Documentary ‘Noor’ celebrates legendary Saudi footballer

Omar Almuqarri (2nd L), Mohammed Noor (3rd L) and guests attend the "Noor" screening at the Red Sea International Film Festival 2025 on December 07, 2025. (Getty Images)
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Updated 10 December 2025
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Documentary ‘Noor’ celebrates legendary Saudi footballer

JEDDAH: From the streets of Makkah to the heights of football stardom, Mohammed Noor’s journey is a story of resilience, talent, and enduring legacy.

The biographical film “Noor” traces the career of one of Saudi Arabia’s most celebrated footballers, whose commanding presence at Al-Ittihad Club led the team to numerous domestic and continental titles. Noor’s influence extended beyond club football, and he represented the Kingdom in the 2002 and 2006 FIFA World Cups, inspiring generations of fans along the way.

Directed by Omar Almuqarri and produced by Saad Turkistani, the documentary features interviews with prominent figures in Saudi football, including Prince Nawaf bin Mohammed, Yasser Al-Qahtani, Osama Al-Muwallad, Hussein Abdulghani, Mohamed Al-Deayea, Hamad Al-Montasheri, and Adam Noor.

The film premiered at the fifth edition of the Red Sea International Film Festival, where Almuqarri spoke to Arab News about the making of this ambitious project.

The film, blending archival footage, interviews, and dynamic storytelling, presents a vivid, inspiring portrait of Noor’s life.

Almuqarri revealed that the greatest challenge in producing the film was compiling archival material.

“Honestly, the biggest challenge was finding the archival material. Getting the archive and all those old clips, and figuring out how to connect them  you’re talking about a story that spans from 1995 to 2016, his entire career as a football player,” he said.




Omar Almuqarri directed the documentary. (Getty Images) 

The scale of the task was enormous. Noor played more than 30 matches each season, totalling nearly 400 games in club and national team competitions.

“You end up having to watch between 100 and 200 matches for this one player,” Almuqarri said. “And you need to search and review all of them, plus his matches with the national team.”

With his background as a former sporting director, Almuqarri brought firsthand knowledge of Saudi football to the project. This insight guided his approach: “That’s why I insisted on making the film 70 percent archival footage and 30 percent interviews and modern shots. Because new generations know Mohammed Noor by name, but they didn’t live those moments.”

The documentary aims to immerse viewers in the era, capturing the intensity of matches, the competitive push-and-pull, and the lively, often bold sports media environment in Saudi Arabia, which the director describes as adding “a layer of excitement for the viewer.”

A defining feature of “Noor” is its candid portrayal of the footballer’s life, including the challenges he faced.

“You’re not making a film about an angel, you’re making a film about a human being. This person has failures and successes, positives and negatives,” Almuqarri said.

The film does not shy away from controversy, including Noor’s doping ban, his departure from Al-Ittihad, and conflicts with club management.

“If the film is positive from start to finish, believe me, no one will sit in the theatre … there would be no plot, no intrigue at all. Let’s bring it back and show it — that’s the essence of documentary work,” he said.

Even the film’s subjects recognized the honesty in its storytelling. “We included the (doping) case. And you’ll notice that one of the speakers even says, ‘I doubt you’ll put this part in,’” Almuqarri added.

The film consists of three chapters, each representing a stage of Noor’s journey. The first focuses on his beginnings and entry into Al-Ittihad, the second on his rise to stardom, and the third, titled “Al-Ittihad’s Circumstances,” explores the challenges the club faced.

Almuqarri explained: “Mohammed Noor wasn’t a star at the beginning of his career. You grow along with the character’s development. He started as a simple, humble player, then evolved and rose; his performance climbed steadily. The film mirrors the player himself. It resembles his career because the film builds upward until it reaches its end.”

Maintaining audience engagement was a priority for the director. The 90-minute documentary features a fast-paced rhythm to keep viewers invested. When asked about Noor’s response to the film, Almuqarri said: “The first question I asked Mohammed Noor was, ‘Do you have any reservations about anything?’ He said, ‘I have no reservations.’”

Noor watched the film for the first time at its premiere and was visibly moved. Almuqarri said: “He teared up a bit. The audience was moved too. Mohammed Noor has an emotional bond with the fans, a deep sentimental connection. He gave them so many championships, so many achievements and moments of joy. He made them happy on the pitch, and he still does.”

“Noor” was entirely self funded, without corporate sponsors or external support. “The goal wasn’t business; it was about storytelling and introducing a new style of documentary filmmaking,” Almuqarri said.

He also shared his vision for the future: “We’ll work on more biographies like this, or different documentaries telling the stories of footballers, artists, public figures, and major events. Many stories can be told in new, engaging ways.”

 


Saudi label KML unveils new collection in Paris

Updated 21 January 2026
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Saudi label KML unveils new collection in Paris

DUBAI: Siblings Razan and Ahmed Hassan presented their Fall/Winter 2026–2027 collection at Paris Fashion Week on Tuesday, continuing the rapid rise of their KML label.

The duo has gained international recognition since launching the brand in 2022, most recently being named semifinalists for the LVMH Prize — a prestigious annual award for emerging designers.

Creative director Ahmed’s minimalist designs and sharp tailoring mean KML — owned by his sister, Razan — has built its identity around reimagining traditional Saudi garments through a contemporary lens. Jackets are paired with shawl-like elements, large leather belts recall those historically worn by Bedouin men, and skirts nod to silhouettes once worn by men in the Eastern Province, Jazan and the Hijaz.

The collection leans on wrap constructions, asymmetry and elongated proportions. (Getty Images)

The approach is reflected in the new collection, which features a restrained palette of black, white and muted earth tones, leaning on wrap constructions, asymmetry and elongated proportions.

Flowing skirts, structured wrap tops and robe-like coats dominate the lineup, with some looks referencing classical draping while others lean toward utilitarian dressing, defined by sharp shoulders, cinched waists and clean, architectural lines.

In a previous interview with Arab News, Ahmed said their grandmother was a huge influence on their lives as he and his sister grew up in Riyadh. He fondly recalled both her progressive nature and inimitable style. As a young boy, Ahmed would often accompany her to fabric shops so she could get her designs stitched by a local tailor. The experience left an impression, though fashion was not an obvious initial career path.

Ahmed studied architecture and became an intern at Zaha Hadid Architects, where he developed an appreciation for structure and form. Razan, meanwhile, pursued law at Prince Sultan University and she went on to practice full-time.

“One summer, we both realized we weren’t doing what we truly wanted to do, so I decided to go to the UK to study creative writing, and Ahmed went to Central Saint Martins (in London) for a few courses,” Razan explained.

That was the catalyst for KML. In August 2023, they launched their debut capsule collection and towards the end of that year they applied to the Saudi 100 Brands program. The Fashion Commission recognized their potential, helping KML launch collections at fashion weeks in Paris, Riyadh and Milan.