Downtown Design makes its debut in Saudi Arabia 

Mette Degn-Christensen, director of Downtown Design. (Supplied)
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Updated 16 May 2025
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Downtown Design makes its debut in Saudi Arabia 

  • Downtown Design Riyadh runs May 20-23 at JAX District 

DHAHRAN: Downtown Design, a contemporary design fair that has run in the UAE for the last decade, will debut in Saudi Arabia from May 20 to 23 at JAX District, marking the Kingdom’s first official event dedicated to original, high-quality design.  

“Downtown Design Riyadh, with its thoughtfully curated program and blend of local and global expertise, reflects our vision to build a dynamic design community that embodies the Kingdom’s rich and diverse cultural identity,” Sumayah Al-Solaiman, CEO of the Architecture and Design Commission, wrote in a statement. 

The multi-day activation will be held in partnership with the Architecture and Design Commission under the Ministry of Culture. 




(Supplied)

Mette Degn-Christensen, director of Downtown Design, expressed her enthusiasm for the inaugural edition in the capital. 

“I think you’re going to experience something that’s been really thoughtfully selected for this fair, with the unique setting of the location,” she told Arab News. “I’m very excited about the venue. It’s very historic, and it’s just a great way to kind of juxtapose the more modern and the historic, at the same time. If you think about it, nowhere in the world has an event of our nature in that kind of venue. 

“I’m really kind of overwhelmed with how amazing it is to get to do a design fair literally on the terraces of the UNESCO heritage site (in Diriyah),” she added. “I think that’s really special.” 

Degn-Christensen, a Danish design leader with more than 15 years of international experience, has directed Downtown Design in Dubai since 2021. She has helped expand the fair’s global reach and champion regional talent. She now brings that expertise to Saudi Arabia. 




(Supplied)

“What excites me personally the most — and I think the team also — is this really genuine, encouraging energy in Riyadh,” she said. “I didn’t expect this welcome — it’s not easy to start a fair in a new country or a new market.” 

For Degn-Christensen, one of the fair’s main goals is to “encourage you to maybe consider design more in your life and your work. And those are the things that we have been doing over the years. So I think (this is) almost, maybe, a fast-track version of that.” 

And she believes the timing of the fair aligns with a growing appreciation among general society for thoughtful design.  

“I think it’s the right time. There’s a shift in perspective of quality and of investing value into purchasing quality, sustainable long-lasting design,” she said. “(That’s true), I think, globally, but certainly in this region. I’m very excited about that kind of moment. 




(Supplied)

“I think that it’s a good time for our fair also in terms of that there are fashion and luxury and art initiatives in the Kingdom, but when it comes to design and high quality, premium quality design, there isn’t really such an outlet yet,” she continued. 

Downtown Design Riyadh will bring together a global roster of established brands, emerging designers and regional studios. Exhibitors include lighting innovators Tom Dixon, Brokis and Articolo, presented by Huda Lighting; Scandinavian furniture houses Audo Copenhagen, GUBI, and &Tradition, brought by The Bowery Company; and the regional debut of Scarlet Splendour, featuring bold brass pieces by designer Richard Hutten. 

Kuwait-based Babnimnim Studio will present an architectural installation for Cosentino, exploring heritage and innovation, while Jotun Paints will stage a color-focused experience in collaboration with Saudi creatives.  

French heritage brand Maison Louis Drucker will debut a digital collaboration with TRAME and Aranda\Lasch, “merging algorithmic design with traditional handcraft.” 

A dedicated section of the fair will spotlight limited-edition and collectible works. Gallery COLLECTIONAL will showcase handcrafted furniture by Christophe Delcourt, sculptural lighting by Apparatus Studio, and vintage-inspired designs by Draga & Aurel. Venini’s artisanal glass, produced with Michele De Lucchi and Peter Marino, will be shown alongside luxury highlights from Visionnaire and Serafini. 

In addition to the exhibits, Downtown Design Riyadh will also populate JAX District with pop-ups, creative interventions and a dynamic talks program. “Strata,” a modular outdoor installation by multidisciplinary studio Karim+Elias, made from locally-sourced sand and constructed using rammed-earth techniques, will merge traditional materials with contemporary design. 

The talks series will bring together architects, developers, collectors and creatives to discuss “themes shaping design in the region and beyond.” 

