Circus arts help Syrian children make new life

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Syrian children perfom during a circus class on the roof top of a building on March 19, 2017, in Mardin. (AFP)
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Syrian children perfom during a circus class on the roof top of a building on March 19, 2017, in Mardin. (AFP)
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Syrian children perfom during a circus class on the roof top of a building on March 19, 2017, in Mardin. (AFP)
Updated 10 April 2017
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Circus arts help Syrian children make new life

MARDIN, TURKEY: Laughter rings out and there is an atmosphere of excitement and joyful chaos. Children are perched on stilts, others spin plates or happily perform aerial dances.
This is not a big top circus in a major city but a house in southeastern Turkey, where Syrian refugee children learn circus tricks in an innovative program to help integrate into their foreign host country.
The Her Yerde Sanat association (Turkish for ‘Art Anywhere’) works with 120 young people aged three to 20.
Just north of the Syrian border, at the house in Mardin province, there is a beautiful view over the Mesopotamian plain to Syria, which 80 of the youngsters once called home. The other children are Turkish.
On the ground floor, some 15 children alternate between aerial dancing from ribbons suspended from the ceiling, juggling and the trapeze, while younger ones in a second room play percussion instruments with an impressive intensity.
Upstairs, Turkish is being taught to Syrian children so they can integrate into school.
Some learn the circus arts everyday because they are unable to go to school; for others it is a weekend activity. Some become good enough to perform publicly in shows or regional festivals.

Fifteen-year-old Eyad Haj Mahmoud, originally from Aleppo in northern Syria, believes the classes are helpful.
“I learned things here that have allowed me to become a better person,” he told AFP.
It is a chance for the children to temporarily forget their past — adult instructors, most of whom have a professional or amateur circus background, are told never to ask about their origins.
Surrounded by the sound of laughter and raucous activity, Pinar Demiral told AFP the children “are just here to create circus art.”
One of the co-founders of the association, established in 2012, Demiral said: “We use the circus as a tool to break down all the language barriers.”
In the daylong workshops, trainers switch from one language to another, helped by their students who also do music and hip-hop classes.
The adults are mostly volunteers from outside of Turkey, who come for an average of three months; some speak Turkish and Arabic while all know English.
Syria’s conflict has killed more than 310,000 people, forced over five million people to flee the country and left much of it in ruins since it erupted six years ago.
Turkey is home to over 2.9 million Syrian refugees, according to figures released by the Turkish interior ministry last month.
Some 300,000 of those are in camps, while others live with the local population.
And this is where the association comes in, helping with integration through circus arts in a project partly funded by NGO International Medical Corps, together with the Swiss government.

Activity coordinator Muhammed Kheir Kassim came to Turkey from Damascus four years ago and said he discovered the association through his son.
Having been a school headmaster in Syria, he soon got involved himself.
“I sent my son (to Her Yerde Sanat) to prevent him from hanging around on the streets, especially because he is a refugee and risks having problems in society.”
He described his privileged relationship with the children, saying he was like “a father” and “a friend” to them.
“We get angry, we reconcile, we fight but at the end of the day, we have the same heart and the same goal,” he said.
Teenagers are trained so they can mentor younger ones when volunteers are in short supply or need help. It is a role they take very seriously.
“They learn things from each other, they help each other,” Demiral said, whose aim is to give children “a space, in which they are respected and taught skills so that they can find their own balance.”

Turkish children benefit from the experience too.
Nursena, a girl from Mardin, has been taking part for a year, her mother told AFP.
Tuba Akburak said Nursena had “gained confidence after coming, she makes friends more easily.”
But, working with children who have seen war and been through trauma and experiences far removed from those of their Turkish friends, is not always easy.
“There are sometimes conflicts between Turkish and Syrian children, they might fight,” Demiral said.
“But from day one, when they enter, we just tell them that the only rule is ‘we cannot fight’.”
While mindful that they are working with children with a “background of war,” she added that she wanted to stop the cycle of violence.
“At first, they want to fight and show their power, but playing in the same space, being equal, it decreases the tensions between the groups.”


Ithra offers a glimpse of colorful Spain through fashion

Updated 27 January 2026
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Ithra offers a glimpse of colorful Spain through fashion

DHAHRAN: Step into Spain without leaving Dhahran at the “Threads of Espana: Fashion Across the Spanish Regions” show currently on at the King Abdulaziz Center for World Culture.

From structured capes to swirling silhouettes, the show at Ithra brings the nation’s colorful fabric traditions to life.

Arab News spoke recently with Cecilia Revuelta, a co-organizer of the exhibition who flew in from Spain.

“We did a selection of traditional costumes of each area in Spain. So first of all, here we have the three costumes of a traditional torero. These suits are from a real torero who’s still active.”

A torero — from toro, meaning bull — is a Spanish bullfighter.

“His name is Jorge Garcia De La Pena, and thanks to our relationship with him, he lent us the three costumes and the two capes,” she added.

“Actually, one of the capes even has the bull blood in them; we decided not to wash it or anything because we think it’s totally more real like this.”

The clothes are on display until Jan. 31. (AN Photo)

Revuelta described the garments, split among different display areas, as “real art pieces, very heavy and delicate pieces. Also, we brought some flamenca dresses.”

“They’re from a private Spanish collector who dances flamenco and she’s a real fan of the flamenco culture. And she has a big, big, big collection of dresses and we did a small selection to bring it here to Ithra.”

Northern Spain is represented through costumes created stitch-by-stitch specifically for the Ithra exhibition.

“We also fabricated from scratch the costumes of Galicia. They’re the typical traditional costumes that they use in the north of Spain in the countryside, in the small villages. When it’s very cold and rainy and you can see they have a lot of layering and many details.”

“These dresses are very expensive because they are real, real pieces of art. One of these dresses costs more than 4,000 euros ($4,750). Most of them are handmade with a lot of details and stones and different colors and layers. It’s really amazing.”

For Revuelta, the exhibition reflects her love of fashion and its history. “It’s my favorite part (of the Spain Cultural Days festivities) because I love fashion. I love clothes since the beginning.”

Revuelta highlighted the cross-cultural nature of the event.

“I think it’s super positive for all the citizens of Dammam to come here, to get to know more about other countries, different cultures, traditions. They have a lot of workshops. And in the market, we have many different booths selling pieces of art, ceramics and traditional Spanish souvenirs.

“I feel very proud. It is my first time in Saudi Arabia and people here are really interested in knowing more about the different costumes and fashion history of Spain,” she added.

The pieces will remain on display until the completion of the Spain Cultural Days festivities on Jan. 31.