Saudi Film Festival returns with roster of regional films and special section for Japan

The film poster for Japanese movie ‘River Returns,’ which will screen at the Saudi Film Festival. (Supplied)
Short Url
Updated 16 April 2025
Follow

Saudi Film Festival returns with roster of regional films and special section for Japan

DUBAI: The Saudi Film Festival is set to return for its 11th edition from April 17 to 23, at the King Abdulaziz Center for World Culture (Ithra).

On Wednesday, the film festival announced that “SIWAR” by director Osama Al-Khurayji will be the event’s opening screening as well as the film's world premiere. 

The film, which unfolds between Turkey and Saudi Arabia, was primarily shot in the AlUla region of Saudi Arabia.

The film is inspired by true events and was written by Rashed Al-Munajjim. It tells the story of two newborns, one Saudi and the other Turkish, who were mistakenly switched at birth.

“The story of ‘SIWAR’ has stayed with me since the true incident occurred in 2012, and I’ve wanted to bring it to the screen. Finally, after all these years, I’m proud to present this human story, and I’d like to thank Film AlUla for their support in making this film. I’m also proud that its launch will take place at the Saudi Film Festival, which is very dear to my heart,” said director Al-Khurayji.

This year’s theme, “Cinema of Identity,” will explore how films shape and reflect individual, national, and cultural identities.

Organized by the Cinema Association in partnership with Ithra and supported by the Film Commission, the festival will feature 68 films from Saudi Arabia, the Gulf — including Iraq and Yemen — and beyond.

 

 

The narrative features in competition include “Hobal,” “My Driver and I,” “Thuqoub,” “Fakher Al-Suwaidi,” Anaashed Adam,” “Es-aaf,” “Behind the Mountains” and “Adjourned.”

A highlight this year is the honorary tribute to Ibrahim Al-Hasawi, a veteran Saudi actor with over three decades of experience in theater, television, and cinema. His notable works include the TV series “Tash Ma Tash” and “Bayni Wa Baynak,” as well as films such as Ithra’s “Hajjan,” “Zero Distance,” and the recent “Hobal.” 

 

 

This year’s lineup includes seven Saudi and Gulf feature films, 22 short fiction films, and seven documentaries, alongside 12 parallel screenings of Saudi productions. The festival will also host four panel discussions, four advanced masterclasses and three book-signing sessions for the Saudi Cinema Encyclopedia.

The plaza and library at Ithra will host ‘Meet the Expert’ one-on-one sessions and private screenings, offering filmmakers ample opportunities for personalized mentorship and feedback.

A key component of the festival is its production market, which will showcase 22 booths from various production entities, providing filmmakers with a platform to develop and present their work. And to network.

Additionally, Japanese cinema will be in focus, marking 70 years of Saudi-Japan relations, with eight Japanese films and expert discussions.

Those Japanese films include: 

 

 

‘River Returns’

Hoping to save the village and his family from a flood, a young boy journeys alone to a pool deep in the mountains, following a tradition that is disappearing in post-war Japan.

‘Blue and White’

Ryusuke, who is grieving, makes salt on the day of his wife's funeral, aiming to preserve the local area’s salt making history.

‘Toma #2’

When Toma decides to place his father, who suffers from dementia, in a facility, he discovers an instant camera in his father's room that he had forgotten to develop.  

‘Kaburagi’

Kaburaki, a photographer for a weekly magazine, receives a message from an unknown source tipping him off about an idol he has been chasing.

‘Extremely Short’

Based on a story by Hideo Furukawa, the short film follows a man searching for the shortest thing in Tokyo.

‘The New World’

On a sunny June day, Kaname summons old friends to the wilderness with a purpose, but only one arrives.


Bella Hadid leaves Paris for Los Angeles launch event

Updated 11 March 2026
Follow

Bella Hadid leaves Paris for Los Angeles launch event

DUBAI: Supermodel Bella Hadid jetted from Paris to Los Angeles this week to launch her latest campaign with US fashion retailer Revolve.

The Palestinian US Dutch model was on hand in France earlier in the week, where she hit the runway at the Saint Laurent show during Paris Fashion Week.

She then flew across to Los Angeles to launch a campaign with Los Angeles-founded retailer Revolve, which was set up in 2003 by Michael Mente and Mike Karanikolas.

Hadid fronts a campaign launching the e-commerce department store’s first-ever in-house brand, Revolve Los Angeles.

“Born from a deep understanding of the modern woman and inspired by the city where it all began, our eponymous fashion house is a new expression of effortless glamor,” the new fashion label posted on Instagram alongside black-and-white images of Hadid in a selection of looks.

Prior to her trip to Los Angeles, the model showed off French label Saint Laurent’s latest collection in Paris.

Creative Director Anthony Vaccarello, marking his own 10th anniversary at the helm, sent out a parade of razor-sharp Smokings — the house term for its iconic women’s tuxedo — with plunging necklines and elongated silhouettes that crackled with the same transgressive energy founder Yves Saint Laurent unleashed in the 1960s, the Associated Press reported.

But Vaccarello didn’t stop at evening wear.

He extended the same sensual, body-skimming tailoring into daytime suits in fluid pinstripe fabrics with almost no interlining, effectively arguing that the tuxedo silhouette belongs in a woman’s life around the clock.

Plenty of brands in Milan showed strong black pantsuits this season, but the Saint Laurent version still occupies its own territory — sleeker, sharper, more loaded with meaning.

The other half of Vaccarello’s equation was lace, stiffened with latex and tailored into structured cardigan-like jackets and straight skirts.

It was lace with backbone — tough, not delicate.

Paired with smoky eyes, chunky gold jewelry and slingback heels, the collection made a case that Saint Laurent’s codes are as potent as ever.