Bob Vylan ‘dropped by agents’ following controversial IDF chant at Glastonbury Festival

To the backdrop of a Palestinian flag, Bobby Vylan of British duo Bob Vylan performs on the West Holts Stage on the fourth day of the Glastonbury festival at Worthy Farm in the village of Pilton in Somerset, south-west England, on June 28, 2025. (AFP)
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Updated 30 June 2025
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Bob Vylan ‘dropped by agents’ following controversial IDF chant at Glastonbury Festival

  • Rap-punk group sparked outrage at Glastonbury Festival with chant referencing IDF

LONDON: Rap-punk group Bob Vylan appear to have been dropped by their agents after sparking outrage at Glastonbury Festival over the weekend with a chant referencing the Israel Defense Forces, it was reported on Monday.

During their set on the West Holts Stage on Saturday, frontman Bobby Vylan led the crowd in chants of “Free, free Palestine” and “Death, death to the IDF.”

The performance was streamed live on BBC iPlayer but was later removed from the platform, and police are now assessing whether any offenses were committed during the performance.

Media reports said it appeared United Talent Agency, which previously represented the duo, had removed them from its roster in the wake of the backlash.

As of Monday, Bob Vylan no longer appear on UTA’s official website. The agency has not yet commented publicly on the decision.

The group, formed in Ipswich in 2017, consists of two members who go by the monikers Bobby Vylan and Bobbie Vylan, keeping their real names private.

On Sunday evening, Bobby addressed the controversy on Instagram, saying he had been “inundated” with both “support and hatred” following the performance.

“I stand by what I said,” he wrote. “And I’m calling for a change in foreign policy.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Bob Vylan (@bobbyvylan)

In a statement issued after the incident, Glastonbury Festival organizers said: “Glastonbury Festival was created in 1970 as a place for people to come together and rejoice in music, the arts and the best of human endeavour. As a festival, we stand against all forms of war and terrorism. We will always believe in — and actively campaign for — hope, unity, peace and love.

“With almost 4,000 performances at Glastonbury 2025, there will inevitably be artists and speakers appearing on our stages whose views we do not share, and a performer’s presence here should never be seen as a tacit endorsement of their opinions and beliefs.

“However, we are appalled by the statements made from the West Holts stage by Bob Vylan yesterday. Their chants very much crossed a line and we are urgently reminding everyone involved in the production of the festival that there is no place at Glastonbury for antisemitism, hate speech or incitement to violence.”


Yataghan boutique in Jeddah celebrates Saudi heritage

Updated 20 December 2025
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Yataghan boutique in Jeddah celebrates Saudi heritage

JEDDAH: Yataghan, the contemporary Saudi jewelry house founded in 2008 by designer and entrepreneur Sarah Abudawood, has announced an expansion with its Riyadh debut at Kingdom Centre, alongside the relocation of its headquarters and flagship store to a street-front location on Jeddah’s Thalia Street.

The brand, known for blending Arabian heritage with modern minimalism, unveiled two boutiques designed as immersive experiences rather than mere retail spaces.

Every detail of the new Jeddah location has been carefully curated; brass accents inspired by the Yataghan blade evoke precision and luxury, while striped, gray onyx symbolizes continuity and progress, according to the brand’s founder. Vast windows, softened by Yataghan’s signature hexagonal motif, a symbol of harmony, order, and strength, flood the boutiques with natural light, creating an inviting environment for visitors.

Inspired by the Yataghan sword, with its distinctive, single-edged blade, the brand’s collections fuse minimalist design with Arabic calligraphy and tribal motifs.

“The name Yataghan draws its meaning from the two swords on the Saudi flag — a symbol that has always fascinated me for what it represents: conviction, protection, truth, and above all, balance,” Abudawood told Arab News.

“The Yataghan sword, known for its graceful curve and exquisite craftsmanship, embodies purpose and precision. It is drawn to defend what matters and to guard what is sacred. It sets boundaries and restores equilibrium, reminding us that strength is not only about force, but about knowing when to advance and when to stand still.

“That balance is reflected in every piece we create. Because, like the sword, Yataghan is more than an ornament; it is a statement of purpose, and identity.”

Abudawood explained the cultural inspiration behind the brand, highlighting pieces connected to Saudi identity. “This branch carries designs that are deeply connected to Saudi identity and cultural memory. Some pieces are exclusive, inspired by symbols, rhythms, and forms rooted in our heritage, interpreted through a modern lens … Jeddah, in particular, has a unique spirit: fluid, expressive, open, and layered with history. That essence subtly informs the designs you’ll find here.” 

The founder also spoke of the brand’s philosophy of minimalism and meaningful design.

“It comes from my belief that simplicity creates space for meaning. I have always been drawn to architecture and the principle that form must follow function. I design with intention; nothing is accidental. Every line has a purpose, every curve holds a story. Minimalism, for me, is not about removing emotion; it is about distilling it. I want each piece to feel timeless, personal, and quietly powerful.”

The label has been flaunted by high-profile clients — including Jennifer Lopez, Lady Gaga and Lama Akeel — but Abudawood emphasized the brand’s focus on connection over visibility. “Whether someone is a public figure or not, what moves me is when they feel seen by the jewelry. Yataghan has always been about resonance, about creating pieces that speak to identity, strength, and personal stories,” she said.

Looking ahead, 2026 will mark new chapters for Yataghan, including local and international expansion, innovative collections, and a stronger focus on storytelling and community collaborations. “Growth has never been about reach alone; it’s about depth, integrity, and lasting impact,” Abudawood added.

“Ultimately, what drives me is purpose. I’m motivated by the desire to create work that matters, to offer women something that reflects who they are, not who they’re expected to be. Design, for me, is a form of dialogue, a way to translate emotion into form. As long as I’m creating with honesty, intention, and heart, I know I’m exactly where I’m meant to be.”