Downtown Design makes its debut in Saudi Arabia 

Mette Degn-Christensen, director of Downtown Design. (Supplied)
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Updated 16 May 2025
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Downtown Design makes its debut in Saudi Arabia 

  • Downtown Design Riyadh runs May 20-23 at JAX District 

DHAHRAN: Downtown Design, a contemporary design fair that has run in the UAE for the last decade, will debut in Saudi Arabia from May 20 to 23 at JAX District, marking the Kingdom’s first official event dedicated to original, high-quality design.  

“Downtown Design Riyadh, with its thoughtfully curated program and blend of local and global expertise, reflects our vision to build a dynamic design community that embodies the Kingdom’s rich and diverse cultural identity,” Sumayah Al-Solaiman, CEO of the Architecture and Design Commission, wrote in a statement. 

The multi-day activation will be held in partnership with the Architecture and Design Commission under the Ministry of Culture. 




(Supplied)

Mette Degn-Christensen, director of Downtown Design, expressed her enthusiasm for the inaugural edition in the capital. 

“I think you’re going to experience something that’s been really thoughtfully selected for this fair, with the unique setting of the location,” she told Arab News. “I’m very excited about the venue. It’s very historic, and it’s just a great way to kind of juxtapose the more modern and the historic, at the same time. If you think about it, nowhere in the world has an event of our nature in that kind of venue. 

“I’m really kind of overwhelmed with how amazing it is to get to do a design fair literally on the terraces of the UNESCO heritage site (in Diriyah),” she added. “I think that’s really special.” 

Degn-Christensen, a Danish design leader with more than 15 years of international experience, has directed Downtown Design in Dubai since 2021. She has helped expand the fair’s global reach and champion regional talent. She now brings that expertise to Saudi Arabia. 




(Supplied)

“What excites me personally the most — and I think the team also — is this really genuine, encouraging energy in Riyadh,” she said. “I didn’t expect this welcome — it’s not easy to start a fair in a new country or a new market.” 

For Degn-Christensen, one of the fair’s main goals is to “encourage you to maybe consider design more in your life and your work. And those are the things that we have been doing over the years. So I think (this is) almost, maybe, a fast-track version of that.” 

And she believes the timing of the fair aligns with a growing appreciation among general society for thoughtful design.  

“I think it’s the right time. There’s a shift in perspective of quality and of investing value into purchasing quality, sustainable long-lasting design,” she said. “(That’s true), I think, globally, but certainly in this region. I’m very excited about that kind of moment. 




(Supplied)

“I think that it’s a good time for our fair also in terms of that there are fashion and luxury and art initiatives in the Kingdom, but when it comes to design and high quality, premium quality design, there isn’t really such an outlet yet,” she continued. 

Downtown Design Riyadh will bring together a global roster of established brands, emerging designers and regional studios. Exhibitors include lighting innovators Tom Dixon, Brokis and Articolo, presented by Huda Lighting; Scandinavian furniture houses Audo Copenhagen, GUBI, and &Tradition, brought by The Bowery Company; and the regional debut of Scarlet Splendour, featuring bold brass pieces by designer Richard Hutten. 

Kuwait-based Babnimnim Studio will present an architectural installation for Cosentino, exploring heritage and innovation, while Jotun Paints will stage a color-focused experience in collaboration with Saudi creatives.  

French heritage brand Maison Louis Drucker will debut a digital collaboration with TRAME and Aranda\Lasch, “merging algorithmic design with traditional handcraft.” 

A dedicated section of the fair will spotlight limited-edition and collectible works. Gallery COLLECTIONAL will showcase handcrafted furniture by Christophe Delcourt, sculptural lighting by Apparatus Studio, and vintage-inspired designs by Draga & Aurel. Venini’s artisanal glass, produced with Michele De Lucchi and Peter Marino, will be shown alongside luxury highlights from Visionnaire and Serafini. 

In addition to the exhibits, Downtown Design Riyadh will also populate JAX District with pop-ups, creative interventions and a dynamic talks program. “Strata,” a modular outdoor installation by multidisciplinary studio Karim+Elias, made from locally-sourced sand and constructed using rammed-earth techniques, will merge traditional materials with contemporary design. 

The talks series will bring together architects, developers, collectors and creatives to discuss “themes shaping design in the region and beyond.” 

Downtown Design Riyadh reflects the Kingdom’s growing investment in culture and creativity under Vision 2030. The fair is set to become an annual platform supporting the Kingdom’s active interior-design market and connecting Saudi talent with global networks. 

“It’s been a few years that we’ve been looking to start an initiative in Saudi and then we wanted to make sure that we did it at the right time, but also that we did it in the right way,” Degn-Christensen said. “There’s some overlap in the Dubai (team) and then there are some just from Riyadh — and it’s the same for suppliers and contractors. It’s certainly not a copy of what we’re doing in Dubai.” 


