TV star Muna Abusulyam to launch app to capture ad revenues for “good intentions”

Updated 10 April 2018
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TV star Muna Abusulyam to launch app to capture ad revenues for “good intentions”

  • Arab television star to launch new app that will send money to non-profit organizations
  • 13 organizations including orphan support groups have already signed up

KING ABDULLAH ECONOMIC CITY, Saudi Arabia: Muna Abusulyman, the media personality and entrepreneur, is to launch a new app designed to lure away some of the billions of dollars in advertising spent each year in Saudi Arabia with the the big social media sites like Facebook, Twitter and Google Ads.

Revenue raised from the initiative will be spent instead on Saudi non-profit organizations (NPOs) as a way of enabling them to capture more financial resources. It will be called Niya - the Arabic phrase for “good intentions” - and she plans to launch it during the Holy Month of Ramadan.

Speaking on the sidelines of the Arab Women Forum in King Abdullah Economic City near Jeddah, Abusulyman told Arab News: “All that money spent online on social media is going out to the Kingdom, so I would like to divert that back to Saudi Arabia. That way we can use the goodwill of the Saudi population and their social media use to create social revenue streams for NPOs.”

Some 13 organizations have already signed up, like charities and support groups for orphans, female employment and autism. There are around 1400 such NOPs in the Kingdom. 

She said the initiative was being launched in support of the Vision 2030 strategy to diversify the economy away from oil dependency and the public sector. “The idea behind Vision 2030 is to encourage businesses that will create value for the country. Niya would keep money, that at the moment goes outside, inside the Kingdom. I’m tired of giving other people our money.”

She said full details would be revealed on the company website and social media at time of launch.
She is believed to have secured financing for the project from a Saudi investor.

Abusulyman was speaking after appearing on a panel devoted to the role of women entrepreneurs in the Saudi economic transformation. She said that the Kingdom’s female workforce was adept at running small start ups, often based in their own homes, but that was often the limit.

“It’s very difficult for women to take the next step. There are a lot of constraints on them - social, cultural and financial - towards going further. And they have the responsibility of the family and home too.”

She continued: ‘The number of Saudi women who apply for and get government funding is low. The banks, a lot of the time, don’t provide entrepreneurial funds anyway. But men who want to raise capital have an easier time because of their circle of friends and contacts, which women do not have.

“In Saudi, we’re creating a lot more opportunities for women who want income, a job outside the home, and all the other opportunities of a more modern economy,” she added.

She said that her TV show Kalam Nawaem on MBC channel  was “all about the energy of social change and innovation,” and that she was aiming to air more content concerning the digital and hi-tech sectors. “It is all about giving the right information to the right people at the right time,” she added.


OPINION: Saudi Arabia’s cultural continuum: from heritage to contemporary AlUla

Updated 12 February 2026
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OPINION: Saudi Arabia’s cultural continuum: from heritage to contemporary AlUla

  • The director of arts & creative industries at the Royal Commission for AlUla writes about the Kingdom’s cultural growth

AlUla: Saudi Arabia’s relationship with culture isa long and rich. It doesn’t begin with modern museums or contemporary installations, but in the woven textiles of nomadic encampments, traditional jewellery and ceramics, and of course palm‑frond weaving traditions. For centuries, Saudi artisans have worked with materials drawn directly from their environment creating objects that are functional, but also expressions of identity and artistry.

Many of these traditions have been recognised internationally, with crafts such as Al-Sadu weaving inscribed on UNESCO’s Intangible Cultural Heritage list.

Sadu weaving. (Getty Images)

This grounding in landscapes, resources, and collective history means Saudi Arabia’s current cultural momentum is not sudden, but the natural result of decades — even centuries — of groundwork. From the preservation of heritage sites and, areas, some of which have been transformed into world-renowned art districts, to, the creation of institutions devoted to craft, the stage has been set for a moment where contemporary creativity can move forward with confidence, because it is deeply rooted.

AlUla, with its 7,000 years of human history, offers one of the clearest views into this continuum. Millennia-old inscriptions at Dadan and Jabal Ikmah stand alongside restored mudbrick homes in Old Town and UNESCO-listed Hegra. In the present, initiatives like Madrasat Addeera carry forward AlUla’s craft traditions through design residencies and material research. And, each winter, the AlUla Arts Festival knots these threads together, creating a season in which heritage and contemporary practice meet.

Hamad Alhomiedan, the director of arts & creative industries at the Royal Commission for AlUla. (Supplied)

This year, that dialogue began in the open desert with Desert X AlUla 2026. Now in its fourth edition, the exhibition feels like the pinnacle of the current moment where contemporary art, heritage, and forward-thinking meet without boundaries. The theme of Desert X AlUla 2026 was “Space Without Measure,” inspired by the work of Lebanese-American artist and writer Kahlil Gibran[HA1] [MJ2] . The theme invited artists to respond to the horizons of AlUla’s landscape and interpret its wonder through their perspective.

Works by Saudi and international figures converse directly with nature: Mohammed Al-Saleem’s modernist sculptures bring in celestial-inspired geometry; Maria Magdalena Campos-Pons translates the colour of AlUla’s sunsets; Agnes Denes “Living Pyramid” turns the oasis into a vertical landscape of indigenous plants, . The 11 artists of this year’s edition were able to capture AlUla’s essence while creating monumental works that speak directly to our relationship with the environment. 

Artist Performance at Desert X AlUla 2026 by Maria Magdelena Compos Pons and Kamaal Malak. (Courtesy of Arts AlUla and AlUla Moments)

In AlJadidah Arts District, “Material Witness: Celebrating Design From Within,” features heritage craft and material research from Madrasat Addeera alongside work by regional and international designers, showing how they translate heritage materials into contemporary forms.[HA3] [MJ4] 

Music adds another element of vitality, filling the streets of AlJadidah Arts District, with performances supported by AlUla Music Hub, featuring local musicians.

The opening of “Arduna,” the first exhibition presented byof the AlUla Contemporary Art Museum, co-curated with France’s Centre Pompidou, adds another layer to this conversation. Featuring Saudi, regional, and international artists, from Picasso and Kandinsky to Etel Adnan, Ayman Zedani and Manal AlDowayan, the [HA5] [MJ6] exhibition signals the emergence of a global institution rooted in the heritage and environment of AlUla, placing local voices in context with world masters.

Each activation in this year’s AlUla Arts Festival is part of the same Saudi cultural continuum, . This is why the Kingdom’s cultural rise feels different from rapid developments elsewhere. The scale of cultural infrastructure investment is extraordinary, but its deeper strength lies in how that investment connects to living traditions and landscapes.

The journey is only accelerating. Rooted in heritage yet open to the world, the Kingdom’s cultural future is being shaped not by sudden inspiration, but by our traditions and history meeting the imagination and creative voices of our present.