Bollywood’s favorite romance still going strong after 30 years

In this picture taken on October 11, 2025, moviegoers take a selfie ahead of the screening of the popular Bollywood Hindi film ‘Dilwale Dulhania Le Jayenge’ (The brave hearted will take the bride away) at Maratha Mandir theater in Mumbai. India’s longest running film celebrates its 30-year run in a cinema on Monday, a Bollywood romance so beloved that fans simply know it by its acronym, DDLJ. (AFP)
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Updated 19 October 2025
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Bollywood’s favorite romance still going strong after 30 years

  • Since Oct. 20, 1995, ‘Dilwale Dulhania Le Jayenge’ has been running daily at Mumbai’s Maratha Mandir theater
  • Film explores clash between liberal values of second-generation Indians abroad and conservative values of parents

MUMBAI: India’s longest-running film celebrates 30 years in the same cinema on Monday, a Bollywood romance so beloved that fans know it simply by its acronym “DDLJ.”

First released on October 20, 1995, “Dilwale Dulhania Le Jayenge,” or “The Brave Hearted Will Take the Bride” has been running daily at Mumbai’s Maratha Mandir theater since its debut.

“I have seen it about 30 times... and I will continue watching it,” said Mohammad Shakir, 60, smiling as he bought another 40 rupee ($0.45) ticket.

The film, which catapulted Shah Rukh Khan to superstardom and redefined modern Hindi romance, still weaves its magic.

Every day at 11:30 am, audiences gather for a nostalgic escape and to relive the story of young love defying tradition.

“The weekday crowd typically consists of college students and young couples,” said cinema head Manoj Desai.

“On Sundays, you will find around 500 people, even after 30 years.”

It has been running for more than 1,500 weeks, far outstripping the five-year run of action-thriller “Sholay,” or “Embers,” at another Mumbai theater.

‘GOOSEBUMPS’

The film explores the clash between liberal values of second-generation Indians abroad and the conservative values of their parents.

Its climax — when the heroine runs alongside a moving train into her lover’s arms — still draws whistles, cheers and applause.

“This is the goosebump moment,” Desai said. “The father letting his daughter go, saying she won’t find a better partner to spend her life with.”

Some fans have made “DDLJ” part of their lives — one woman has been coming for 20 years.

“We don’t charge anything from her — we pay for the ticket,” Desai said. “Where will you get a patron like this?“

Even younger audiences remain captivated.

“In our generation today, we often see transactional relationships,” said 23-year-old Omkar Saraf, who hadn’t been born when the film was released.

“But in this film, the hero crosses all boundaries to win his love with no expectations,” he said.

“We have watched it on television, on our mobiles, but the big screen gives us goosebumps.”

“DDLJ” has even shaped real love stories for some.

One couple watched it while dating and invited Desai to their wedding.

“They went abroad for their honeymoon — and came back to watch the movie,” Desai said.

‘CULTURAL MONUMENT’

The film’s screening was almost discontinued in 2015, but an uproar meant the fan favorite remained in its daily time slot at the Maratha Mandir, according to the Hindustan Times.

The theater itself has also changed little, its vintage charm intact with counters serving steaming cups of tea and deep-fried samosa snacks.

Its location near Bombay Central Station adds to its story, as travelers often catch a show before heading to their destinations.

Those include visitors from abroad.

“The film is like Romeo and Juliet, with a happy ending,” said Kelly Fernandez, a tourist from Spain who had wanted to see a Bollywood movie.

“Even though we didn’t understand the language, we enjoyed the music, dance and costumes.”

Film critic Baradwaj Rangan sees the film’s endurance as a love letter to an India grappling with old and new values.

“It represents a certain point in Indian culture, and that is why it is still loved,” Rangan told AFP, saying it “perfectly captured” the friction between two generations.

“The film has become a kind of cultural monument,” Rangan said. “I think it is going to be playing forever.”


Berlinale responds to backlash over Gaza-related comments

Updated 59 min 53 sec ago
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Berlinale responds to backlash over Gaza-related comments

The Berlin International Film Festival has issued a statement after what organisers described as a growing “media storm” linked to comments about the war in Gaza and the broader role of politics in cinema.

Festival director Tricia Tuttle released a lengthy note late Saturday following criticism directed at several high-profile guests. The controversy began during the opening day press conference when jury president Wim Wenders was asked about the conflict in Gaza. He responded: “We have to stay out of politics because if we make movies that are dedicatedly political, we enter the field of politics,” a remark that sparked swift backlash online.

Indian author Arundhati Roy later withdrew from the festival, reportedly angered by the remarks.

Other prominent figures, including Michelle Yeoh and Neil Patrick Harris, also faced online criticism after responding cautiously to questions about politics. Harris stated that he was interested in “doing things that were ‘apolitical,’” a comment that further fuelled debate.

In her statement, Tuttle defended the festival and its participants, stressing the importance of artistic freedom. “People have called for free speech at the Berlinale. Free speech is happening at the Berlinale. But increasingly, filmmakers are expected to answer any question put to them. They are criticised if they do not answer. They are criticised if they answer and we do not like what they say. They are criticised if they cannot compress complex thoughts into a brief sound bite when a microphone is placed in front of them when they thought they were speaking about something else,” she said.

She added: “It is hard to see the Berlinale and so many hundreds of filmmakers and people who work on this festival distilled into something we do not always recognise in the online and media discourse… It is a large, complex festival.”

“Artists are free to exercise their right of free speech in whatever way they choose… nor should they be expected to speak on every political issue raised to them unless they want to,” Tuttle said.