Arab sculptors shape Saudi landscapes in Al-Namas

Al-Namas International Sculpture Symposium highlighted the region’s ambition to enhance public spaces with contemporary art. (SPA)
Short Url
Updated 31 August 2025
Follow

Arab sculptors shape Saudi landscapes in Al-Namas

  • Ten artists crafted works to transform public spaces into cultural canvases during Al-Namas sculpture symposium

MAKKAH: Al-Namas International Sculpture Symposium wrapped up in Asir region recently, bringing together leading Arab sculptors under the theme “Linear Rhythms.”

Organized by Al-Namas municipality with artistic direction from Saudi sculptor Mohammed Al-Thaqafi, the symposium, which concluded on Aug. 26, highlighted the governorate’s ambition to strengthen its visual identity and enhance public spaces with contemporary art.




Al-Namas International Sculpture Symposium highlighted the region’s ambition to enhance public spaces with contemporary art. (SPA)

The theme drew inspiration from Al-Namas’s striking topography, where mountain ridges and cloud lines merge into sweeping horizons. This natural geometry guided the artists’ designs and interpretations.

Ten renowned sculptors from across the Arab world took part: Saudi representatives Al-Thaqafi, Ali Al-Tokhais, and Ebtesam Saleh were joined by Morocco’s Ikram Kabbaj, the UAE’s Azza Al-Qubaisi, Qatar’s Mohammed Al-Ateeq, Oman’s Yousuf Al-Rawahi, Sudan’s Khalid Abdullah, Tunisia’s Mohammed Bou Aziz, and Egypt’s Omar Toussoun.

HIGHLIGHTS

• Working with locally sourced stone, 10 Arab and Gulf artists created large-scale pieces now installed in gardens and public areas.

• The theme drew inspiration from Al-Namas’s striking topography, where mountain ridges and cloud lines merge into sweeping horizons.

• Participants praised both the artistic exchange and Al-Namas’s natural setting.

Working with locally sourced stone, they created large-scale pieces now installed in gardens and public areas, blending modern creativity with Saudi heritage.




The theme drew inspiration from Al-Namas’s striking topography, where mountain ridges and cloud lines merge into sweeping horizons. (SPA)

Al-Thaqafi told Arab News the event was a platform for celebrating visual culture while making art accessible to the community.

He emphasized sculpture’s role in “advancing visual literacy and urban beautification,” adding that the medium “expresses identity and spirit while transforming public areas into creative showcases of local aesthetics and heritage.”




The theme drew inspiration from Al-Namas’s striking topography, where mountain ridges and cloud lines merge into sweeping horizons. (SPA)

He noted the symposium’s growth in scope and ambition each year, with Al-Namas aspiring to become a regional hub for public art, and he said expressed optimism that other Saudi cities will embrace comparable initiatives.

Participants praised both the artistic exchange and Al-Namas’s natural setting.




Al-Namas International Sculpture Symposium highlighted the region’s ambition to enhance public spaces with contemporary art. (SPA)

Egyptian sculptor Toussoun described the invitation as one of the most prestigious moments of his career, drawing inspiration from the region’s “mountainous terrain, valleys, and captivating landscapes.”

Qatari artist Al-Ateeq highlighted the strength of Gulf and Arab participation, saying the symposium offered artists “ideal working conditions” to bring large-scale ambitious visions to life.

With its cool climate, scenic beauty, and cultural vibrancy, Al-Namas continues to position itself as both a tourism draw and a rising cultural destination where art, nature and heritage intersect.

 


Northern Borders rock art reveals ancient life

Updated 58 min 29 sec ago
Follow

Northern Borders rock art reveals ancient life

  • Among the most notable remains are stone structures scattered northwest of Arar
  • Evidence ranges from the Neolithic era to Islamic times, forming a chronological record

JEDDAH: Saudi Arabia’s Northern Borders region contains numerous archaeological sites, reflecting a long history of human settlement dating back to early periods, the Saudi Press Agency reported.
Among the most notable remains are stone structures scattered northwest of Arar.
Varying in shape, size and design, specialists believe these structures date to the end of the Neolithic period and the beginning of subsequent eras. They are thought to have been used as stone tombs to preserve the remains of the dead.
Evidence ranges from the Neolithic era to Islamic times, forming a chronological record that highlights the diversity of communities that once lived in the region and how they interacted with their natural environment over centuries.
Ajab Al-Otaibi, director general of antiquities at the Heritage Commission, said the stone structures and rock art sites in the Northern Borders region represent an integral part of Saudi Arabia’s national cultural heritage and serve as an important resource for archaeological studies and scientific research.
He highlighted the importance of surveys, documentation and protection efforts to preserve these cultural landmarks as a historical legacy for future generations.
The region is also home to several important rock art sites, such as Shu’ayb Hamer, which features a wide and diverse collection of drawings carved on natural rock surfaces, marking it as a key site that documented early human activity in the area.
The artworks depict scenes of hunting, horsemanship, dancing, daily life and social rituals. They were created using a variety of artistic styles, most notably framed and abstract forms, and produced through different techniques including incizing and pecking, both direct and indirect.
The carvings portray human figures and a range of animals, including camels, horses and gazelles, as well as some wild and predatory species that have long since disappeared.
These images provide insight into the richness of the natural environment in earlier periods and help researchers understand the evolving relationship between humans and their surroundings.