Afghan street artists haunt warlords with graffiti campaign

This handout from the Afghan social activist group ArtLords taken on March 8, 2018 shows artists painting a mural of Hamida Barmaki, who, along with her husband and children, was killed in a 2011 suicide attack on a supermarket, on a blast wall near the home of warlord Gulbuddin Hekmatyar, whose followers had carried out the attack, in Kabul. Over the past four years the social activist group ArtLords has turned Kabul’s grey maze of concrete barricades — shaped like a wide-based inverted ‘T’ to provide protection from bomb blasts — into a canvas to tackle issues such as rampant corruption and abuse of power. The group’s artists are calling out Afghanistan’s most powerful by depicting people killed by warlords in giant murals in public places. — -----EDITORS NOTE --- RESTRICTED TO EDITORIAL USE — MANDATORY CREDIT “AFP PHOTO / ArtLords” — NO MARKETING — NO ADVERTISING CAMPAIGNS — DISTRIBUTED AS A SERVICE TO CLIENTS — NO ARCHIVES — MANDATORY MENTION OF THE ARTIST UPON PUBLICATION
Updated 21 March 2018
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Afghan street artists haunt warlords with graffiti campaign

KABUL: For days Hamida Barmaki’s smiling face stared out over traffic in Kabul, painted in a towering mural near the home of the warlord blamed for her death before it was mysteriously covered over in white.
The short-lived image on a concrete blast wall marked the beginning of a provocative campaign by social activist group ArtLords, whose artists are calling out Afghanistan’s most powerful by depicting people killed by warlords in giant murals in public places.
They have been threatened on social media, branded infidels, and told by gunmen and mullahs to stop painting — but are unrepentant.
“This was a warning shot to everyone that we will not let you sleep at night, we will come after you, we will paint in front of your homes,” ArtLords co-founder and president Omaid Sharifi said at his studio in the Afghan capital.
Rather than seek justice for the countless victims — something that is not realistic given the huge number of them and the country’s weak judicial system — the group hopes to pressure warlords to acknowledge their past actions and apologize, Sharifi, 31, said.
Barmaki’s portrait was near the home of Gulbuddin Hekmatyar, one of the most notorious warlords in Afghanistan’s history.
His group carried out the 2011 suicide attack on a Kabul supermarket that killed Barmaki — a prominent law professor and human rights activist — as well as her husband and their four children.
Hekmatyar, whose spokesman declined to comment on the mural, is one of several infamous warlords that Kabul has sought to reintegrate into the mainstream political system in the post-Taliban era.
A two-time prime minister, he is accused of killing thousands of people during Afghanistan’s bloody 1992-1996 civil war.
Other such figures include General Abdul Rashid Dostum, a powerful ethnic Uzbek linked to multiple human rights abuses in Afghanistan who is now the country’s first vice president, and Atta Mohammad Noor, the former governor of Balkh province who is seen as a potential presidential contender but has been accused of having links to people involved in kidnapping and other crimes.
The murals — which are typically several meters high and wide — will put faces to the victims, Sharifi says, and send a message to warlords that “we have not forgotten ... what they did in this country.”
Over the past four years ArtLords has turned Kabul’s grey maze of concrete barricades — shaped like a wide-based inverted ‘T’ to provide protection from bomb blasts — into a canvas to tackle issues such as rampant corruption and abuse of power.
With permission from local authorities, businesses and institutions, the group’s artists have painted more than 400 murals on blast walls and other prominent places in around half of Afghanistan’s 34 provinces.
Sharifi said the latest campaign would also target violent extremism of the Taliban and other militant groups now terrorizing the country.
“There will be murals that say ‘you’re not going to heaven’,” Sharifi said.
It is risky work for the group’s 45 artists, who are paid for their efforts.
Sharifi said he rarely goes out and is careful to use different routes when he does.
“The threat is very real. At any moment anything can happen, a bomb can go off,” Sharifi said.
“Despite all these challenges... we have to take responsibility. Somebody has to do it.”
The mural of Barmaki has changed the “narrative of street art in Afghanistan” and people were now recognizing art as a “powerful tool” for social change, he said.
It has also galvanized other socially conscious artists around the country to use street art to send “very harsh messages to these people.”
While ArtLords receives widespread support from Afghans and the international community for its work, reaction on social media to the Barmaki mural has been mixed.
Some have applauded the group’s “courage and guts” while others have accused them of bias and exacerbating discord in the country.
“Use your art to promote unity and serve Afghanistan, do not use it to spread division,” Facebook user Yaser Baburi wrote.
Sharifi admits the new campaign will upset people “because we will remind them of all these crimes.”
“But I think this is the way to continue this discussion and force these people to come out and apologize for what they’ve done.”
With the help of the public, ArtLords is compiling a list of warlords and people allegedly killed by them, who will be the faces of the next murals.
“We will have faces of these victims in front of their (warlords’) houses or the streets they are passing by,” Sharifi said, without disclosing who will be targeted.
“There are a lot of names that come to mind.”


