Jeddah’s Hafez Gallery showcases Arab talent at Art Dubai

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Thuraya Al-Baqsami’s “No to the Invasion” (1990).
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Osama Esid’s “Mona” (2005 – 2007).
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Abdulsattar Al-Mussa’s “Dancing” from the series “Wedding in Al-Refaa” (1986).
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Ahaad Al-Amoudi’s “My Palm, Your Palm, Our Palm” (2017).
Updated 22 March 2018
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Jeddah’s Hafez Gallery showcases Arab talent at Art Dubai

Hafez Gallery is one of the few Saudi Arabia-based galleries featured in the 12th edition of Art Dubai — arguably the region’s most influential art gathering.

Founded in Jeddah in 2014, Hafez Gallery claims to engage “the art community to visually converse and explore Saudi and Middle Eastern modern and contemporary art” and to “nurture the discovery of a Saudi visual identity and participate in the international art dialogue.”

Art Dubai 2018 is split into three main collections: Contemporary; Modern — devoted to masters from the Middle East, North Africa and South Asia; and Marker — a curated section of art spaces that focuses each year on a particular theme or geography.

This year, Hafez Gallery is participating in both Art Dubai Modern and Art Dubai Contemporary with a collection of works that includes photography, acrylics, etching and calligraphy.

In Art Dubai Modern, Hafez Gallery will present the work of two Russian-educated GCC artists: Saudi Abdulsattar Al-Mussa’s “Dancing” (from his series “Wedding in Al-Refaa”), and Kuwaiti Thuraya Al-Baqsami’s “No to the Invasion.”

Al-Mussa’s drawings examine daily social scenes, such as cafés and the energy of their employees. He is one of the few professional Saudi artists to have studied complex typography, carving and graphic art.

Al-Baqsami is a singular voice in the region. She does not bow in the face of societal and political pressure. Her exposure to a multitude of cultures shows in the mélange of history, concept and form presented in her work.

In the Contemporary section, Hafez will showcase artworks from several artists, including “My Palm, Your Palm, Our Palm” by multidisciplinary artist Ahaad Al-Amoudi, whose work intersects the past and present of Saudi Arabia. Al-Amoudi is interested in how communities measure and promote heritage through archiving and how different historical narratives weave through families and communities.

Damascus-born artist Osama Esid’s photography explores personal identity — he has lived in both the US and Egypt. Hafez will show Esid’s “Mona” at Art Dubai, as well as work from other regional artists including Nora Al-Issa, Filwa Nazer, Abdulrahman Al-Shahed and Ibrahim El-Dessouki.

Qaswara Hafez, founder of Hafez Gallery, spoke to Arab News about its participation in Art Dubai.

“Dubai has become a hub for museum directors, curators, and art-world professionals from all over the world,” he said. “Art Dubai commands the respect of the global art community and elicits the participation of galleries and artists from around the world. It is integral to the local art community, representing the state of the region’s art to define where our culture stands at the moment.”

He continued, “We focus on works that reflect the Middle East and discuss its rich culture and diverse standpoints. We don’t select art in isolation — I have to be able to establish a human connection with the artists before anything, after that comes our belief in their projects and the social contribution of their artworks.”


Berlinale responds to backlash over Gaza-related comments

Updated 16 February 2026
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Berlinale responds to backlash over Gaza-related comments

The Berlin International Film Festival has issued a statement after what organisers described as a growing “media storm” linked to comments about the war in Gaza and the broader role of politics in cinema.

Festival director Tricia Tuttle released a lengthy note late Saturday following criticism directed at several high-profile guests. The controversy began during the opening day press conference when jury president Wim Wenders was asked about the conflict in Gaza. He responded: “We have to stay out of politics because if we make movies that are dedicatedly political, we enter the field of politics,” a remark that sparked swift backlash online.

Indian author Arundhati Roy later withdrew from the festival, reportedly angered by the remarks.

Other prominent figures, including Michelle Yeoh and Neil Patrick Harris, also faced online criticism after responding cautiously to questions about politics. Harris stated that he was interested in “doing things that were ‘apolitical,’” a comment that further fuelled debate.

In her statement, Tuttle defended the festival and its participants, stressing the importance of artistic freedom. “People have called for free speech at the Berlinale. Free speech is happening at the Berlinale. But increasingly, filmmakers are expected to answer any question put to them. They are criticised if they do not answer. They are criticised if they answer and we do not like what they say. They are criticised if they cannot compress complex thoughts into a brief sound bite when a microphone is placed in front of them when they thought they were speaking about something else,” she said.

She added: “It is hard to see the Berlinale and so many hundreds of filmmakers and people who work on this festival distilled into something we do not always recognise in the online and media discourse… It is a large, complex festival.”

“Artists are free to exercise their right of free speech in whatever way they choose… nor should they be expected to speak on every political issue raised to them unless they want to,” Tuttle said.