POMPEII: A mosaic panel on travertine slabs, depicting an erotic theme from the Roman era, was returned to the archaeological park of Pompeii on Tuesday, after being stolen by a Nazi German captain during World War II.
The artwork was repatriated from Germany through diplomatic channels, arranged by the Italian Consulate in Stuttgart, Germany, after having been returned from the heirs of the last owner, a deceased German citizen.
The owner had received the mosaic as a gift from a Wehrmacht captain, assigned to the military supply chain in Italy during the war.
The mosaic — dating between mid- to last century B.C. and the first century — is considered a work of “extraordinary cultural interest,” experts said.
“It is the moment when the theme of domestic love becomes an artistic subject,” said Gabriel Zuchtriegel, director of the Archaeological Park of Pompeii and co-author of an essay dedicated to the returned work. “While the Hellenistic period, from the fourth to the first century B.C., exulted the passion of mythological and heroic figures, now we see a new theme.”
The heirs of the mosaic’s last owner in Germany contacted the Carabinieri unit in Rome that’s dedicated to protecting cultural heritage, which was in charge of the investigation, asking for information on how to return the mosaic to the Italian state. Authorities carried out the necessary checks to establish its authenticity and provenance, and then worked to repatriate the mosaic in September 2023.
The collaboration with the Archaeological Park of Pompeii was also key, as it made it possible to trace it to near the Mount Vesuvius volcano, despite the scarcity of data on the original context of its discovery, the Carabinieri said.
The panel was then assigned to the Archaeological Park of Pompeii where, suitably catalogued, it will be protected and available for educational and research purposes.
“Today’s return is like healing an open wound,” Zuchtriegel said, adding that the mosaic allows to reconstruct the story of that period, the first century A.D., before Pompeii was destroyed by the Vesuvius eruption in A.D. 79.
The park’s director also highlighted how the return by the heirs of its owner signals an important change in “mentality,” as “the sense of possession (of stolen art) becomes a heavy burden.”
“We see that often in the many letters we receive from people who may have stolen just a stone, to bring home a piece of Pompeii,” Zuchtriegel said.
He recalled the so-called “Pompeii curse,” which according to a popular superstition hits whoever steals artifacts in Pompeii.
The world-known legend suggests that those who steal finds from the ancient city of Pompeii will experience bad luck or misfortune. That has been fueled over the years by several tourists who return stolen items, claiming they brought them bad luck and caused tragic events.
Roman-era mosaic panel with erotic theme that was stolen during World War II returns to Pompeii
https://arab.news/p639u
Roman-era mosaic panel with erotic theme that was stolen during World War II returns to Pompeii
- The artwork was repatriated from Germany through diplomatic channels and was arranged by the Italian Consulate in Stuttgart
- The owner had received the mosaic as a gift from a Wehrmacht captain who was assigned to the military supply chain in Italy during the war
These shy, scaly anteaters are the most trafficked mammals in the world
CAPE TOWN, South Africa: They are hunted for their unique scales, and the demand makes them the most trafficked mammal in the world.
Wildlife conservationists are again raising the plight of pangolins, the shy, scaly anteaters found in parts of Africa and Asia, on World Pangolin Day on Saturday.
Pangolins or pangolin products outstrip any other mammal when it comes to wildlife smuggling, with more than half a million pangolins seized in anti-trafficking operations between 2016 and 2024, according to a report last year by CITES, the global authority on the trading of endangered plant and animal species.
The World Wildlife Fund estimates that over a million pangolins were taken from the wild over the last decade, including those that were never intercepted.
Pangolins meat is a delicacy in places, but the driving force behind the illegal trade is their scales, which are made of keratin, the protein also found in human hair and fingernails. The scales are in high demand in China and other parts of Asia due to the unproven belief that they cure a range of ailments when made into traditional medicine.
There are eight pangolin species, four in Africa and four in Asia. All of them face a high, very high or extremely high risk of extinction.
While they’re sometimes known as scaly anteaters, pangolins are not related in any way to anteaters or armadillos.
They are unique in that they are the only mammals covered completely in keratin scales, which overlap and have sharp edges. They are the perfect defense mechanism, allowing a pangolin to roll up into an armored ball that even lions struggle to get to grip with, leaving the nocturnal ant and termite eaters with few natural predators.
But they have no real defense against human hunters. And in conservation terms, they don’t resonate in the way that elephants, rhinos or tigers do despite their fascinating intricacies — like their sticky insect-nabbing tongues being almost as long as their bodies.
While some reports indicate a downward trend in pangolin trafficking since the COVID-19 pandemic, they are still being poached at an alarming rate across parts of Africa, according to conservationists.
Nigeria is one of the global hot spots. There, Dr. Mark Ofua, a wildlife veterinarian and the West Africa representative for the Wild Africa conservation group, has rescued pangolins for more than a decade, which started with him scouring bushmeat markets for animals he could buy and save. He runs an animal rescue center and a pangolin orphanage in Lagos.
His mission is to raise awareness of pangolins in Nigeria through a wildlife show for kids and a tactic of convincing entertainers, musicians and other celebrities with millions of social media followers to be involved in conservation campaigns — or just be seen with a pangolin.
Nigeria is home to three of the four African pangolin species, but they are not well known among the country’s 240 million people.
Ofua’s drive for pangolin publicity stems from an encounter with a group of well-dressed young men while he was once transporting pangolins he had rescued in a cage. The men pointed at them and asked him what they were, Ofua said.
“Oh, those are baby dragons,” he joked. But it got him thinking.
“There is a dark side to that admission,” Ofua said. “If people do not even know what a pangolin looks like, how do you protect them?”