Red Sea-backed films set to shine at 2025 Locarno Film Festival

Updated 09 July 2025
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Red Sea-backed films set to shine at 2025 Locarno Film Festival

DUBAI: Three films supported by the Red Sea Film Foundation will feature at this year’s Locarno Film Festival, which takes place in Switzerland from Aug. 6-16.

Among the 2025 lineup are “Irkalla – Gilgamesh’s Dream” by Iraqi filmmaker Mohamed Al-Daradji, “Becoming” by Kazakh director Zhannat Alshanova, and “Exile” from Tunisian filmmaker Mehdi Hmili.

Each was backed by the foundation through either the Red Sea Fund or the Red Sea Souk, two initiatives designed to champion bold new voices from the Arab world and beyond.

“Irkalla – Gilgamesh’s Dream” offers a reimagining of the Epic of Gilgamesh set against a haunting contemporary backdrop. The film follows a street kid with diabetes as he tries to persuade his tough best friend, the legendary Gilgamesh, to take him to the underworld Arkala.

 “Becoming” by Alshanova, a London-based writer/director from Kazakhstan, follows a young woman grappling with identity and independence in modern-day Kazakhstan.

“Exile,” from Hmili, is a powerful portrait of displacement and belonging. In the biggest steel factory of Tunisia, four workers suffering from psychological and physical disorders are haunted by the loss of their colleague. In an atmosphere of social and political tension, their struggle will help them overcome their pain.

The Red Sea Film Foundation said it was “proud to have supported these exceptional projects” and celebrated their selection as a milestone moment for regional cinema.
 


Ashi Studio unveils sculptural silhouettes in Paris

Updated 09 July 2025
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Ashi Studio unveils sculptural silhouettes in Paris

DUBAI: Ashi Studio, founded by Saudi couturier Mohammed Ashi, presented its Fall/Winter 2026 haute couture collection during Paris Haute Couture Week, featuring a series of architectural gowns and tailored creations.

The collection focused on structured silhouettes and exaggerated proportions, with many looks emphasizing sharp tailoring, corsetry and sculpted waistlines. 

A palette of black, ivory and champagne was punctuated by shimmering metallics and embroidery. (Getty Images)

Several pieces featured dark satin corsets with lace trim, dramatic fishtails, high slits and cascading fringe panels. Throughout the collection, waists was cinched and hips were accentuated. 

A palette of black, ivory and champagne was punctuated by shimmering metallics and embroidery. Satin, tulle, lace and jacquard were prominent, with select garments incorporating feathers, beaded applique and textured embellishments. 

Several looks integrated embroidery that resembled botanical and animal motifs, while others featured sculptural three-dimensional elements like floral bustiers or carved wooden corsets. One standout piece was a cream ensemble embroidered with monkeys and leaves, while another featured a corset carved in a wood-like finish, wrapped by sculptural monkeys. 

One standout piece was a cream ensemble embroidered with monkeys and leaves, while another featured a corset carved in a wood-like finish, wrapped by sculptural monkeys. (Instagram)

Other designs included sheer tulle gowns with visible corsetry, jackets with dramatic shoulders and floral applique and fully sequined dresses embroidered with birds and foliage.

Some models carried small clutches made from matching textiles.

Nojoud Al-Rumaihi attended the show. (Getty Images) 

US rapper Cardi B was among the high-profile guests at the Paris-based brand’s presentation. She arrived wearing an ivory lace gown with a high-neck and long-sleeves. The dress featured sheer panels, tiered ruffles and a voluminous asymmetrical skirt. She completed the look with pointed heels and a side braid. 

The rapper posed for photos alongside Ashi ahead of the show.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Ashi Studio (@ashistudio)

Ashi’s creations have been worn by the likes of Beyonce, Lady Gaga, Jennifer Hudson, Kylie Minogue, Penélope Cruz, Deepika Padukone, Sonam Kapoor, Queen Rania of Jordan and more.  

Ashi became the first couturier from the Gulf region to join the Fédération de la Haute Couture in Paris as a guest member in 2023. He also became the first designer from the Gulf to be included in the BoF 500 list, the Business of Fashion’s index of the people shaping the fashion industry in 2023.

Ashi designed the inaugural fashion line for the cabin crew of the Kingdom’s new airline, Riyadh Air, which is on track to make its maiden flight this year. 


Riyadh Fashion Week issues final call for designer applications ahead of 3rd edition

Updated 08 July 2025
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Riyadh Fashion Week issues final call for designer applications ahead of 3rd edition

DUBAI: Riyadh Fashion Week (RFW) is gearing up for its third edition, with organizers issuing a final call for designer applications. Fashion houses from across Saudi Arabia and around the world have until July 15 to submit their proposals for inclusion in the official calendar.

One of the Middle East’s most anticipated fashion events, RFW offers a platform for both emerging and established designers to showcase their collections to international buyers and industry leaders. 

