BBC apologises for broadcasting death chants at Glastonbury directed at Israeli forces

To the backdrop of a Palestinian flag, Bobby Vylan of British duo Bob Vylan performs on the West Holts Stage on the fourth day of the Glastonbury festival. (AFP/File)
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Updated 30 June 2025
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BBC apologises for broadcasting death chants at Glastonbury directed at Israeli forces

  • Punk rap duo Bob Vylan reportedly led anti-Israel chants, including ‘Death, death to the IDF’
  • BBC admitted ‘with hindsight’ that it should not have allowed the comments to air

LONDON: The BBC has publicly apologised after facing criticism for broadcasting live performances from the Glastonbury Festival that featured anti-Israel and pro-Palestinian slogans, including chants of “Free, free Palestine” and “Death, death to the IDF (Israel Defense Forces)” by punk-rap duo Bob Vylan.

The broadcaster drew backlash from politicians and pro-Israel groups for not cutting the live feed during the controversial performance. Critics, including Prime Minister Keir Starmer, called on the BBC and its director general, Tim Davie, to explain why such “appalling hate speech” was broadcast.

“The BBC needs to explain how these scenes came to be broadcast,” Starmer said.

The corporation initially described some of the remarks as “deeply offensive” and said an on-screen warning had been issued about the “very strong and discriminatory language.”

However, in a statement on Monday, the BBC acknowledged that “with hindsight” it should not have allowed the comments to air and pledged to review its guidance for live events.

“Millions of people tuned in to enjoy Glastonbury this weekend across the BBC’s output but one performance within our livestreams included comments that were deeply offensive,” it said.




Irish rap trio Kneecap were also embroiled in controversy after member Liam O hAnnaidh was charged with a terrorism offense for allegedly displaying a Hezbollah flag during a previous performance, a charge he denies. (AFP/File)

“The BBC respects freedom of expression but stands firmly against incitement to violence. The antisemitic sentiments expressed by Bob Vylan were utterly unacceptable and have no place on our airwaves,” the corporation added, confirming the decision not to make the performance available on demand.

This year’s Glastonbury Festival — attended by about 200,000 people — was one of the most politically charged in recent years.

Irish rap trio Kneecap were also embroiled in controversy after member Liam O hAnnaidh was charged with a terrorism offense days before the festival for allegedly displaying a Hezbollah flag during a previous performance, a charge he denies.

Starmer said Kneecap’s appearance at Glastonbury was “not appropriate,” prompting the BBC to drop the group’s performance from its broadcast schedule.

Police are investigating Bob Vylan’s on-stage comments and Kneecap’s remarks at the festival, which allegedly included criticism of Starmer. One Kneecap member also wore a T-shirt referencing Palestine Action, a group reportedly facing a government ban under anti-terrorism laws.

Glastonbury organizer Emily Eavis condemned Bob Vylan’s chant, saying it “crossed a line.”

“We are urgently reminding everyone involved in the production of the festival that there is no place at Glastonbury for antisemitism, hate speech or incitement to violence,” she said.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Bob Vylan (@bobbyvylan)

The Israeli Embassy in the UK called the performance “deeply disturbing” and condemned what it described as “inflammatory and hateful rhetoric.”

Health Secretary Wes Streeting called the incident a “pretty shameless publicity stunt” and said the BBC and Glastonbury have “questions to answer,” but also added that he was appalled by the violence committed by Israeli settlers in the occupied West Bank.

“I’d also say to the Israeli Embassy, get your own house in order in terms of the conduct of your own citizens and the settlers in the West Bank,” Streeting told Sky News.

“I wish they’d take the violence of their own citizens toward Palestinians more seriously,” he said.

On social media on Sunday, Bob Vylan member Bobby Vylan said he had received a wave of support and hate in response to the performance.

“Teaching our children to speak up for the change they want and need is the only way that we make this world a better place,” he wrote. “Let us display to them loudly and visibly the right thing to do when we want and need change.”


From injury to influence: Khaled Olyan — the new voice of Arab football

Updated 30 January 2026
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From injury to influence: Khaled Olyan — the new voice of Arab football

  • The Saudi social media star — TikTok’s Arab Creator of the Year — recounts how a setback ended his playing ambitions and pushed him to redirect his passion 
  • Known for memes and commentary that blend football, travel, culture and everyday life, Olyan is FIFA-accredited as a sport informant and covered AFCON 2025 in Morocco

LONDON: A broken dream launched Khaled Olyan’s unexpected rise as a Saudi social media star. Passion and perseverance took him from shattered ambitions to the Africa Cup of Nations 2025 in Morocco, where he surfed the hype while representing Arab culture.

“The journey began with a child who dreamed of becoming a football player to fulfill his own dreams and those of his family and community. After an injury ended that path, I didn’t break, I redirected my passion toward football media,” he said.

In an interview with Arab News, shortly after being crowned TikTok’s Arab Content Creator of the Year, Olyan — who has 13.2 million followers on that platform and 5 million on Instagram — credited his rise to “pure passion and honest content,” and said he had learned over time that “consistency matters more than fast virality.”

He added: “The turning point came when I realized that content can genuinely impact people, not just generate numbers or views. (Then I) stepped outside the traditional sports-content framework and linked football to culture, people, and place. It wasn’t a guaranteed path, but it shaped my identity today as a creator with a clear message and purpose.”

