From ‘Tash Ma Tash’ to ‘Hobal’ – a legacy honored

The 11th Saudi Film Festival, which concluded on Apr. 23 at Ithra, honored Ibrahim Alhasawi’s nearly four-decade career shaping Saudi cinema. (AN Photo)
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Updated 25 April 2025
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From ‘Tash Ma Tash’ to ‘Hobal’ – a legacy honored

  • Saudi Film Festival honors decades-spanning career of Saudi veteran actor Ibrahim Alhasawi
  • Ibrahim Alhasawi: ‘We’re seeing a powerful emergence of Saudi cultural identity through film’

DHAHRAN: “I felt an overwhelming sense of pride when I heard the news,” said Ibrahim Alhasawi, the Saudi veteran actor celebrated at this year’s Saudi Film Festival.

“Having witnessed the festival since its first edition in 2008, and being recognized alongside many fellow filmmakers I’ve worked with over the years, is truly an honor,” he told Arab News.

The 11th Saudi Film Festival, which concluded on April 23 at the King Abdulaziz Center for World Culture in Dhahran, honored Alhasawi’s nearly four-decade career shaping Saudi cinema.

Organized by the Saudi Cinema Association in collaboration with Ithra and supported by the Saudi Film Commission, the festival was held under the theme “Stories Seen and Told,” with a focus on “Cinema of Identity” to highlight film’s role in expressing personal, cultural and national identity.

A cornerstone of Saudi cinema, Alhasawi began in community theater in the 1980s before gaining prominence in television and film, including as producer and director. His notable works include the iconic series “Tash Ma Tash” as well as recent performances in “Hajjan” and “Hobal.”

He spoke candidly about the industry’s growth, saying: “The change has been tremendous. Since the founding of the Saudi Film Commission, we’ve seen a clear rise in both the scale and quality of Saudi productions.”

His work is rooted in cultural storytelling. “Art without identity loses its soul,” he said. “We’re seeing a powerful emergence of Saudi cultural identity through film. With stories like ‘Hobal’ and ‘Hajjan,’ we are introducing audiences worldwide to the depth of our heritage.”

Alhasawi also highlighted the importance of representing the Kingdom’s regional diversity, noting how different areas of Saudi Arabia bring distinctive perspectives and traditions that enrich the national narrative.

The festival paid tribute to the actor with a commemorative book, “From Village Theatre to the Global Screen,” featuring photographs, reflections and testimonials about his journey.

He met aspiring filmmakers at festival book signings and discussions, cementing his role as a mentor.

Of his acting process, he said: “I approach each role by exploring the character’s physical presence, social background and psychological depth. These layers help bring the performance to life with sincerity and nuance.”

The festival showcased 68 films from Saudi Arabia and the Gulf, including eight narrative features and 21 shorts, with “Hobal,” directed by Abdulaziz Alshlahei, standing out for its themes of cultural identity and resilience.

Ithra’s venues hosted screenings, panels, workshops and red-carpet events, blending film with musical and artistic performances to underscore cinema’s place in Saudi cultural life. 

By celebrating icons such as Alhasawi while amplifying new voices, the festival highlights Saudi cinema’s vibrant legacy and its growing global influence.


Hamza Hawsawi on headlining The Fridge in Riyadh

Updated 14 February 2026
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Hamza Hawsawi on headlining The Fridge in Riyadh

DUBAI: Saudi R&B artist Hamza Hawsawi headlined The Fridge’s “Concert Series KSA Season 1” over the weekend, performing a show in Riyadh’s JAX District as part of a two-day program spotlighting emerging talent.

Hawsawi’s performance followed “The Fridge Open Mic,” which took place at the same venue the night before. The open mic offered rising artists a professional stage to perform original material in front of a live audience, creating space for experimentation and discovery within the local music scene.

Speaking during the event, Hawsawi highlighted the importance of platforms such as open mics for artists. “I think it is important because an open mic is an opportunity to get to know new artists,” he said. “For industry professionals, like Fridge, it is an eye-opener to the scene, and it lets you understand how the scene is going, what kind of artists you’re gonna be dealing with in the future.”

From an artist’s standpoint, he added, the format remains essential for growth. “We do need open mics. We do need to be out there and to try different things, and to sing to different people, and to test our art and find out if people are gonna gravitate towards it or not.”

Hawsawi has spent more than 15 years developing a sound rooted in R&B, soul and pop, building an audience that now spans the region and beyond. He has accumulated more than 33 million global views and collaborated with a range of regional and international artists. 

His track “Million Miles” was selected as the official Rally Dakar anthem, while his live performances have included stages such as MDLBeast and the Abu Dhabi Grand Prix.

Asked whether he feels a responsibility to help shape the Saudi R&B scene, Hawsawi described a fluid relationship with that role. “Sometimes I feel that sense of responsibility,” he said. “Other times I feel like I’m just a human being trying to express my feelings … But we’re just artists at the end of the day.”

He added that while he sometimes embraces being a beacon for the genre, “other times I feel like I want to be low-key, and I don’t even want to be seen or heard.”

Hawsawi also reflected on one of his personal challenges as an artist in the Kingdom: writing and performing primarily in English. 

“That has been the biggest challenge to face,” he said. 

While Arabic remains the most widely spoken language in Saudi Arabia, Hawsawi explained that English allows him to express what he feels more clearly, particularly when it comes to emotion and meaning.

“The nuances of what I feel and all the metaphors for me trying to say something but not saying it, you know, not a lot of people get that,” he said, noting that his work often reaches a niche audience. “But I’m happy with that.”