The official calendar will feature a broad spectrum of brand activations beyond traditional runway shows. Designers can also take part in curated presentations, showroom exhibitions, trunk shows, retail pop-ups, creative takeovers, private dinners and immersive experiences. 

Saudi Arabia-based and international fashion brands across ready-to-wear, couture, menswear, and streetwear categories are eligible. 
“This is more than a runway,” said Burak Cakmak, CEO of the Saudi Fashion Commission. “It is a statement of creative identity, innovation, and ambition. Riyadh Fashion Week provides a high-impact opportunity for designers to tell their story on a global stage.”


Zayed National Museum to explore UAE’s storied history

Updated 08 July 2025
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Zayed National Museum to explore UAE’s storied history

  • Located on Saadiyat Island, the Zayed National Museum has a bevy of illustrious neighbors including the Louvre Abu Dhabi, the Guggenheim Abu Dhabi, the Natural History Museum and teamLab Phenomena

DUBAI: As Zayed National Museum gets ready to open its doors in the UAE capital, Arab News spoke to director Peter Magee about the museum’s aims and what visitors can expect.

An opening date is yet to be announced, but the center will focus on the history of the UAE with special emphasis on Sheikh Zayed bin Sultan Al Nahyan. It will explore early human settlements that go back 300,000 years as well as the area’s language, traditions, and flora and fauna. 

“The narrative within the museum is guided by the enduring values of the UAE’s founding father, Sheikh Zayed bin Sultan Al-Nahyan,” explained Magee. “We look at those values and then we look at the way in which they guided him, but also the way in which they reflect social values which exist within the UAE both in the past and the present — and in the future.

Dr. Peter Magee. (Supplied)

“It's a national museum focused on the UAE, but of course it looks at the regional links which existed to other countries in the Arabian Gulf, the Indian Ocean and even further afield.”

One particular highlight is a full-size reconstruction of a Magan boat from the Bronze Age, constructed with reeds and palm-fiber rope. Magee and his team sailed in it for two days on the waters of the Arabian Gulf.

Located on Saadiyat Island, the Zayed National Museum has a bevy of illustrious neighbors including the Louvre Abu Dhabi, the Guggenheim Abu Dhabi, the Natural History Museum and teamLab Phenomena. (Supplied)

Located on Saadiyat Island, the Zayed National Museum has a bevy of illustrious neighbors including the Louvre Abu Dhabi, the Guggenheim Abu Dhabi, the Natural History Museum and teamLab Phenomena.

“The way I like to think about it is that each of these museums and institutions … is its own star … and in combination they appear like a constellation or something that can be read coherently together as well as individually,” Magee said.


Georges Hobeika showcases Fall/Winter 2026 collection at Paris Haute Couture Week

Updated 08 July 2025
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Georges Hobeika showcases Fall/Winter 2026 collection at Paris Haute Couture Week

DUBAI: Lebanese designer Georges Hobeika presented his Fall/Winter 2025/2026 couture collection as part of Paris Haute Couture Week.

Known for his craftsmanship and red-carpet-ready designs, Hobeika’s latest offering featured a wide array of detailed gowns and structured silhouettes.

The runway collection showcased a soft color palette, with shades of beige, blush pink, maroon, black, blue, and brown making up the core color story.

Fabrics included heavily embroidered textiles, delicate lace, satin and tulle. Many looks incorporated tonal embellishments and shimmering surface details. 

Beaded bodices, crystal fringe, and metallic appliqués were prominent throughout the collection, adding texture and dimension.

Silhouettes ranged from structured floor-length gowns and A-line dresses to voluminous skirts and sleek, form-fitting eveningwear. There were also several mid-length and tea-length designs with sculptural detailing, along with a few two-piece sets featuring cropped tops and high-waisted skirts.

One standout bridal look appeared during the show — a long-sleeved gown with sheer detailing and silver embroidery. The dress was paired with a beaded headpiece and a trailing veil.

Accessories were kept minimal, with statement earrings and clean, slicked-back hair showed off by the models.

Toward the end of the show, Hobeika and his son Jad Hobeika walked the runway together to thank their supporters.

Paris Haute Couture Week kicked off on Monday with Schiaparelli’s Fall 2025 show, marking the start of a series of high-fashion presentations that will run through July 10.

The opening show did not begin with sequins or traditional red carpet glamor, but with the surreal sight of Cardi B and a live crow. 

Wrapped in a custom Schiaparelli gown of graphic fringe, the US rapper stood beneath the gilded columns of the Petit Palais, holding the black bird on her arm. Her avian plus one squawked, glared and nearly lunged — setting the tone for a monochrome show that itself soared straight into the surreal.

On the first day, Iris Van Herpen, Imane Ayissi, Rahul Mishra, Julie de Libran and Giambattista Valli also showcased their collections.

In addition to Georges Hobeika, several other Arab designers are on the calendar, including Ashi Studio, Elie Saab, Zuhair Murad and Rami Al-Ali.