Saudi Gen Z antique collectors value stories over price tags

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A visual archive of time — Htoon Saeed’s coin and currency collection reflects her love for history and the stories embedded in every denomination. “Coins are the ideal way to commemorate a particular era,” she says. (Supplied)
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For Jana Al-Harbi, collecting K-pop photocards evolved into something much deeper than a hobby. “It brought me closer to a community and a passion that meant so much to me,” she says. (Supplied)
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Updated 18 April 2025
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Saudi Gen Z antique collectors value stories over price tags

  • Focus on pop culture, nature, childhood joys, they tell Arab News
  • Old cassette tapes, coins, watches and K-pop photos are collected

RIYADH: From cassette tapes and coins to K-pop photocards and fallen flowers, Generation Z collectors in Saudi Arabia spoke to Arab News about how they value sentiment and storytelling over price tags and prestige.

Unlike traditional antique collecting, which often centers on ornate heirlooms and museum-worthy artifacts, this younger generation is finding nostalgia and meaning in items that speak to their own lives: pop culture, nature, and childhood joys.

Many of these collections begin as simple interests and evolve into deeply personal archives of memory and identity.

For Hawazen Mohammed, collecting starts with focusing on items that others might overlook.

“I collect things from nature because I see them as treasures — I can’t imagine walking past them and leaving them behind,” she said.

Alongside pressed leaves, rose petals, and interesting twigs, Mohammed’s love of small details also finds expression in sticker collecting — something she has done since childhood.




Nature’s treasures, as Hawazen Mohammed calls them – collected during walks as part of her growing assortment of leaves, flowers, and found objects. (Supplied/Hawazen Mohammed)

“As for the stickers, I’ve loved collecting them since I was a kid. I grew up and became an otaku fan,” she said, referencing her passion for Japanese anime and its visual culture.

This desire to preserve moments is not limited to organic materials. Others, like Htoon Saeed, turn to objects rich in historical context.

“My hobby of collecting coins came from my interest in history and vintage things,” she explained. “I noticed that coins are the ideal way to commemorate a particular era in history.”

Her collection includes both paper money and coins from countries around the world, laid out and organized with care. Each piece, regardless of value, holds significance as a snapshot of its time and place.

Abdulaziz Al-Yamani found his archive not in a museum or market — but in a cassette box filled with the voice of Talal Maddah.

The singer “shaped the sound of Saudi music and the soundtrack of my childhood and hometown,” said Al-Yamani.

“These tapes may be rare now, but to me, they’re pieces of history — and keeping them safe feels like a way to honor that legacy.”




Abdulaziz Al-Yamani’s cassette box is more than nostalgia — it’s a tribute to Talal Maddah, “the soundtrack of my childhood and hometown,” he says. For him, preserving these tapes is preserving a piece of Saudi musical history. (Supplied/Abdulaziz Al-Yamani)

K-pop collector Jana Al-Harbi started her journey with a single card.

“What started as a simple joy in buying a rare photocard of an idol I love quickly grew into a three-year journey of collecting, connecting, and sharing moments with people who understand the same excitement,” she said.

“It’s slightly more than just a hobby — it’s something I truly loved, no matter the effort or cost. It brought me closer to a community and a passion that meant so much to me. And introduced me to a caring and loving side of myself I had never noticed before.”

In a world where digital interactions often feel fleeting, the tangible joy of collecting serves as a grounding ritual. Al-Harbi’s collection eventually led to an extraordinary moment.

“Collecting photocards also gives fans a big opportunity: a chance to win a one-to-one video call with their favorite idol. And that’s what happened to me — it gave me a sense of fulfillment and brought a beautiful closure to the journey.”

Collector Naif Al-Zahrani looks to vintage watches to mark not just the passing of time, but the stories tied to it.

“I collect money and coins, old and new from different countries, but what I love to collect mostly is vintage watches,” he said.

“For me, I believe watches represent the time you spend, and the memories you make. Watches (are) something that I collect because I see (them) as an art piece that you can have for life.




