Mario Testino will not take Royal wedding portraits after accusations of sexual exploitation

Fashion photographer Mario Testino. (AP)
Updated 15 January 2018
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Mario Testino will not take Royal wedding portraits after accusations of sexual exploitation

Fashion photographer Mario Testino has been ruled out as the official photographer for the British Royal wedding of Prince Harry and Meghan Markle after being accused of sexually exploiting models and assistants.
In a sweeping new sexual misconduct investigation, The New York Times reported Saturday that several male models have accused the famed photographer of unwanted advances and coercion.
Testino had been the “front-runner” to take the wedding portraits, according to British daily The Telegraph, but has now been disqualified following allegations of sexual harassment.
Testino, adored by celebrities, glossy magazines including Vogue, became the Royal family’s preferred photographer after taking the last official portraits of Princess Diana before her death in 1997. Prince William and Kate Middleton chose Testino for their engagement in 2010 and picked him as photographer for their daughter princess Charlotte’s christening pictures in 2015.
The law firm representing Testino challenged the character and credibility of people who complained of harassment.
Testino’s attorney, Andrew Brettler, said in an email to The Associated Press late Saturday, “We are not providing any further comment at this time.”
Model Ryan Locke worked with Testino on Gucci ad campaigns and called him a “sexual predator.” He told the Times that when he told other models he was going to meet Testino for a possible casting “everyone started making these jokes — they said he was notorious, and ‘tighten your belt.’“
On the last day of a shoot, as they were taking photographs on a bed, Testino told everybody in the room to leave and locked the door, Locke recalled.
“Then he crawls on the bed, climbs on top of me and says, ‘I’m the girl, you’re the boy,’” Locke said. “I went at him, like, you better get away. I threw the towel on him, put my clothes on and walked out.”
Former assistants said Testino had a pattern of hiring young, heterosexual men and subjecting them to increasingly aggressive advances.
“Sexual harassment was a constant reality,” said Roman Barrett, an assistant to Testino in the late 1990s who said the photographer rubbed up against his leg with an erection and masturbated in front of him.
Several industries have been rocked by sexual-abuse allegations since women started coming forward to complain about Hollywood producer Harvey Weinstein, who has apologized for causing colleagues “a lot of pain” but has denied “any allegations of non-consensual sex.”
Revelations of abuse often have faded away in the fashion industry. Recently, photographer Terry Richardson continued to work after being accused in a documentary of sexual assault of female models and denying their claims — until the Weinstein scandal broke.
Conde Nast, which publishes Vogue and other top magazines, said it would stop working with Testino, at least for now.

(With AP)


Elie Saab, Zuhair Murad show new couture collections in Paris

Updated 29 January 2026
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Elie Saab, Zuhair Murad show new couture collections in Paris

  • Saab’s collection uses light as central theme
  • Exploration of structure, movement by Murad

DUBAI: Lebanese designers Elie Saab and Zuhair Murad presented their Spring/Summer 2026 haute couture collections in Paris earlier this week.

Look 1 by Elie Saab. (Supplied)

Saab’s collection referenced light as a central theme, expressed through elongated silhouettes and layered embellishment, according to a statement from the brand.

Look 2 by Elie Saab. (Supplied)

The runway featured gowns built on sheer bases, with metallic embroidery, sequins and crystal beadwork creating layered textures across champagne, gold, bronze and soft ivory tones.

Look 3 by Elie Saab. (Supplied)

Column dresses, deep necklines and floor-length gowns dominated the collection, while draped panels, embroidered capes and sheer overlays added movement.

Look 4 by Elie Saab. (Supplied)

Several looks incorporated fringed detailing and geometric patterns, with crystal embellishments catching the light as models walked.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by ELIE SAAB (@eliesaabworld)

Accessories were kept minimal, allowing the focus to remain on craftsmanship and surface technique.

Meanwhile, Murad’s collection also placed craftsmanship at the center of the show.

Look 1 by Zuhair Murad. (Supplied)

According to the house, the collection explored structure and movement, using corsetry to define the body and draping to create fluidity.

Look 2 by Zuhair Murad. (Supplied)

The runway featured fitted gowns and sculpted eveningwear built around structured bodices, many finished with dense embroidery, crystals and metallic thread.

Look 3 by Zuhair Murad. (Supplied)

A palette of champagne, pale blue, sage green, ivory and gold ran throughout the show, with strapless silhouettes, off-the-shoulder gowns and column dresses appearing alongside sheer panels, thigh-high slits and flowing trains.

Look 4 by Zuhair Murad. (Supplied)

Shorter dresses with crystal-encrusted bodices were shown alongside floor-length gowns, with sheer layers and extended trains.