Celebrities converge on Venice for Bezos-Sanchez wedding gala

Jordan’s Queen Rania boards a taxi boat after landing at Venice Marco Polo airport ahead of Jeff Bezos’ wedding on June 26, 2025. (AFP)
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Updated 26 June 2025
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Celebrities converge on Venice for Bezos-Sanchez wedding gala

  • Bill Gates, Orlando Bloom and the Queen of Jordan were among the latest arrivals
  • Event has stirred a debate about its impact on one of the world’s most beautiful cities

VENICE: Amazon founder Jeff Bezos and journalist Lauren Sanchez began three days of lavish wedding celebrations in Venice on Thursday with tight security shielding their VIP guests from protesters.

Bill Gates, Orlando Bloom and the Queen of Jordan were among the latest arrivals, joining Oprah Winfrey, Kris Jenner and Kim and Khloe Kardashian.

US President Donald Trump’s daughter Ivanka and son-in-law Jared Kushner, who showed up on Tuesday, have used the extra time for sightseeing and shopping.

Some 200-250 A-listers from show business, politics and finance are expected to take part in what has been widely dubbed “wedding of the century,” estimated to cost around $50 million.

The event has stirred a debate about its impact on one of the world’s most beautiful cities, with protesters seeing it as an example of Venice being gift-wrapped for ultra-rich outsiders, but others enjoying the spectacle and the spending.

An activist climbed one of the poles in the main St. Mark’s Square on Thursday, unfurling a banner with the words “The 1 percent ruins the world” to protest against the presence of the billionaire Bezos in Venice.

Guests were gathering on Thursday evening in the cloisters of Madonna dell’Orto, a medieval church in the central district of Cannaregio that hosts masterpieces by 16th century painter Tintoretto.

The city council banned pedestrians and water traffic from the area from 4.30 p.m. (1430 GMT) until midnight, to provide security and seclusion for the partygoers.

Bezos, 61, and Sanchez, 55, landed in Venice via helicopter on Wednesday and took up residence in the luxury Aman hotel, where rooms with a view of the Grand Canal go for at least 4,000 euros ($4,686) per night.

They are set to exchange vows on Friday on the small island of San Giorgio, opposite St. Mark’s Square, in a ceremony which, according to a senior City Hall official, will have no legal status under Italian law.

Some have speculated that the couple have already legally wed in the United States, sparing them from the bureaucracy associated with an Italian marriage.

Celebrations will conclude on Saturday with the main wedding bash to be held at one of the halls of the Arsenale, a vast former medieval shipyard turned into an art space in the eastern Castello district.

The “No Space for Bezos” movement is planning further demonstrations against an event they see as a sell-off of Venice, but by no means are all the locals hostile.

Politicians, hoteliers and other residents say high-end events, rather than multitudes of low-spending daytrippers, are a better way to support the local economy, and dismiss the protesters as a fringe minority.

“If you look at what concretely the Bezos wedding brings for the good of Venice, there are only advantages and no disadvantages,” Mattia Brandi, a local tour leader, told Reuters.

“If anything is different, it is because of the protesters ... They don’t realize that it is them who are disrupting the quiet life of the city,” he added.

Venice has hosted scores of VIP weddings. US actor George Clooney and human rights lawyer Amal Alamuddin tied the knot there in 2014, and Indian billionaires Vinita Agarwal and Muqit Teja did so in 2011, without significant disruptions.

Bezos, executive chair of e-commerce giant Amazon and No. 4 on Forbes’ billionaires list, got engaged to Sanchez in 2023, four years after the collapse of his 25-year marriage to MacKenzie Scott.


SAMoCA’s collaboration with BIENALSUR takes playful approach to art  

Updated 14 November 2025
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SAMoCA’s collaboration with BIENALSUR takes playful approach to art  

  •  ‘Let’s Play: A Labyrinth of Options’ presents work by 26 local and international artists 

RIYADH: The Saudi Museums Commission inaugurated the fourth Saudi edition of the International Biennial of Contemporary Art of South America (BIENALSUR) in October at the Saudi Arabia Museum of Contemporary Art, bringing a refreshing new perspective on what art can inspire: fun.  