Olyan made history as the first regional creator to be accredited by FIFA as a ‘sport informant,’ a milestone that, he said, has given “local content global credibility and reach.”

Most recently, he was in Morocco to document AFCON, where he highlighted both the host country’s hospitality and the electric atmosphere in the grounds.

“It felt like a responsibility before it was an achievement,” he said. “I felt that my role went beyond coverage to building cultural bridges between people.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by KHALID ALOLAYAN (@olyan15k)

Known for his memes and commentaries blending football, travel, culture and everyday life with feel-good humor, fans hail his “unmatched enthusiasm” and refer to him as “the voice of Saudi football fans.”

“Content today is no longer just entertainment,” he said. “It has become documentation of moments and an influence on collective awareness, especially in sports and culture across the Arab world. That (means there is) a much greater responsibility on everything I create.”

Saudi Arabia’s content-creator ecosystem has evolved dramatically in recent years, driven by a wider national transformation that has reshaped almost all aspects of public life, including sports and entertainment.

“The transformation has been rapid and significant, opening unprecedented opportunities for creators,” Olyan said. As the country moves “quickly toward global leadership in sports,” he added, it has also raised ambitions and created new routes for people to turn dreams into reality.

Across the region, the creator economy is booming, powered by a young audience, government investment and platforms such as TikTok. In 2025, the GCC alone was home to 263,000 social media influencers — a 75-percent increase in just two years according to data from Qoruz, an influencer-marketing intelligence platform.

Globally, fashion and entertainment dominate the influencer industry, but the GCC market has followed a slightly different trajectory. Lifestyle and travel also lead the charts, reflecting both regional affluence and a cultural emphasis on luxury, aesthetics, and experience-led content.

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While sport is not a major category, the research underscores what makes the GCC ecosystem distinctive: high digital penetration, brand-conscious audiences, and multilingual, multi-ethnic creators, with campaign planning often shaped by strategic decisions about language and identity.

Olyan said he sees many regional influencers following the same path as him — though not necessarily through sport. “I believe we are contributing to clearer roadmaps for anyone aiming for success through creative, values-driven content rooted in strong human principles,” he added. “Opportunities are abundant, but the real challenge lies in consistency and maintaining quality amid pressure and high expectations.”

For Olyan, Arab culture is not an add-on to, but the backbone of, his storytelling. He frames the region’s passion for football alongside questions of Arab identity, delivering it in an entertaining format that can travel beyond the usual language barriers.

“What makes sport special is that it’s a universal language. Many non-Arab audiences already follow my content daily, supported by AI tools. Arabic is my language and a core part of my identity, and I won’t change it. Instead, I’ll rely on smart translation tools and solutions to reach wider audiences.”

Olyan also noted that the region has long been framed through the narratives of people from elsewhere, often in ways that highlight only its darker corners.

“The Arab world is full of inspiring stories and a rich culture that deserves to be told through the eyes of its people, not only from the outside,” he said, adding that he hopes viewers value his videos for “changing their perspective and helped them see the truth more clearly.”

Olyan was crowned TikTok Arab Content Creator of the Year 2026 at a ceremony held in partnership with the 1 Billion Followers Summit in Dubai.

He said the recognition was a result of more than just a run of viral moments, explaining that it came about “through structured, institutional work, team development, and linking content to long-term goals. Sustainability comes from creating moments and building value, not relying on trends or short-lived hype.”

Underscoring the double-edged nature of social media, Olyan argued that attention alone is not the point. “Real impact happens when content is used to educate and inspire people, not just capture their attention.”

He also expressed skepticism about banning under-16s from social media. Regulation matters, he said, but “awareness, smart supervision, and teaching safe usage matter more than complete bans.”

Creators, he added, are not immune to the platforms’ darker side. Psychological pressure, mental exhaustion, and long periods away from family due to frequent travel are part of the job. “I manage it through time organization, temporary breaks, and returning with renewed passion,” he explained.

 

href="https://www.tiktok.com/tag/%D8%AE%D8%A7%D9%84%D8%AF_%D8%A7%D9%84%D8%B9%D9%84%D9%8A%D8%A7%D9%86?refer=embed">#خالد_العليان #كاس_العرب #السعودية #المغرب ♬ original sound - KHALID ALOLYAN

Olyan is also the founder of the O15 Football Academy, a project rooted in his childhood dream and one he sees as part of a broader sporting movement gaining traction in the Kingdom. For him, the academy is not just about competition, but about giving children a supportive environment where sport becomes a formative social practice.

“As a child, I wished such an academy existed for me and my friends,” he said. “Many talents were playing in local neighborhoods without professional guidance or support, causing real potential to be lost due to the absence of proper training environments, follow-up, and opportunities. The environment was often challenging and unmotivating.”

His academy aims to identify talent early, develop it “scientifically,” and prepare players to compete at club and national levels, but Olyan added that even those who do not pursue the sport professionally can also benefit “educationally, culturally, and socially.” 

Football, he said, is “a form of soft power that, by God’s will, can positively impact many aspects of life.”

Whether creating content or helping others pursue their sporting dreams, Olyan said his guiding principle comes from a line by the late Saudi politician and poet Ghazi Al-Qusaibi — a reminder that what you hope for in small measure can arrive, unexpectedly, in abundance: “You wish for a drop of good news, but God wishes to help you with rain.”