A timeline in timepieces — from a 1945 Heloisa to a 1980s West End Watch, Naif Al-Zahrani’s collection captures the evolution of design and sentiment. “Each one tells a story,” he says. “They’re not just watches — they’re memories worn on the wrist.” (Supplied/Naif Al-Zahrani)

“It represents the personality of the wearer with the different designs, colors, and shape. As a person who is interested in history, everything collectible has its own story and value.”

His most cherished timepieces include a 1945 Heloisa with a black leather strap he describes as “the oldest watch that I adore.”

In addition, he has a 1970s Philippe Moraly with a mother-of-pearl dial which is his “favorite design,” and a 1980s West End Watch he calls “my everyday watch.”

While these collections vary in shape, theme and age, what unites them is the deep emotional and personal connection each collector has with their items.


A Saudi chef’s commitment to showcasing Kingdom’s cuisine on global stage

Updated 18 May 2025
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A Saudi chef’s commitment to showcasing Kingdom’s cuisine on global stage

  • Chef Mayram Atiq’s contemporary take on Saudi cuisine is winning hearts with every bite

MAKKAH: In the Kingdom’s burgeoning culinary scene, award-winning Saudi chef Maryam Marwan Atiq has emerged as a trailblazer, celebrated for her creativity and commitment to showcasing Saudi cuisine on the global stage.

With more than 15 years of experience, Atiq presents Saudi dishes in a contemporary, internationally appealing style without compromising its authentic essence. She is currently a member of the team of female Saudi chefs behind Tairat Al-Boulevard restaurant in Riyadh.

To Atiq, Saudi cuisine is not just a collection of recipes, but a “sea of flavors and ingredients” shaped by the Kingdom’s rich geographic and cultural diversity. This depth, she believes, gives Saudi food its distinctive character and its power to act as a bridge between cultures.

Through her participation in local and international exhibitions, Atiq has seen firsthand how Saudi flavors captivate people from around the world.

One of her most memorable encounters, she said, was with a man in his nineties who tasted jareesh for the first time at an exhibition. Deeply moved by the dish, his reaction reaffirmed her belief in the universal appeal of Saudi cooking.

“Food is the ambassador of culture,” she told Arab News. “And combining Saudi flavors and ingredients with international presentation techniques helps convey Saudi cuisine more quickly and accessibly, making it more appealing to international palates.”

Atiq praised the Ministry of Culture and the Culinary Arts Commission for their efforts in documenting and preserving Saudi food heritage. She herself has contributed to documenting traditional recipes from two regions of the Kingdom.

She also emphasized the role of online platforms in promoting Saudi cuisine to a global audience. Atiq called on media professionals and content creators to participate in this “cultural mission” that she is a major part of.

“I will continue my efforts to spread Saudi cuisine — , with our authentic flavors and cultural spirit — across the globe, making it a cultural ambassador worthy of the richness and diversity of the Kingdom,” she said.


Saudi ambassador attends send-off ceremony for Hajj pilgrims from Tajikistan

Updated 18 May 2025
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Saudi ambassador attends send-off ceremony for Hajj pilgrims from Tajikistan

Saudi Ambassador to Tajikistan Waleed Abdulrahman Alreshaidan attended the send-off ceremony for the first group of this year’s Hajj pilgrims departing from Tajikistan at Dushanbe International Airport.

Alreshaidan said that serving pilgrims is “an honor and a source of pride for the leadership of the Kingdom and its people,” the Saudi Press Agency reported on Saturday.

A’lem Zadah, deputy chairman of Tajikistan’s Committee of Religious Affairs, thanked the Saudi government for the facilities it provides to pilgrims, the SPA added.


Saudi Arabia highlights museums’ growing role in heritage preservation

Updated 17 May 2025
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Saudi Arabia highlights museums’ growing role in heritage preservation

  • The session illustrated how museums can serve as dynamic platforms to showcase intangible heritage through immersive experiences

JEDDAH: The Saudi National Museum hosted International Museum Day celebrations in Riyadh on Saturday under the theme “The Future of Museums in Rapidly Changing Communities.”

The event brought together cultural and heritage experts, artists, and enthusiasts for a day of dialogue, workshops, and interactive sessions, the Saudi Press Agency reported.

It opened with a panel titled “Living Heritage in Rapidly Changing Communities,” followed by a thought-provoking session on “Museums and Change.”