Downtown Design Riyadh reflects the Kingdom’s growing investment in culture and creativity under Vision 2030. The fair is set to become an annual platform supporting the Kingdom’s active interior-design market and connecting Saudi talent with global networks. 

“It’s been a few years that we’ve been looking to start an initiative in Saudi and then we wanted to make sure that we did it at the right time, but also that we did it in the right way,” Degn-Christensen said. “There’s some overlap in the Dubai (team) and then there are some just from Riyadh — and it’s the same for suppliers and contractors. It’s certainly not a copy of what we’re doing in Dubai.” 


Global gems go under the hammer 

Updated 16 January 2026
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Global gems go under the hammer 

  • International highlights from Sotheby’s ‘Origins II’ auction, which takes place Jan. 31 in Diriyah 

Andy Warhol 

‘Muhammad Ali’ 

Arguably the most famous name in pop art meets arguably the most famous sportsman of the 20th century in this set of four screen prints from 1978, created at the behest of US investment banker Richard Weisman. “I felt putting the series together was natural, in that two of the most popular leisure activities at the time were sports and art, yet to my knowledge they had no direct connection,” Weisman said in 2007. “Therefore I thought that having Andy do the series would inspire people who loved sport to come into galleries, maybe for the first time, and people who liked art would take their first look at a sports superstar.” Warhol travelled to Ali’s training camp to take Polaroids for his research, and was “arrested by the serene focus underlying Ali’s power — his contemplative stillness, his inward discipline,” the auction catalogue states. 

Jean-Michel Basquiat 

‘Untitled’ 

Basquiat “emerged from New York’s downtown scene to become one of the most influential artists of the late 20th century,” Sotheby’s says. The largely self-taught artist’s 1985 work, seen here, “stands as a vivid testament to (his) singular ability to transform drawing into a site of intellectual inquiry, cultural memory, and visceral self-expression.” Basquiat, who was of Caribbean and Puerto Rican heritage, “developed a visual language of extraordinary immediacy and intelligence, in which image and text collide with raw urgency,” the catalogue continues. 

Camille Pissarro 

‘Vue de Zevekote, Knokke’ 

The “Knokke” of the title is Knokke-sur-Mer, a Belgian seaside village, where the hugely influential French-Danish Impressionist stayed in the summer of 1894 and produced 14 paintings, including this one. The village, Sotheby’s says, appealed to Pissarro’s “enduring interest in provincial life.” In this work, “staccato brushstrokes, reminiscent of Pissarro’s paintings of the 1880s, coalesce with the earthy color palette of his later work. The resulting landscape, bathed in a sunlit glow, celebrates the quaint rural environments for which (he) is best known.” 

David Hockney 

‘5 May’ 

This iPad drawing comes from the celebrated English artist’s 2011 series “Arrival of Spring in Woldgate, East Yorkshire in 2011,” which Sotheby’s describes as “one of the artist’s most vibrant and ambitious explorations of landscape, perception, and technological possibility.” Each image in the series documents “subtle shifts in color, light and atmosphere” on the same stretch of the Woldgate, “showing the landscape as something experienced over time rather than frozen in an instant.” The catalogue notes that spring has long been an inspiration for European artists, but says that “no artist has ever observed it so closely, with such fascinated and loving attention, nor recorded it in such detail as an evolving process.” 

Zarina  

‘Morning’ 

Sotheby’s describes Indian artist Zarina Hashmi — known by her first name — as “one of the most compelling figures in post-war international art — an artist whose spare, meditative works distilled the tumult of a peripatetic life into visual form.” She was born in Aligarh, British India, and “the tragedy of the 1947 Partition (shaped) a lifelong meditation on the nature of home as both physical place and spiritual concept.” This piece comes from a series of 36 woodcuts Zarina produced under the title “Home is a Foreign Place.” 

George Condo 

‘Untitled’ 

This 2016 oil-on-linen painting is the perfect example of what the US artist has called “psychological cubism,” which Sotheby’s defines as “a radical reconfiguration of the human figure that fractures identity into simultaneous emotional and perceptual states.” It’s a piece that “distills decades of inquiry into the mechanics of portraiture, drawing upon art-historical precedent while decisively asserting a contemporary idiom that is at once incisive and darkly humorous,” the catalogue notes, adding that the work is “searing with psychological tension and painterly bravura.”