Seven-minute psychodrama, 48-hour challenge winner, debuts at RSIFF

A still from seven-minute psychodrama ‘Wajoom.’ (Supplied)
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Updated 09 December 2025
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Seven-minute psychodrama, 48-hour challenge winner, debuts at RSIFF

RIYADH: When 2025 began, Maan Yeslam Al-Siari could not have imagined that by the end of the year he would make his professional directorial debut at a major international film festival — in his hometown of Jeddah, of all places.

His seven-minute psychodrama, “Wajoom,” created for the Red Sea Film Fund’s 48-Hour Film Challenge, is screening at the Red Sea International Film Festival.

The story of “Wajoom,” untitled at the time, had been living within Al-Siari for two years. The story critiques corporate culture.

“In a white space without features, Malik arrives to undergo a mysterious evaluation whose purpose is kept secret by a single, strict rule: No questions allowed. From a silent lobby to suffocating rooms, he is subjected to a series of psychological tests that shake his certainty and force him to confront his deepest fears,” the film’s logline reads.

Al-Siari, who often writes scripts in English, welcomed the collaboration with local Arabic wordsmith Saeed Binafif.

“When I found out about the 48-Hour Film Challenge, I decided to immediately apply,” Al-Siari told Arab News. “I used Saeed’s number (the writer) because I had it, and I put my second email because I didn’t know his. I added Haitham Sager’s number (the producer) and added my brother’s email there because I didn’t want to waste time asking for their emails.” 

Coincidentally, a while later, Sager asked: “Why don’t we apply for this challenge?” Al-Siari then cheekily confessed: “We already did — I added you both.”

They were accepted and everything took off from there. 

Shooting took place over a Friday and Saturday in July. They worked tirelessly through the scorching summer heat to secure a spot to film at his university library, requiring special permission. 

Sixty percent of the 30-person crew were classmates handpicked by Al-Siari.

“When we finished the film, only five tickets were allowed for the 48-hour challenge screening in September,” Al-Siari said. “So me, the director, the writer, Saeed, producer, Haitham, main actor, Wadee Hulam and my little brother came. My parents watched it separately.”

His 18-year-old brother later told their mother about his sibling’s surprising leadership: “Thirty people were all respecting Maan — they were all listening to him, Mom!’”

When Arab News asked if it was indeed filmed in 48 hours, the answer was an exhausted “Yes.”

Editing took an extra day, Al-Siari said.

Viewers of “Wajoom” at RSIFF will be treated to new music by a Saudi composer who created a soundscape specifically for the screening. 

A COVID-era high school graduate, Al-Siari had originally applied — and was accepted — to study film in Toronto but instead chose engineering at King Abdulaziz University. 

At the time, there seemed to be no future for filmmaking in the Kingdom. Since childhood, his family had been traveling to Dubai every few months to watch films.

After excelling in his first year of engineering with a stellar grade point average, he found his heart yearned to pursue filmmaking full time. He began to recognize a burgeoning film ecosystem thriving right in his own backyard — and at his own university. He transferred. 

Al-Siari graduated just a few months ago with a degree in visual and media production. Now he’s a Red Sea International Film Festival director. 

“This is my dream,” he said.


Alia Bhatt, Sigourney Weaver talk love for authenticity, strong women

Updated 10 December 2025
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Alia Bhatt, Sigourney Weaver talk love for authenticity, strong women

JEDDAH: On the seventh day of the ongoing Red Sea International Film Festival, two actresses — set apart by geography and time — spoke of their love for telling authentic stories and depicting strong women.

Bollywood superstar Alia Bhatt and Hollywood great Sigourney Weaver, on their respective In Conversation panels, reflected on their varied careers and the choices that led them to enduring success.

From a teenager stepping onto her first film set to a respected actress in her early thirties, Bhatt’s journey is a testament to the power of curiosity and instinct.

Bollywood superstar Alia Bhatt. (Getty Images)

“When I started out, I was ... maybe 17, 18,” she said. “I was way more enthusiastic and full of beans, trying really hard because I was just starting out.”

Her approach has evolved, but the core remains unchanged. “I’m still enthusiastic, still full of beans, but the approach is more silent. It comes with a little more sense of intent,” she said.

“I approach my work truly through pure instinct. The way I choose a part is like, ‘Oh, I've done this. Now I want to do this.’”

This approach, she said, led her to take creative risks — from “Highway” to “Udta Punjab” to Gangubai Kathiawadi” — always seeking variety.

Turning producer with Eternal Sunshine Productions was a natural progression of that curiosity. “I have a real strong passion for stories, so I like to get into it.

“And I like to think, ‘Okay, this has this potential, or this has that potential,’ and either I’m in it or I’m not, but I like to assess the initial stages of a story which is just a synopsis or first draft on paper.”

 Hollywood heavyweight Sigourney Weaver. (Getty Images) 

Weaver said she never set out to become an action hero. Initially shy and unsure, she was drawn not to specific roles but compelling stories.

When “Alien” came along, she approached the script with an open mind, unaware she was about to redefine female characters in science fiction.

“We were just trying to make a good, small movie,” she recalled. “The writers had cleverly crafted a script with a mixed-gender crew of “dirty space truckers,” deliberately subverting expectations by making the young woman the survivor and hero.

Weaver did not see it as a feminist statement at the time, but as a natural storytelling choice. Her character, Ellen Ripley, represented the idea that women could be self-reliant.

“She reminds us all that we can rely on ourselves and we don’t need a man to fly in and save us,” said Weaver.