Bollywood’s favorite romance still going strong after 30 years

In this picture taken on October 11, 2025, moviegoers take a selfie ahead of the screening of the popular Bollywood Hindi film ‘Dilwale Dulhania Le Jayenge’ (The brave hearted will take the bride away) at Maratha Mandir theater in Mumbai. India’s longest running film celebrates its 30-year run in a cinema on Monday, a Bollywood romance so beloved that fans simply know it by its acronym, DDLJ. (AFP)
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Updated 19 October 2025
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Bollywood’s favorite romance still going strong after 30 years

  • Since Oct. 20, 1995, ‘Dilwale Dulhania Le Jayenge’ has been running daily at Mumbai’s Maratha Mandir theater
  • Film explores clash between liberal values of second-generation Indians abroad and conservative values of parents

MUMBAI: India’s longest-running film celebrates 30 years in the same cinema on Monday, a Bollywood romance so beloved that fans know it simply by its acronym “DDLJ.”

First released on October 20, 1995, “Dilwale Dulhania Le Jayenge,” or “The Brave Hearted Will Take the Bride” has been running daily at Mumbai’s Maratha Mandir theater since its debut.

“I have seen it about 30 times... and I will continue watching it,” said Mohammad Shakir, 60, smiling as he bought another 40 rupee ($0.45) ticket.

The film, which catapulted Shah Rukh Khan to superstardom and redefined modern Hindi romance, still weaves its magic.

Every day at 11:30 am, audiences gather for a nostalgic escape and to relive the story of young love defying tradition.

“The weekday crowd typically consists of college students and young couples,” said cinema head Manoj Desai.

“On Sundays, you will find around 500 people, even after 30 years.”

It has been running for more than 1,500 weeks, far outstripping the five-year run of action-thriller “Sholay,” or “Embers,” at another Mumbai theater.

‘GOOSEBUMPS’

The film explores the clash between liberal values of second-generation Indians abroad and the conservative values of their parents.

Its climax — when the heroine runs alongside a moving train into her lover’s arms — still draws whistles, cheers and applause.

“This is the goosebump moment,” Desai said. “The father letting his daughter go, saying she won’t find a better partner to spend her life with.”

Some fans have made “DDLJ” part of their lives — one woman has been coming for 20 years.

“We don’t charge anything from her — we pay for the ticket,” Desai said. “Where will you get a patron like this?“

Even younger audiences remain captivated.

“In our generation today, we often see transactional relationships,” said 23-year-old Omkar Saraf, who hadn’t been born when the film was released.

“But in this film, the hero crosses all boundaries to win his love with no expectations,” he said.

“We have watched it on television, on our mobiles, but the big screen gives us goosebumps.”

“DDLJ” has even shaped real love stories for some.

One couple watched it while dating and invited Desai to their wedding.

“They went abroad for their honeymoon — and came back to watch the movie,” Desai said.

‘CULTURAL MONUMENT’

The film’s screening was almost discontinued in 2015, but an uproar meant the fan favorite remained in its daily time slot at the Maratha Mandir, according to the Hindustan Times.

The theater itself has also changed little, its vintage charm intact with counters serving steaming cups of tea and deep-fried samosa snacks.

Its location near Bombay Central Station adds to its story, as travelers often catch a show before heading to their destinations.

Those include visitors from abroad.

“The film is like Romeo and Juliet, with a happy ending,” said Kelly Fernandez, a tourist from Spain who had wanted to see a Bollywood movie.

“Even though we didn’t understand the language, we enjoyed the music, dance and costumes.”

Film critic Baradwaj Rangan sees the film’s endurance as a love letter to an India grappling with old and new values.

“It represents a certain point in Indian culture, and that is why it is still loved,” Rangan told AFP, saying it “perfectly captured” the friction between two generations.

“The film has become a kind of cultural monument,” Rangan said. “I think it is going to be playing forever.”


India Mahdavi named jury head for Design Doha Prize 2026

Updated 08 December 2025
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India Mahdavi named jury head for Design Doha Prize 2026

DUBAI: Renowned French architect and designer India Mahdavi has been appointed as the head of the jury for the Design Doha Prize 2026.

Born in Iran, the designer’s work includes projects at Hotel du Cloitre in Arles, the Coburg Bar at London’s Connaught Hotel, Monte Carlo Beach in Monaco, the Rivington Hotel in Manhattan, and the Townhouse Hotel in Miami.

As the head of the jury, Mahdavi will convene and lead a panel of regional and international experts to identify achievements in contemporary design at the biennial showcase for design that covers Qatar, as well as the broader Middle East, North Africa, and South Asia. Mahdavi also previously released a collection with Swedish retailer H&M, in addition to her own furniture objects.

“Her work transcends geography, transforming emotion, color, and form into a universal language of beauty and belonging. India’s vision — rooted in diversity, joy, and purpose — will guide us in recognizing designers who redefine what it means to create from this region, for the world,” Fahad Al Obaidly, acting director of Design Doha, said in a released statement.

“This region, one of my cultural homes, resonates deeply with me. I am awed to witness its design landscape grow and evolve,” Mahdavi added.

The Design Doha Prize will be awarded on April 14, 2026. It will honor innovation and craftsmanship in four categories: Craft, Product Design, Furniture Design, and Emerging Talent, with each winner taking home just under $55,000.