Trump tariffs threaten the survival of the centuries-old Kashmiri carpet industry

Mohammad Iqbal Bakshi, left, and Mohammad Rafiq Shah inspect a Kashmiri hand-knotted silk carpet inside a showroom in Srinagar, Indian controlled Kashmir, on April 14, 2025. (AP)
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Updated 17 April 2025
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Trump tariffs threaten the survival of the centuries-old Kashmiri carpet industry

  • Carpet exports from India to the United States are valued at approximately $1.2 billion
  • The steep 28 percent tariff means these carpets will become more expensive in the US market

SRINAGAR: Mohammad Yousuf Dar and his wife, Shameema, sit cross-legged before their loom, deftly tying consecutive knots to create the floral patterns of the famed Kashmiri carpets that are now threatened by the Trump administration’s sweeping tariffs.
Genuine hand-knotted Kashmiri carpets are typically made from pure silk, and sometimes pure wool, which is more challenging. Generations of artisans have for centuries handed down the craft to ensure its survival, and while the carpets are sold for quite a sum, most craftspeople can barely make ends meet.
“I just help my husband so that we have a modicum of decent income to run our household,” Shameema, 43, said as she and Mohamad rhythmically plucked at the colorful silk threads in their dimly lit workshop in Indian-controlled Kashmir’s main city, Srinagar. They periodically glance at a yellowed scrap of paper, known as Taleem, or instructions, showcasing the pattern they are working on in an ancient shorthand of symbols and numbers and a cryptic color map.
Both learned the craft at the ages of 9 and 10, respectively.
The industry has survived decades of conflict over the disputed region between nuclear rivals India and Pakistan and withstood the fickleness of fashion to stay in demand, adorning mansions and museums alike.
However, Kashmiri traders say that US President Donald Trump’s tariffs on American imports can deal a hard blow to an already threatened business that is vying to survive amid mass-produced carpets, which are less costly, and artisans abandoning the industry.
Although the tariffs were primarily aimed at major exporters like China, they’ve inadvertently ensnared traditional handicraft industries from regions like Kashmir, which depend on US and European markets for survival.
Carpet exports from India to the US alone are valued at approximately $1.2 billion, out of a total global export value of $2 billion, according to official data.
Mohamad, 50, said he is the only weaver left out of over 100 who shifted to other jobs some two decades back in his neighborhood in Srinagar city’s old downtown.
“I spend months knotting a single rug,” he said, “but if there is no demand, our skills feel worthless,” he added.
Still, thousands of families in Kashmir rely on this craft for their livelihood and the steep 28 percent tariff imposed means the imported carpets will become significantly more expensive for American consumers and retailers.
“If these carpets are going to be more expensive in America, does that mean our wages will rise too?” Mohamad asked.
Not likely.
The increased cost to consumers in the US doesn’t translate into higher wages for weavers, experts say, but rather often leads to reduced orders, lower incomes, and growing uncertainty for the artisans.
This price hike could also push buyers toward cheaper, machine-made alternatives, leaving Kashmiri artisans in the lurch.
Insiders say that unless international trade policies shift to protect traditional industries, Kashmir’s hand-knotted legacy may continue to fray until it disappears.
Wilayat Ali, a Kashmiri carpet supplier, said his trading partner, who exports the carpets to the US, Germany and France, has already canceled at least a dozen orders already in the making.
“The exporter also returned some dozen carpets,” he said.
“It boils down to the hard arithmetic of profit and loss,” Ali explained. “They don’t see thousands of knots in a carpet that takes months to make.”
 


France’s screen siren Brigitte Bardot dies at 91

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France’s screen siren Brigitte Bardot dies at 91

  • French PM Emmanuel Macron hails the actor as a legend who 'embodied a life of freedom'
  • Film star also courted controversy, embracing far-right views in her later years
PARIS: French film sensation Brigitte Bardot, a symbol of sexual liberation in the 1950s and 1960s who reinvented herself as an animal rights defender and embraced far-right views, died on Sunday aged 91, her foundation said.
She died in her Saint-Tropez home, La Madrague, on the French Riviera.
“The Brigitte Bardot Foundation announces with immense sadness the death of its founder and president, Madame Brigitte Bardot, a world-renowned actor and singer, who chose to abandon her prestigious career to dedicate her life and energy to animal welfare and her foundation,” it said in a statement sent to AFP.
The cause of death was not given. But Bardot was briefly hospitalized in October for what her office called a “minor” procedure. Bardot at the time had lambasted “idiot” Internet users for speculation that she had died.
Tributes were immediately paid to the star who was known as “BB” in her home country, with President Emmanuel Macron calling her a “legend” of the 20th century.
Born on September 28, 1934 in Paris, Bardot was raised in a well-off traditional Catholic household. Married four times, she had one child, Nicolas-Jacques Charrier, with her second husband, actor Jacques Charrier.
Bardot became a global star after appearing in “And God created Woman” in 1956, and went on to appear in about 50 more movies before giving up acting in 1973.
She turned her back on celebrity to look after abandoned animals, saying she was “sick of being beautiful every day.”

Far-right leanings

“With her films, her voice, her dazzling glory, her initials (BB), her sorrows, her generous passion for animals, and her face that became Marianne, Brigitte Bardot embodied a life of freedom,” Macron wrote on X, referring to the Marianne image used as the female symbol of the French republic.
His tribute, though, made no reference of Bardot’s alignment with far-right views in her post-cinema years, which alienated many of her fans.
Bardot was convicted five times for hate speech, mostly about Muslims, but also the inhabitants of the French island of Reunion whom she described as “savages.”
A supporter of far-right politician Marine Le Pen, Bardot declared herself “against the Islamization of France” in a 2003 book, citing “our ancestors, our grandfathers, our fathers have for centuries given their lives to push out successive invaders.”
The head of Le Pen’s far-right National Rally party, Jordan Bardella, was among the first to pay homage.
“Today the French people have lost the Marianne they so loved,” he wrote on X, calling her an “ardent patriot.”
Le Pen, who has been barred from public office pending an appeal trial in January, also paid tribute to Bardot as “incredibly French: free, untamable, whole.”
In her final book, Mon BBcedaire (“My BB Alphabet“), published weeks before her death, Bardot fired barbs at what she described as a “dull, sad, submissive” France and at her home town of Saint-Tropez, now packed with the wealthy tourists she helped attract.
The book also contained derogatory remarks about gay and transgender people.

Saint-Tropez retreat

After retiring from cinema, Bardot withdrew to her home in the Riviera resort of Saint-Tropez where she devoted herself to fighting for animals.
Her calling apparently came when she encountered a goat on the set of her final film, “The Edifying and Joyous Story of Colinot.” To save it from being killed, she bought the animal and kept it in her hotel room.
Bardot went on to found the Brigitte Bardot Foundation in 1986, which now has 70,000 donors and around 300 employees, according to its website.
“I’m very proud of the first chapter of my life,” she told AFP in a 2024 interview ahead of her 90th birthday.
“It gave me fame, and that fame allows me to protect animals — the only cause that truly matters to me.”
She added that she lived in “silent solitude” in her home “La Madrague,” surrounded by nature and content to be “fleeing humanity.”
On the subject of death, she warned that she wanted to avoid the presence of “a crowd of idiots” at her funeral and wished for a simple wooden cross above her grave, in her garden — the same as for her animals.