PARIS: The French artist who spent a week entombed inside a rock began an even more bizarre feat Wednesday — sitting on a dozen eggs until they hatch.
Abraham Poincheval aims to become a “human hen” by sitting and laying on the eggs inside a glass vitrine at a Paris modern art museum until the chicks emerge.
The performance, called “Egg,” could last three to four weeks, with the artist getting only a half-hour break every 24 hours to keep him from cracking.
He is also on a special diet rich in ginger so he can keep the eggs at a minimum of 37 degrees Celsius (98.6 degrees Fahrenheit).
Poincheval, 44, made headlines earlier this month after declaring his seven days inside a rock a mind-altering “trip.”
This time, however, he looked distinctly ill at ease as he stepped into the vitrine in the Palais de Tokyo museum in his socks.
He quickly wrapped himself in a heavy traditional Korean cape and sat on a “laying table” specially designed to stop him from accidentally crushing the eggs.
While Poincheval described his time inside the limestone rock as blissful, he acknowledged that sitting on the eggs for such a long time had him worried.
“I have never been so directly exposed to the public before. Usually I am inside something. But every performance is a first,” he told AFP.
His father Christian acknowledged that it was a test of his mental strength, with the usually amiable Poincheval avoiding eye contact with the crowds gathered around the glass case.
“He is going into himself,” his father said, describing the experience of observing his son through the vitrine as “like watching him on TV.”
He revealed that when Poincheval was a child he had a pet chicken, and promised that any “hen-men and hen-women” his son brings into the world will be allowed to live out their natural lives on his smallholding in the west of France.
“I have prepared everything to welcome the chicks including a luxury chicken coop. I can assure you that they will never be the centerpiece of a grand feast,” said Christian Poincheval, an inventor best known for pills that make flatulence smell of roses and even chocolate.
He saw the performance as a meditation on “the cycles of life. The cycle from egg to chick takes roughly 21 to 26 days, which correspondents almost to a woman’s (menstrual) cycle.”
His son had said earlier that he was inspired by a tragicomic short story by the French writer Guy de Maupassant.
In “Toine,” a bad-tempered farmer’s wife gets revenge on her idle bon vivant husband by using his body to keep her chickens’ eggs warm when he is paralyzed by a mysterious malady.
“Being inside the rock didn’t bother me at all,” he added.
“Normally there is a moment when your anxiety mounts, but with the rock that didn’t happen. I was almost anxious about not being anxious,” he said.
After talking to geologists, he put that down to the “extreme calmness” of the limestone.
“I learned it had been laid down gently, layer by layer, over thousands of years, and had never been tormented.”
Even though the rock is also egg-shaped, Poincheval said the two performances were not directly linked.
When he emerged from the rock, however, Chinese students told him the story of Sun Wukong, the Monkey King who was born from a stone egg.
Often described as France’s most extreme artist, Poincheval is no stranger to bizarre performances.
He once spent a fortnight inside a stuffed bear eating worms and insects; was buried under a rock for eight days; and navigated France’s Rhone river inside a giant corked bottle.
He also spent a week last year on top of a 20-meter (65-foot) pole outside a Paris train station.
His big dream, however, is to walk on the clouds.
“I have been working on it for five years, but it is not quite there yet,” he said.
French ‘human hen’ artist has a crack at hatching eggs
French ‘human hen’ artist has a crack at hatching eggs
Egypt reveals restored colossal statues of pharaoh in Luxor
- Amenhotep III, one of the most prominent pharaohs, ruled during the 500 years of the New Kingdom, which was the most prosperous time for ancient Egypt
LUXOR: Egypt on Sunday revealed the revamp of two colossal statues of a prominent pharaoh in the southern city of Luxor, the latest in the government’s archeological events that aim at drawing more tourists to the country.
The giant alabaster statues, known as the Colossi of Memnon, were reassembled in a renovation project that lasted about two decades. They represent Amenhotep III, who ruled ancient Egypt about 3,400 years ago.
“Today we are celebrating, actually, the finishing and the erecting of these two colossal statues,” Mohamed Ismail, secretary-general of the Supreme Council of Antiquities, said ahead of the ceremony.
Ismail said the colossi are of great significance to Luxor, a city known for its ancient temples and other antiquities. They’re also an attempt to “revive how this funerary temple of King Amenhotep III looked like a long time ago,” Ismail said.
Amenhotep III, one of the most prominent pharaohs, ruled during the 500 years of the New Kingdom, which was the most prosperous time for ancient Egypt. The pharaoh, whose mummy is showcased at a Cairo museum, ruled between 1390–1353 BC, a peaceful period known for its prosperity and great construction, including his mortuary temple, where the Colossi of Memnon are located, and another temple, Soleb, in Nubia.
The colossi were toppled by a strong earthquake in about 1200 BC that also destroyed Amenhotep III’s funerary temple, said Ismail.
They were fragmented and partly quarried away, with their pedestals dispersed. Some of their blocks were reused in the Karnak temple, but archeologists brought them back to rebuild the colossi, according to the Antiquities Ministry.
In late 1990s, an Egyptian German mission, chaired by German Egyptologist Hourig Sourouzian, began working in the temple area, including the assembly and renovation of the colossi.
“This project has in mind … to save the last remains of a once-prestigious temple,” she said.
The statues show Amenhotep III seated with hands resting on his thighs, with their faces looking eastward toward the Nile and the rising sun. They wear the nemes headdress surmounted by the double crowns and the pleated royal kilt, which symbolizes the pharaoh’s rule.
Two other small statues on the pharaoh’s feet depict his wife, Tiye.
The colossi — 14.5 meters and 13.6 meters respectively — preside over the entrance of the king’s temple on the western bank of the Nile. The 35-hectare complex is believed to be the largest and richest temple in Egypt and is usually compared to the temple of Karnak, also in Luxor.
The colossi were hewn in Egyptian alabaster from the quarries of Hatnub, in Middle Egypt. They were fixed on large pedestals with inscriptions showing the name of the temple, as well as the quarry.
Unlike other monumental sculptures of ancient Egypt, the colossi were partly compiled with pieces sculpted separately, which were fixed into each statue’s main monolithic alabaster core, the ministry said.
Sunday’s unveiling in Luxor came just six weeks after the inauguration of the long-delayed Grand Egyptian Museum, the centerpiece of the government’s bid to boost the country’s tourism industry. The mega project is located near the famed Giza Pyramids and the Sphinx.
In recent years, the sector has started to recover after the coronavirus pandemic and amid Russia’s war on Ukraine — both countries are major sources of tourists visiting Egypt.
“This site is going to be a point of interest for years to come,” said Tourism and Antiquities Minister Sherif Fathy, who attended the unveiling ceremony. “There are always new things happening in Luxor.”
A record number of about 15.7 million tourists visited Egypt in 2024, contributing about 8 percent of the country’s GDP, according to official figures.
Fathy, the minister, has said about 18 million tourists are expected to visit the country this year, with authorities hoping for 30 million visitors annually by 2032.
