Does responsibility trump affordability in fashion? This Pakistani designer thinks so

The Pink Tree Co. fashion brand was established in 2011 and has grown ever since. (Photos supplied)
Updated 29 November 2017
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Does responsibility trump affordability in fashion? This Pakistani designer thinks so

KARACHI: Those who are fashion conscious should look for the responsible, not the affordable, a leading Pakistani fashion expert has said.
“Affordable fashion means that somewhere, at some stage, someone was exploited,” Mohsin Sayeed, creative director of The Pink Tree Company, told Arab News.
He is unapologetic about his brand The Pink Tree being relatively expensive, saying: “Each piece we create carries lots of hard work and creativity. We don’t believe in mass production.”
The Pink Tree Co. was established in 2011 by three friends, including Sayeed, 50, who spent most of his professional life as a journalist before moving to fashion.

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“Our designs come straight from the heart. Our passion is to delve into the rich history of fashion and textiles, bring back something from the past and give it a contemporary feel. That leaves the viewer with a cozy, déjà vu feeling. Our identity is our design diversity,” said Sayeed, adding that the boom in the fashion retail industry comes at the expense of creativity.
“Ready-to-wear fashion can be affordable for many, but it doesn’t cater to the creativity that good fashion should carry,” he said.

“Art is an exclusive form of expression. It can’t be produced in factories like soaps and shampoos. Those who do that aren’t creating art pieces, they’re just making clothes,” he added.
“Responsible fashion means you take care of your costumes for years and, perhaps, for generations. It means all those craftsmen who made this piece have been paid properly and their work has been respected. Affordable fashion means you’re treating your dress as a tissue paper: Use and throw.”
Sayeed, many of whose clients are from the Middle East, said Arab women should not be obsessed with Western fashion trends.
“The new generation of Arab women is very fashion conscious, but unfortunately they consider Western brands as the ultimate fashion word,” he said.

“Asia, particularly South Asia, has more amazing creative fashion designers that can cater for style with a good understanding of their social circumstances. We in South Asia can proudly say we have the best craftsmanship.”
Sayeed said Pakistani craftsmen are among the best. “They’re not mere embroiderers or tailors. They’re like poets who create poetry on a piece of cloth,” he added.
“We have a history of craftsmanship as old as 500 years. We produce best fabric in the world. No one can beat us when it comes to creativity in fashion.”


Yataghan boutique in Jeddah celebrates Saudi heritage

Updated 20 December 2025
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Yataghan boutique in Jeddah celebrates Saudi heritage

JEDDAH: Yataghan, the contemporary Saudi jewelry house founded in 2008 by designer and entrepreneur Sarah Abudawood, has announced an expansion with its Riyadh debut at Kingdom Centre, alongside the relocation of its headquarters and flagship store to a street-front location on Jeddah’s Thalia Street.

The brand, known for blending Arabian heritage with modern minimalism, unveiled two boutiques designed as immersive experiences rather than mere retail spaces.

Every detail of the new Jeddah location has been carefully curated; brass accents inspired by the Yataghan blade evoke precision and luxury, while striped, gray onyx symbolizes continuity and progress, according to the brand’s founder. Vast windows, softened by Yataghan’s signature hexagonal motif, a symbol of harmony, order, and strength, flood the boutiques with natural light, creating an inviting environment for visitors.

Inspired by the Yataghan sword, with its distinctive, single-edged blade, the brand’s collections fuse minimalist design with Arabic calligraphy and tribal motifs.

“The name Yataghan draws its meaning from the two swords on the Saudi flag — a symbol that has always fascinated me for what it represents: conviction, protection, truth, and above all, balance,” Abudawood told Arab News.

“The Yataghan sword, known for its graceful curve and exquisite craftsmanship, embodies purpose and precision. It is drawn to defend what matters and to guard what is sacred. It sets boundaries and restores equilibrium, reminding us that strength is not only about force, but about knowing when to advance and when to stand still.

“That balance is reflected in every piece we create. Because, like the sword, Yataghan is more than an ornament; it is a statement of purpose, and identity.”

Abudawood explained the cultural inspiration behind the brand, highlighting pieces connected to Saudi identity. “This branch carries designs that are deeply connected to Saudi identity and cultural memory. Some pieces are exclusive, inspired by symbols, rhythms, and forms rooted in our heritage, interpreted through a modern lens … Jeddah, in particular, has a unique spirit: fluid, expressive, open, and layered with history. That essence subtly informs the designs you’ll find here.” 

The founder also spoke of the brand’s philosophy of minimalism and meaningful design.

“It comes from my belief that simplicity creates space for meaning. I have always been drawn to architecture and the principle that form must follow function. I design with intention; nothing is accidental. Every line has a purpose, every curve holds a story. Minimalism, for me, is not about removing emotion; it is about distilling it. I want each piece to feel timeless, personal, and quietly powerful.”

The label has been flaunted by high-profile clients — including Jennifer Lopez, Lady Gaga and Lama Akeel — but Abudawood emphasized the brand’s focus on connection over visibility. “Whether someone is a public figure or not, what moves me is when they feel seen by the jewelry. Yataghan has always been about resonance, about creating pieces that speak to identity, strength, and personal stories,” she said.

Looking ahead, 2026 will mark new chapters for Yataghan, including local and international expansion, innovative collections, and a stronger focus on storytelling and community collaborations. “Growth has never been about reach alone; it’s about depth, integrity, and lasting impact,” Abudawood added.

“Ultimately, what drives me is purpose. I’m motivated by the desire to create work that matters, to offer women something that reflects who they are, not who they’re expected to be. Design, for me, is a form of dialogue, a way to translate emotion into form. As long as I’m creating with honesty, intention, and heart, I know I’m exactly where I’m meant to be.”