Arts festival’s decision to exclude Palestinian author spurs boycott

Randa Abdel Fattah. (Photo/Wikipedia)
Updated 12 January 2026
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Arts festival’s decision to exclude Palestinian author spurs boycott

  • A Macquarie University academic who researches Islamophobia and Palestine, Abdel-Fattah responded saying it was “a blatant and shameless act of anti-Palestinian racism and censorship,” with her lawyers issuing a letter to the festival

SYDENY: A top Australian arts festival has seen ​the withdrawal of dozens of writers in a backlash against its decision to bar an Australian Palestinian author after the Bondi Beach mass shooting, as moves to curb antisemitism spur free speech concerns.
The shooting which killed 15 people at a Jewish Hanukkah celebration at Sydney’s Bondi Beach on Dec. 14 sparked nationwide calls to tackle antisemitism. Police say the alleged gunmen were inspired by Daesh.
The Adelaide Festival board said last Thursday it would disinvite Randa ‌Abdel-Fattah from February’s ‌Writers Week in the state of South Australia because “it ‌would not ​be ‌culturally sensitive to continue to program her at this unprecedented time so soon after Bondi.”

FASTFACTS

• Abdel-Fattah responded, saying it was ‘a blatant and shameless act of anti-Palestinian racism and censorship.’

• Around 50 authors have since withdrawn from the festival in protest, leaving it in doubt, local media reported.

A Macquarie University academic who researches Islamophobia and Palestine, Abdel-Fattah responded saying it was “a blatant and shameless act of anti-Palestinian racism and censorship,” with her lawyers issuing a letter to the festival.
Around 50 authors have since withdrawn from the festival in protest, leaving it in doubt, local media reported.
Among the boycotting authors, Kathy Lette wrote on social media the decision to bar Abdel-Fattah “sends a divisive and plainly discriminatory message that platforming Australian Palestinians is ‘culturally insensitive.'”
The Adelaide Festival ‌said in a statement on Monday that three board ‍members and the chairperson had resigned. The ‍festival’s executive director, Julian Hobba, said the arts body was “navigating a complex moment.”

 a complex and ‍unprecedented moment” after the “significant community response” to the board decision.
In the days after the Bondi Beach attack, Jewish community groups and the Israeli government criticized Prime Minister Anthony Albanese for failing to act on a rise in antisemitic attacks and criticized protest marches against Israel’s war in ​Gaza held since 2023.
Albanese said last week a Royal Commission will consider the events of the shooting as well as antisemitism and ⁠social cohesion in Australia. Albanese said on Monday he would recall parliament next week to pass tougher hate speech laws.
On Monday, New South Wales state premier Chris Minns announced new rules that would allow local councils to cut off power and water to illegally operating prayer halls.
Minns said the new rules were prompted by the difficulty in closing a prayer hall in Sydney linked to a cleric found by a court to have made statements intimidating Jewish Australians.
The mayor of the western Sydney suburb of Fairfield said the rules were ill-considered and councils should not be responsible for determining hate speech.
“Freedom ‌of speech is something that should always be allowed, as long as it is done in a peaceful way,” Mayor Frank Carbone told Reuters.