JERUSALEM: Actor and filmmaker Mohammed Bakri, a champion of the Palestinian cause, died on Wednesday aged 72, a hospital spokesperson said.
He was known for his documentary “Jenin, Jenin” and his commitment to the Palestinians, which led to frequent confrontations with Israeli authorities.
“Mohammed Bakri died this Wednesday at the Galilee Medical Center” in the northern Israeli city of Nahariya, hospital spokesperson Gal Zaid told AFP.
He died from heart and lung problems, according to his family.
Born in Galilee in 1953 into a Muslim family, Bakri was an Israeli citizen.
He appeared in leading Israeli films but was also directed by the French-Greek director Costa-Gavras and Italian filmmakers Paolo and Vittorio Taviani.
His role as a Palestinian inmate in an Israeli prison in the 1980s film “Beyond the Walls” earned him critical acclaim in Israel and around the world.
But his international renown grew with the release of 2002’s “Jenin, Jenin,” which denounced alleged Israeli war crimes in the Jenin refugee camp in the occupied West Bank during the Second Intifada.
The Israeli Supreme Court upheld a ban on the film in 2022, deeming it “defamatory.”
The father of six also directed several socially conscious documentaries about the situation of Palestinian citizens of Israel.
Arab-Israeli radio station A-Shams published a tribute on its social media, describing Bakri as a “free voice.”
“From his early days in theater, art was not simply a pastime for Mohammed Bakri, but a tool for raising awareness and engaging in dialogue,” the radio station said.
“The legacy left by Mohammed Bakri will remain, reminding us that art can be an act of resistance.”
Mohammed Bakri, filmmaker who championed Palestinian cause, dies aged 72
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Mohammed Bakri, filmmaker who championed Palestinian cause, dies aged 72
- Bakri was known for his documentary “Jenin, Jenin” which denounced alleged Israeli war crimes in the Jenin refugee camp
- The father of six also directed several socially conscious documentaries about the situation of Palestinian citizens of Israel
Review: ‘A Knight of the Seven Kingdoms’ is an oddball comedy worthy of Westeros
DUBAI: At a time when the sprawling saga of “Game of Thrones” and its prequel “House of the Dragon” have come to define modern fantasy television, “A Knight of the Seven Kingdoms” emerges as an unexpected offering.
Based on George R.R. Martin’s “Tales of Dunk and Egg” novellas, the six-episode HBO series — created and spearheaded by showrunner Ira Parker alongside Martin — gives viewers a story that is not about dragons or imperial politics, but about two unlikely companions navigating a treacherous and unforgiving world from its humbler margins.
From the opening moments of the premiere, where the familiar “Game of Thrones” theme music is undercut in a moment of shocking levity, the show makes clear that we are far away from the grand halls of Casterly Rock, the Red Keep or even Winterfell. Grounded and whimsical, this is Westeros viewed from muddy inns, dusty roads and makeshift jousting camps.
Peter Claffey as Ser Duncan “Dunk” the Tall is the beating heart of the series. Claffey imbues Dunk with an endearing earnestness — a towering, awkward figure, constantly walking into doors, whose moral compass is as unwavering as his endless appetite.
His chemistry with Dexter Sol Ansell’s young squire, Egg, who has deep secrets of his own, is warm and organic, creating a duo that is as compelling as any knight and squire of fantasy lore. Their dynamic gives the story a cozy, almost heartfelt buddy-adventure quality.
What makes “A Knight of the Seven Kingdoms” so captivating isn’t its lack of spectacle. It has plenty of Westerosi trappings and there’s a sizeable helping of Targaryens and Baratheons and who have you. But its choice to focus on everyday courage, loyalty and the messy, funny, sometimes mundane reality of being a hedge knight truly makes this a worthy addition to the “Game of Thrones” screen universe. We hope there’s more where that came from.