Held under the theme “Let’s Play: A Labyrinth of Options,” the colorful and immersive show, which runs until Dec. 31, brings 26 local and international artists together under the curatorial direction of BIENALSUR’s artistic director Diana Wechsler.  

Saudi artist Arwa Alneami's 'Art Not a Race.' (Supplied)

BIENALSUR’s general director Aníbal Jozami told Arab News: “For us it's very important to be in Saudi Arabia because it’s a very important country and related to our country because we have an important percentage of our population with Arab origins — I’m an example myself. The goal of BIENALSUR is to bring culture to where the people are. It’s not an exhibition or a project for the upper classes; it’s a project for all. We’re in different museums in different countries around the world. 

“This is an exhibition with many different artists from different countries, where each artist had the freedom to say or do what they think,” he added.  

The museum has been transformed by light, sound and movement, with many works inviting direct participation. Audience-activated pieces, interactive sculptures and walkable installations set the tone for a dynamic experience, inspiring families, students and art enthusiasts alike.  

Carlos Amorales’ 'We’ll See How Everything Reverberates.' (Supplied)

From Mexican artist Carlos Amorales’ “We’ll See How Everything Reverberates” — an interactive sound piece that invites guests to strike cymbals — to Saudi artist Arwa Alneami’s “Art Not a Race,” which is both a workout and reminder that art is a natural progression, there’s something for everyone to contemplate.  

CEO of the Museums Commission, Ibrahim Al-Sanousi, told Arab News: “It's a unique theme, but it's a part of our lives. It's a part of our Saudi culture, where people enjoy playing in all forms. And this unites us as human beings all around the world as well. Playing may be one of the few traits that you see across all civilizations and across centuries among all human beings.  

“The theme of play is also a very important part of any creative industry,” he continued. “So through this theme, we, of course, invite all visitors to come and to enjoy. We are showing that artworks are meant to be open, are meant to be engaging, are meant to be interactive, and not just static things that you look at.” 

Visitors to the exhibition at SAMoCA. (Supplied)

The three-month exhibition is enhanced by two additional programs: SAFAR and MUNTADA SAMoCA, both presented by the museum.  

SAFAR is an outdoor concert series that bridges diverse disciplines and nurtures a growing community around the museum. It began on Oct. 28 with the first Riyadh performance by the French electro-chill collective Bon Entedeur, who blend disco, funk, and hip-hop.  

On Nov. 12, Nigerian “Blufunk” pioneer Keziah Jones took the stage to showcase his percussive guitar style in a blend of blues, funk, soul, and Yoruba heritage. The legendary Egyptian singer Umm Kulthum will also be revived by the duo Love and Revenge, who reimagine her legacy through electronic music and cinematic visuals. They’ll be playing Agmal Layali on Dec. 8, while artist Wael Kodeih will be giving a masterclass on Dec. 7.  

MUNTADA SAMoCA, ran from Nov. 2-8, offering masterclasses, workshops, panel discussions, and film screenings that explore how images are made, read, and shared in the modern day, held under the theme “Focus on Image: Tools, Language and its Power.” 

“Let’s Play” is an edition curated in part to celebrate BIENALSUR’s 10th anniversary. Originating at the Universidad Nacional de Tres de Febrero (UNTREF) in Buenos Aires and supported by UNESCO, the biennial now spans more than 70 cities and 140 institutions worldwide.  

The idea is to create spaces that are accessible for all, in both notable museums around the world and smaller neighborhood galleries, showcasing all types of art without any commercial compromises.  

“Saudi Arabia has been our partner since 2019, and to be here is very important for us, and we have different projects that we think we could improve with Saudi Arabia,” Jozami said.