Saudi film ‘Hijra’ submitted to represent Kingdom at Oscars

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A still from the trailer.
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A still from the trailer.
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Updated 14 October 2025
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Saudi film ‘Hijra’ submitted to represent Kingdom at Oscars

  • Story of women navigating identity, says director Shahad Ameen
  • Shot against backdrop of the Hajj, in 8 Saudi cities over 55 days

RIYADH: The Saudi Film Commission has chosen “Hijra” to represent the Kingdom at next year’s 98th Academy Awards.

The movie has been selected for the Best International Feature Film category at the Oscars, which will be held in Los Angeles in March 2026, the Saudi Press Agency reported on Monday.

Chosen by a committee of prominent Saudi Arabia filmmakers and industry specialists, the movie will compete against dozens of submissions from around the world.

The academy’s shortlist is announced after several stages, the SPA reported.

Released in August at the Venice International Film Festival, the movie is an exploration of female identity across generations.

The feature follows a grandmother, Khairiya Nazmi, and her granddaughter, Lamar Feddan, as they journey across northern Saudi Arabia to find a missing teenage girl.

Shot over more than 55 days in eight Saudi cities – Taif, Jeddah, Madinah, Wadi Al-Faraa, AlUla, Tabuk, Neom and Duba – the story unfolds against the backdrop of the Hajj.

“It’s a story of women navigating who they are, and understanding what freedom means to them,” director Shahad Ameen told Arab News in September.

The film won the NETPAC Award for Best Asian Film last month.

Ameen’s 2019 release, “Scales,” was chosen as Saudi Arabia’s submission for the 93rd Academy Awards in 2021.

“Where ‘Scales’ was mythic, ‘Hijra’ is more intimate. It’s about the pilgrimage we make toward ourselves, and the cost of that journey,” Ameen said.

Saudi Arabia’s participation in the Oscars reflects its continued commitment to sharing its unique stories with global audiences, the SPA reported.

The Saudi Film Commission, since its creation in 2020 by the Culture Ministry, has played a significant role in developing the Kingdom’s movie industry.

A recent report by the commission showed its national incentive programs supported 64 projects, generating more than $288 million in local spending.

In 2024, more than 17.5 million cinema tickets were sold across the Kingdom, with infrastructure expanding to 64 locations and 630 screens.

There are now 65 production companies, and 14 projects received additional support through incentive programs. Total production spending on supported films amounted to just over SR93 million.

Festivals and events also saw strong engagement, with more than 75,600 participants attending the Red Sea International Film Festival, the Saudi Film Festival, and the Gulf Cinema Festival.


Animated Saudi film screens at Red Sea International Film Festival 

Updated 10 December 2025
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Animated Saudi film screens at Red Sea International Film Festival 

RIYADH: It is life imitating art — and art imitating life: a story about work burnout created work burnout, but for Saudi filmmaker Rwad Khalid, every sleepless night paid off. 

Arab News spoke with Khalid, who joked about the literal and metaphorical Mary Poppins-like bag she always carries. In real life, she hauls cameras and “other things” everywhere.

Her dedication to her craft has paid off — Khalid's seven-minute fantasy-drama-comedy animation, “Business Bag,” will be screened at the Red Sea International Film Festival in her home country.

A 2025 graduate of Princess Nourah bint Abdulrahman University in Riyadh with a degree in film and animation, she is passionate about crafting Saudi-centric stories that explore universal social themes through animation.

The film is produced by fellow classmates Linah Alqudari, Manar Alzahrani, and Dana Al-Omran, as part of their graduation project. Each brought their own distinct animation style, and the four of them worked together to weave a cohesive final look. Khalid and Alqudari wrote the script.

Her team unexpectedly became experts in the legal world when they tried to secure the copyright to vintage Japanese music from a deceased singer to use in their film. Determined not to take money from their families, they pooled their own savings and university allowances to fund the project.

“Business Bag” follows a young man overworked and over-caffeinated, drowning in office work pressure and routine — until, on a short walk outside the office, his bag suddenly flies away in the dead of night. As he chases it across Riyadh, he rediscovers the city’s beauty and learns to rebalance his life.

Work-related burnout is universal, the team determined, which is why the film barely uses dialogue. Instead, it leans on music and street sounds of bustling Riyadh.

The entire animation process was swift. 

“Other animators would tell me, like, ‘No way — it’s crazy. You did this in only two months? That’s impossible,’” Khalid said. “But it was possible, after all.”

Khalid said many people have asked why the main character is a man, given that the film was created by a team of women. 

“I knew I wanted Riyadh to be a main character. I also knew I wanted it to take place at night. Logically, I wouldn’t place a woman in that space in Riyadh at night,” she said. 

 “Let the boy suffer,” she added with a laugh.