlets.
Daryaganj has retorted with photographs of restaurant interiors which the judge will review, claiming it is Moti Mahal that has copied its “design of floor tiles.”


Tima Abid’s ‘sea-spired’ collection opens first Red Sea Fashion Week

Updated 17 May 2024
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Tima Abid’s ‘sea-spired’ collection opens first Red Sea Fashion Week

  • Beadwork, satin used to mimic waves, gleaming glints on water
  • Designer lauds support of Culture Ministry, Fashion Commission

RIYADH: Saudi Arabia designer Tima Abid opened the first Red Sea Fashion Week on Thursday with bridal wear inspired, or perhaps sea-spired, by the effervescent colors and tides of the ocean.

Backdropped by the glistening and clear turquoise waters of the St. Regis Red Sea Resort on the developing Ummahat Al-Sheikh island, Abid showcased luxurious, elegant and intricately-designed evening wear.

Abid incorporated sheer chiffon, micro ruffles, and malleable fabrics to mimic an underwater experience. (Arab News)

The Jeddah-born haute couture designer told Arab News: “When I was told that I would inaugurate Red Sea (Fashion) Week at the St. Regis and by the sea, it was a beautiful idea but very challenging. I was inspired for this collection by the Red Sea and its shades of sand. I used pearls, fishnets, and elements derived from the sea like the waves. I really aimed for couture to align with the mood that we’re in.”

Abid incorporated sheer chiffon, micro ruffles, and malleable fabrics to mimic an underwater experience.

(Arab News)

Embroidered white gowns incorporating delicate beadwork and sequins on sumptuous fabrics such as elevated fishnet and satin were subtly nods to the softness of waves and prominence of fishing culture on the coast.

But the intricate and sharp designs also suggested the strength and sureness of crashing waves. As air does for sea, the silky silhouettes drifted in the wind, creating an ocean swell-like appearance. Speckled in jewels, the pieces resembled the gleaming glints on water.

Bejeweled gloves, capes, veils, and draping fringed neck pieces married traditional and contemporary bridal wear. (Arab News)

Cream and beige looks also made it out to the dock-turned-runway, featuring chic feathered accents and unconventional fabrics that mimicked the Kingdom’s coral reefs. Bejeweled gloves, capes, veils, and draping fringed neck pieces married traditional and contemporary bridal wear while also taking inspiration from the ocean’s sea creatures.

Cream and beige looks also made it out to the dock-turned-runway. (Arab News)

Several well-known guests, which included TV presenter Lojain Omran and actress Mila Al-Zahrani, were all front row for the latest collection from Abid — whose meticulous attention to detail has birthed creations that incorporate deep sentiment and luxurious elegance for nearly two decades.

“I can’t thank the Ministry of Culture and the Fashion Commission enough for this opportunity and this trust. This inauguration is truly historic for me,” Abid said.


Saudi pop star Mishaal Tamer feels ‘honored and grateful’ ahead of sold-out London gig

Updated 17 May 2024
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Saudi pop star Mishaal Tamer feels ‘honored and grateful’ ahead of sold-out London gig

  • Singer tells Arab News his fans in the city have a special place in his heart but he owes his success to people all over the world who have embraced his music
  • He says his debut album, “Home is Changing,” out in October, is a tribute to the changes and reforms that have swept through the Kingdom in recent years

LONDON: Saudi singer Mishaal Tamer said he feels honored to be performing his first headline show outside Saudi Arabia in London and is grateful to his fans there for their support.

Speaking to Arab News ahead of his sold-out gig on Friday at Camden Assembly, a live music venue and nightclub in Chalk Farm, Tamer said his fans in London will always have a special place in his heart.

“The people attending the show in London have been with me from before the starting line and I really appreciate that,” he said of the 220 people who will attend the event. “I will love those people forever and they will be in my heart forever.”

Tamer also thanked his fans in Saudi Arabia and elsewhere in the world, saying he owes his success as an independent artist to them.

“The kids that are back home and the ones abroad that have found me have been supporting me,” he said. “This would be impossible without them. I am grateful to the fans for listening to the music and sharing it.

He told how he was approached by two fans in a restaurant after arriving in the UK, which helped him realize how his profile was growing.

“One of them was Saudi, the other wasn’t,” Tamer said. “When I looked at that, it made me realize that not only was this bigger than I expected for me, as an artist, but that what we’re doing is bigger than me.”

His debut album, “Home is Changing,” is due for release in October and he said it is a tribute to the changes and reforms that swept through the Kingdom in recent years.

“There are so many opportunities that keep popping up, so many cool new things,” he added. “People have the freedom and creativity to make the world around them and the environment around them, to shape it into what they see in their heads.

“It feels almost like every other country is decaying whereas the Kingdom is growing and that feeling makes me proud.”

The evolution of Saudi Arabia “sets an example of always being hopeful for the future and having a positive attitude,” Tamer said. “And I think the optimism that we have right now in the Kingdom is a beautiful thing.”