Circus family reopens Moscow’s unique cat theater

Updated 02 June 2013
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Circus family reopens Moscow’s unique cat theater

Up on a brightly lit Moscow stage a clown loudly welcomes the stars of today’s show — 20 highly trained cats.
Packing out the auditorium with excited children and adults, the feline performers are the main attraction at the world-famous and unique cat theater.
Founded just before the collapse of the Soviet Union, the theater — run jointly by its founder, circus clown Yuri Kuklachev, and his sons Dmitry and Vladimir — has recently reopened after a major renovation.
From the very first moments in the venue — even before the show begins — visitors are plunged into the feline kingdom’s unique atmosphere: some cats watch spectators’ arrival from behind a glass wall while others are already darting about the stage.
When a bell rings for the beginning of the show and the curtain opens, the audience explodes with applause: on stage, a cat balances on a wheel spun by a clown as a furry co-star skateboards on its hind legs.
Then a conjuring number follows and a cat appears to bang a drum as a dove emerges from under a cloth in a clown’s hand.
Other numbers — less acrobatic but equally difficult — also show that training the cats must require well-honed skills.
“With cats, each show is an improvization,” Yuri Kuklachev’s younger son, Vladimir, told AFP.
“Cats often behave instinctively and one should always be behind them as they just do what they want.”
“Some cats enjoy the stage, they love it when we watch them attentively, while others do not like noise or lights and sit motionless,” he added.
The 30-year-old former ballet dancer said it took him a year to get used to training cats.
“With dogs it is easier, we show them what to do once, and that is it.”
His father Yuri, a legendary Soviet-era clown, started training cats to stand out from the competition and established the theater in 1990 on Moscow’s central Kutuzov Avenue.
Every show involves around 20 cats and the theater has 100 in total.
Before the theater reopened, animal rights groups called for its shows be banned, saying that the animals suffered abuse from trainers.
But Vladimir Kuklachev dismissed the criticism, arguing that recent inspections found no violations in his theater.
One of the young children watching the show, Daria Kalinovich, said she was thrilled by cats’ talents.
“I loved so much seeing the cats jumping up and down, running after a ball and juggling,” she said.
The theater’s shows — “The Cat Thief,” “The Puss in Boots,” “The Nutcracker and the King of Rats,” and even “Swan Lake” — run throughout the year, with teams of feline performers led alternately by Kuklachev-senior and his two sons.

Besides Russia, the theater has toured France, Canada, Japan, the United States and China.
It is not the only unusual animal theater in Moscow.
The Durov animal theater founded in 1912 has performers including a raccoon, ravens and mice who run a miniature railway.


Filipinos master disaster readiness, one roll of the dice at a time

Updated 29 December 2025
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Filipinos master disaster readiness, one roll of the dice at a time

  • In a library in the Philippines, a dice rattles on the surface of a board before coming to a stop, putting one of its players straight into the path of a powerful typhoon

MANILA: In a library in the Philippines, a dice rattles on the surface of a board before coming to a stop, putting one of its players straight into the path of a powerful typhoon.
The teenagers huddled around the table leap into action, shouting instructions and acting out the correct strategies for just one of the potential catastrophes laid out in the board game called Master of Disaster.
With fewer than half of Filipinos estimated to have undertaken disaster drills or to own a first-aid kit, the game aims to boost lagging preparedness in a country ranked the most disaster-prone on earth for four years running.
“(It) features disasters we’ve been experiencing in real life for the past few months and years,” 17-year-old Ansherina Agasen told AFP, noting that flooding routinely upends life in her hometown of Valenzuela, north of Manila.
Sitting in the arc of intense seismic activity called the “Pacific Ring of Fire,” the Philippines endures daily earthquakes and is hit by an average of 20 typhoons each year.
In November, back-to-back typhoons drove flooding that killed nearly 300 people in the archipelago nation, while a 6.9-magnitude quake in late September toppled buildings and killed 79 people around the city of Cebu.
“We realized that a lot of loss of lives and destruction of property could have been avoided if people knew about basic concepts related to disaster preparedness,” Francis Macatulad, one of the game’s developers, told AFP of its inception.
The Asia Society for Social Improvement and Sustainable Transformation (ASSIST), where Macatulad heads business development, first dreamt up the game in 2013, after Super Typhoon Haiyan ravaged the central Philippines and left thousands dead.
Launched six years later, Master of Disaster has been updated this year to address more events exacerbated by human-driven climate change, such as landslides, drought and heatwaves.
More than 10,000 editions of the game, aimed at players as young as nine years old, have been distributed across the archipelago nation.
“The youth are very essential in creating this disaster resiliency mindset,” Macatulad said.
‘Keeps on getting worse’ 
While the Philippines has introduced disaster readiness training into its K-12 curriculum, Master of Disaster is providing a jolt of innovation, Bianca Canlas of the Department of Science and Technology (DOST) told AFP.
“It’s important that it’s tactile, something that can be touched and can be seen by the eyes of the youth so they can have engagement with each other,” she said of the game.
Players roll a dice to move their pawns across the board, with each landing spot corresponding to cards containing questions or instructions to act out disaster-specific responses.
When a player is unable to fulfil a task, another can “save” them and receive a “hero token” — tallied at the end to determine a winner.
At least 27,500 deaths and economic losses of $35 billion have been attributed to extreme weather events in the past two decades, according to the 2026 Climate Risk Index.
“It just keeps on getting worse,” Canlas said, noting the lives lost in recent months.
The government is now determining if it will throw its weight behind the distribution of the game, with the sessions in Valenzuela City serving as a pilot to assess whether players find it engaging and informative.
While conceding the evidence was so far anecdotal, ASSIST’s Macatulad said he believed the game was bringing a “significant” improvement in its players’ disaster preparedness knowledge.
“Disaster is not picky. It affects from north to south. So we would like to expand this further,” Macatulad said, adding that poor communities “most vulnerable to the effects of climate change” were the priority.
“Disasters can happen to anyone,” Agasen, the teen, told AFP as the game broke up.
“As a young person, I can share the knowledge I’ve gained... with my classmates at school, with people at home, and those I’ll meet in the future.”