Pakistan offloads wheat stocks, boosts provincial supply to stabilize prices

A man carries sacks of flour on his shoulder, while others stand in queue to purchase from a truck along a road in Peshawar, Pakistan January 20, 2020. (Reuters/File)
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Updated 28 January 2026
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Pakistan offloads wheat stocks, boosts provincial supply to stabilize prices

  • ECC approves sale of 500,000 tons of wheat, allocates 300,000 tons to Punjab
  • Cabinet body also clears utility arrears and approves vaccine and fertilizer funding

KARACHI: Pakistan’s top economic decision-making body on Wednesday approved the disposal of surplus government wheat stocks and a major inter-provincial allocation to stabilize domestic flour prices, as Islamabad seeks to manage food security risks while containing fiscal pressures.

The decisions come as Pakistan grapples with food inflation sensitivity, climate-related supply disruptions and the fiscal burden of carrying large public stocks. Wheat, the country’s staple food, is politically and economically critical because flour prices directly affect household inflation and living costs, and past volatility has triggered public unrest and costly emergency imports.

On Wednesday, the Economic Coordination Committee (ECC) of the Cabinet authorized the sale of 500,000 metric tons of wheat held by the Pakistan Agricultural Storage and Services Corporation (PASSCO), the federal grain procurement agency, through competitive bidding. It also approved the release of 300,000 metric tons to the Punjab government to ensure uninterrupted supplies to flour mills, according to an official statement issued by the Finance Division.

“The disposal of 500,000 metric tons of PASSCO wheat stock through competitive bidding aims at managing surplus stocks, reducing carrying and storage costs, and ensuring price stability in the domestic wheat market while safeguarding food security considerations,” the Finance Division said in a statement following the ECC meeting.

In a related move, the committee approved the provision of PASSCO wheat to Punjab, the country’s most populous province and a key driver of national wheat consumption, to help maintain adequate supplies for flour mills and prevent supply chain disruptions, the statement said.

Beyond food security, the ECC approved a technical supplementary grant - an off-budget allocation used to meet urgent funding needs - of Rs 10.98 billion ($39 million) to clear long-standing liabilities owed by the Pakistan Post Office Department to utility companies, part of broader efforts to address inter-government arrears that have strained public sector finances.

In the health sector, the committee authorized Rs 29.66 billion ($106 million) for the Federal Directorate of Immunization to ensure uninterrupted procurement of vaccines and syringes under the Expanded Program on Immunization, a move aimed at sustaining routine immunization coverage and preventing outbreaks of vaccine-preventable diseases.

The ECC also approved a Rs 23.42 billion ($84 million) subsidy package for imported urea, to be shared equally between the federal and provincial governments, as authorities seek to cushion farmers from rising fertilizer costs and limit spillover effects on food prices.
 


In Peshawar, 76-year-old artist struggles to keep near-extinct Mughal wax art alive

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In Peshawar, 76-year-old artist struggles to keep near-extinct Mughal wax art alive

  • Craft involves intricate process using heated wax, oil, pigments, limestone to create textured, miniature artworks
  • Riaz Ahmad, who has trained his son in wax art, says he hopes to train more people to preserve traditional craft 

PESHAWAR: Riaz Ahmad, 76, stirs wax in a small plastic can with a long chopstick, takes it out on the palm of his left hand and adds natural color before drawing designs on a piece of cloth.

Surrounded by several such pieces of black cloth with unique art, Ahmad strives every passing day to keep the 500-year-old, Mughal-era wax art alive at his home near the Lahori Gate in the northwestern Pakistani city of Peshawar.

Ahmad comes from a well-known family of wax artists who were based in Shillong and Darjeeling in present-day India and had migrated to Peshawar during the 1947 partition of the sub-continent.

His work remains rooted in tradition, faithfully repeating patterns passed down through generations and winning Ahmad several awards both at home and abroad in recognition of his dedication.

“I have been making the same Mughal era designs that my forefathers used to make,” he told Arab News last week.

 

“I went to India in 2004, where I received the UNESCO Seal of Excellence [for Handicrafts] award... On 23 March, 2012, the Government of Pakistan awarded me the Tamgha-i-Imtiaz.”

The near-extinct traditional craft, which is believed to have originated in Central Asia and refined under the Mughal patronage, particularly in Peshawar, involves an intricate process using heated wax, linseed oil, powdered pigments, and limestone to create detailed, textured and often colorful miniature artworks by hand.

Ahmad learnt wax art from his father, Miran Bakhsh, nearly six decades ago.

“My parents used to do this work in Shillong and Darjeeling [in present-day India]. They had a shop there, and after the Partition, they migrated to Peshawar, Pakistan,” he said. “When they came here, they started doing the same work.”

A basic piece of his work costs around Rs3,000 ($10.7). A larger piece made on order can fetch between Rs5,000 and Rs15,000 ($17-$53), but such orders are rare.

“Wax and colors have become expensive. When I sell a piece for Rs3,000, around Rs1,000 goes into expenses, and Rs2,000 is my daily wage,” Ahmad said.

But the 76-year-old worries more about the future of the art form, which he insists cannot be learned quickly and requires “love and dedication.”

“Some people say they want to come, some from Karachi and some from Lahore, but it becomes difficult for me to go there or for them to come here,” he said.

Most wax artists in Peshawar have abandoned the art due to a lack of institutional support, according to Ahmad, who relies primarily on exhibitions to earn a living.

“The reason [for the decline of this art form] is that the government does not pay attention. They are caught in their own conflicts, and the culture is suffering,” Ahmad said.

“Other artists have left this art. Some are selling rice and some are driving rickshaws,” he added. “I have been doing this work inside my house. If there is any event, we go there and sell our art.”

Saad Bin Awais, a spokesperson for the Khyber Pakhtunkhwa Culture and Tourism Authority (KPCTA), said the government has engaged artisans in several projects. He said some of these projects have come to an end while others are ongoing.

“Riaz Ahmad is the only wax artist in Khyber Pakhtunkhwa and the authority is serious about facilitating him,” he said, adding that the KPCTA facilitates Ahmad’s participation in exhibitions across the country to showcase his art.

“We have also been collecting data of artists in Khyber Pakhtunkhwa for an upcoming project to facilitate them in any way possible.”

Ahmad has trained his son, Fayyaz, in wax art who now practices it in Islamabad. The septuagenarian says he wishes to train more people to preserve the dying art form.

“I cannot leave this work,” he said. “I will continue this art even though my hands shake.”