Speakers discussed how museums can evolve to reflect and respond to the fast-paced transformations shaping modern society.

A highlight was an interactive session on “Saudi Storytelling and Performing Arts in Museums,” emphasizing the power of narrative in preserving cultural identity and passing values to younger generations.

The session illustrated how museums can serve as dynamic platforms to showcase intangible heritage through immersive experiences.

Another panel, “Technological Challenges in Cultural Heritage,” explored innovative ways to safeguard and share heritage using digital tools.

This theme was further explored in the workshop “Craft and Technology: The Art of Digital Weaving,” where participants examined the intersection of traditional crafts and modern digital techniques.

Throughout the sessions, participants stressed the importance of community engagement, reinforcing museums’ role as inclusive spaces for education, creativity, and cultural innovation in a rapidly changing world.

The event also featured additional panels and workshops on museums’ evolving role in preserving identity and addressing contemporary challenges.


Saudi artist preserves Al-Qatt Al-Asiri art over decades

Updated 17 May 2025
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Saudi artist preserves Al-Qatt Al-Asiri art over decades

  • Al-Qatt, Al-Katba, or Al-Zayan, received international reognition in 2017 when it was registered on the UNESCO list of Intangible Cultural Heritage

RIYADH: For more than three decades, Saudi visual artist Ibrahim Al-Almaai has devoted his time to documenting Al-Qatt Al-Asiri, a vibrant, centuries-old art form traditionally painted by women on the walls of homes across the Asir region.

In a statement to the Saudi Press Agency, Al-Almaai emphasized that for the past 33 years, not a week has passed without him visiting a village in the eastern, western, northern, or central parts of the Asir region.

His mission: to seek out the remnants of this heritage art in homes, many of which have been lost to time and weather.

Despite the challenges, he has documented more than 1,200 variations of Al-Qatt patterns and colors.

The traditional art, known as Al-Qatt, Al-Katba, or Al-Zayan, received international reognition in 2017 when it was registered on the UNESCO list of Intangible Cultural Heritage.

But long before, Al-Almaai had been tirelessly cataloging the artwork, oftenn navigating harsh conditions, including dilapidated buildings and the threat of snakes and poisonous insects, to reach the artworks.

Almost every visit revealed intricate designs made using natural pigments sourced from the surrounding environment.

He explained to SPA that there are four key components of a typical heritage home adorned with Al-Qatt. Al Shabaka (the Network) are single-colored, interlaced lines that create the structural foundation of the design.

Al-Hanash (the Snake) are serpent-like motifs inspired by the Coluber snake, winding rhythmically across the walls.

Al-Khatmah or Al-Akhtam (the Seal) are a form of visual closure at the end of a design.

Al-Qatt (the Lines) are the horizontal strokes layered beneath the primary art, referred to as Al-Katba (the Writing), Al-Naqsh (the Inscription), or Al-Zayan (the Adornment) depending on the local dialect.

Al-Almaai’s lifelong dedication underscores the importance of preserving Saudi Arabia’s artistic and cultural legacy — one painted wall at a time.


Saudi minister of state praises US decision to lift Syria sanctions

Updated 17 May 2025
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Saudi minister of state praises US decision to lift Syria sanctions

RIYADH: Saudi Minister of State for Foreign Affairs Adel al-Jubeir said Saturday the US decision to lift sanctions on Syria is a great opportunity for the country’s recovery. 

Al-Jubeir made the remarks as he delivered Saudi Arabia’s speech at the 34th Arab League Summit in Baghdad.  

He described the announcement made by US President Donald Trump in Riyadh last week, who promised to remove sanctions on Syria, “as a great opportunity that supports the recovery, development, reconstruction, and prosperity in Syria.” 

Arab leaders meeting at an annual summit in Baghdad were trying to reach a ceasefire between Israel and Hamas in the Gaza Strip and promised to contribute to the reconstruction of the territory once the war stops.

In his speech, Al-Jubeir stressed that Saudi Arabia supports Lebanon's efforts to restrict the ownership of weapons to the state. 

He also noted that the kingdom continues to exert efforts to achieve a complete ceasefire between the warring parties in Sudan.