What’s screening in competition at the 2025 Saudi Film Festival

'Hobal' is set shortly before the outbreak of the Gulf War in 1990, and follows a Bedouin family living a nomadic existence in the desert. (Supplied)
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Updated 17 April 2025
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What’s screening in competition at the 2025 Saudi Film Festival

DUBAI: A rundown of the Feature Narrative Film contenders at this year’s Saudi Film Festival, which runs from April 17-23. 

‘Hobal’ 

Director: Abdulaziz Alshlahei 

Starring: Mila Al-Zahrani, Amal Samie, Ibrahim Al-Hasawi 

The Saudi filmmaker — whose movie “The Tambour of Retribution” was selected as the Kingdom’s entry into the 2022 Oscars and won the Special Jury Prize at the Cairo Film Festival in 2020 — has already grabbed headlines with his latest project, which is the first feature film to be shot in the Saudi megaproject NEOM. It’s set shortly before the outbreak of the Gulf War in 1990, and follows a Bedouin family living a nomadic existence in the desert. The patriarch has forbidden his family from heading into modernized cities — believing them to be dens of sin — but when his granddaughter Rifa contracts measles, her mother defies his rules to try and save her life. The film has already been a hit in Saudi Arabia: according to the Saudi Film Commission it had more than half a million cinema admissions in a little over a month following its release in January. 

‘My Driver and I’ 

Director: Ahd Kamel 

Starring: Roula Dakheelallah, Mishaal Tamer, Mustafa Shehata 

Saudi actress, writer, director and producer Kamel’s entry is a coming-of-age story set in her hometown of Jeddah in the Eighties and Nineties. It centers on the relationship between a free-spirited girl, Salma, and her family’s chauffeur, a Sudanese man named Gamar, who quickly becomes her confidant and something of a father figure to Salma, whose real dad is a businessman who shows more interest in his work than he does in his daughter. But as Salma grows up, their relationship becomes strained, as Salma feels that Gamar has overstepped his boundaries in his attempts to alter her behavior and protect her reputation.  




Saudi actress, writer, director and producer Ahd Kamel’s entry is a coming-of-age story set in her hometown of Jeddah. (Supplied)

‘Songs of Adam’ 

Director: Oday Rasheed 

Starring: Azzam Ahmed Ali, Abdul Jabber Hassan, Alaa Najm  

The Baghdad-born Arab American director blends drama and magical realism in this tale of two brothers — Adam and Ali — that begins in the 1940s. Having been told by their father to witness their grandfather’s corpse being washed before burial, Adam, then aged 12, announces that he has decided not to grow up. And as the years pass, he doesn’t. The villagers, including Ali, believe he has been cursed. Only Adam’s best friend Anki and his cousin Iman — who wasn’t allowed to witness the ritual as a child because she is a girl — see Adam’s condition as an innocence-preserving gift.  




The Baghdad-born Arab American director blends drama and magical realism in this tale of two brothers — Adam and Ali — that begins in the 1940s. (Supplied)

‘Holes’ 

Director: Abdulmohsen Aldhabaan 

Starring: Mariam Abdulrahman, Meshal Almutairi 

Saudi writer-director Aldhabaan’s latest feature is a psychological thriller that centers on Rakan and his wife Rim, who are desperate to find their own place so that they no longer have to live with Rakan’s mother. The only issue with their supposed new home is that someone has hammered a hole into one of its walls. After the married couple have moved in, Rakan becomes increasingly distant from Rim. Through flashbacks, we begin to learn why his mood has changed, and when his mother is attacked by burglars in her house, Rakan is confronted by an unwelcome reminder of his past.  

‘Fakhr Al-Suwaidi’ 

Directors: Hisham Fathyn, Abdullah Bamajboor, Osama Salih 

Starring: Fahad Al-Mutairi, Faisal Al-Ahmari, Saeed Al-Qahtani 

Shaheen is the idealistic principal of Al-Suwaidi High School, who is searching for a way to connect with some of his students whom he believes are in danger of going astray; three students in particular: Ziyad, whose family have recently returned from America and who is feeling stifled by their expectations of him; Mazen, a restless boy prone to violent outbursts; and Saeed, who is struggling to stay on the straight and narrow and redeem his reputation as a troublemaker. Shaheen starts a sharia class, and finds himself bonding with the students, but his younger brother Moeen is unhappy about the project, which he views as a waste of the school’s overstretched budget. 

‘Session Adjourned’ 

Director: Mohammad S. S. Almujaibel 

Starring: Hind Al-Balushi, Abdullah Al-Jiran, Abdullah Al-Turkmani 

This thriller marks the return of Kuwaiti star Al-Balushi to the silver screen after nearly seven years of not starring in movies. According to a synopsis on the Ithra website, it centers around a series of crimes apparently carried out in revenge for the murder of a young boy called Fahd. At each crime scene, the only clue found is a necklace in the shape of a scorpion. The most obvious suspect would be Fahd’s father — Younis Abdul Rahman. But he committed suicide over a year before the crimes began.


Review: ‘Roofman’ Movie

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Updated 23 December 2025
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Review: ‘Roofman’ Movie

  • The film follows Jeff, a man on the run, living out of sight inside a Toys “R” Us store, and constantly improvising his survival

I went into “Roofman” with no expectations, and that turned out to be the best possible way to experience the 2025 comedy-drama based on a true story.

Gripping and unexpectedly moving, it is one of those rare character-driven stories that stays with you long after the credits roll.

Channing Tatum delivers what may well be the strongest performance of his career. Stripped of the bravado he is often known for, Tatum plays Jeffrey Manchester — a former US army veteran and struggling dad who turns to a life of crime — with a raw vulnerability that feels lived-in rather than performed.

His portrayal balances charm, desperation and weariness in a way that makes the character both flawed and sympathetic. It is the kind of performance that reminds you how effective he can be when handed a script that trusts stillness as much as spectacle.

The film follows Jeff, a man on the run, living out of sight inside a Toys “R” Us store, and constantly improvising his survival. Without giving anything away, “Roofman” unfolds as a tense cat-and-mouse story, but one that resists becoming purely a thriller.

The pacing is deliberate and assured, allowing moments of humor, warmth and connection to surface naturally amid the suspense.

What “Roofman” does exceptionally well is maintain an undercurrent of unease. Even in its lighter, more playful moments, there is a persistent sense of claustrophobia and impending doom.

The script understands that tension does not always rise from action; sometimes it is born simply from the fear of being seen. “Game of Thrones” actor Peter Dinklage’s flawless portrayal of the store’s stern and authoritarian manager sharpens that anxiety.

Kirsten Dunst brings a grounded, affecting presence to the story, offering moments of tenderness and emotional clarity that deepen its human core. Her character anchors Jeff’s world with something real to reach for.

Despite its thrills, “Roofman” is ultimately a reflective film that asks, without judgment, how people arrive at the decisions that shape their lives, and why some feel trapped into making the wrong ones.

Underrated and surprisingly heartfelt, “Roofman” is a reminder that some of the most compelling stories are about the resilience of hope even when the odds are stacked against you.