‘We played for Gaza’: How Palestine’s U-20 Women’s team went from underdogs to champions

When the U-20 West Asian Football Federation Championship kicked off last week, not much was expected from Palestine. (WAFA)
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Updated 15 April 2025
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‘We played for Gaza’: How Palestine’s U-20 Women’s team went from underdogs to champions

  • Shock penalty shootout win over Jordan secures first U-20 West Asian Football Federation title

AMSTERDAM: When rank outsiders secure a victory they tend, often, to be of the moral variety. If victory is achieved it rarely ends up with an outsider advancing to the final match and lifting the trophy. 

On Saturday afternoon, Palestine’s U-20 Women’s team did just that. While Palestine’s senior men’s team has been punching above its weight for the past decade it has been an entirely different story for other teams in the program. 

Palestine has been absolutely abject in youth football. Since gaining admission to the Asian Football Confederation and FIFA in 1998, Palestine’s men’s and women’s teams have qualified for a single youth tournament, the U-23 Asian Cup.

The gaps have only widened for female sides as other countries in the region invested in the sector, leaving Palestine far behind neighbours Lebanon and Jordan. 

When the U-20 West Asian Football Federation Championship kicked off last week, not much was expected from Palestine. Jordan were seen as heavy favorites due to their home advantage and the absence of Lebanon, the only other side of note in the region. 

Palestine were expected to finish above Kuwait but behind Jordan and Syria in the four-team tournament. 

Preparation was anything but ideal with the team meeting only 48 hours before their first game. With football suspended throughout Palestine there was a heavy reliance on the diaspora to fill the gaps. Palestine’s squad featured players born in Sweden, Canada and the United States as well as professionals plying their trade in Chile and Egypt.

The tournament got off to the best possible start for Al-Fidai’yat, a 9-0 hammering of Kuwait set the stage, but a 3-0 loss to bitter rivals Jordan had the doubters circling the team. Many of the comments of the Palestine Football Association Facebook page were tinged with sexism while others demanded women’s football have its funding suspended. 

The nature of the loss was particularly frustrating for Palestine who showed an ability to compete with their more established rivals but were undone on a series of corner kicks and set pieces. 

Palestine emerged from Matchday 2 in good shape thanks to Syria’s narrower margin of victory against Kuwait. That result meant Palestine needed only a draw against the Qasioun Eagles to set up a rematch against Jordan in the final. 

A goalmouth scramble after an early corner kick was finished off by Narin Abu Asfar giving Palestine the lead against Syria. They looked the better side for much of the match but a late Syrian equalizer against the run of play in the 84th minute set up a grandstand finish. A series of corner kicks in the game’s dying seconds had fans fearing the worst but Palestine’s players held their nerve and saw the game out. 

A rematch against Jordan was on the cards. 

Palestine’s futility at the WAFF Championship is well documented. The senior men’s team has never advanced past the group stage of the regional tournament. The senior women’s team's greatest accomplishment was a second-place finish in 2014 in a four-team tournament in which they were battered 10-0 by champions Jordan. 

Palestine were not expected to put up much of a fight. After all, success in women’s football starts with investment, and Jordan has been the leading light in the region, punching above their weight in all age categories for both genders since the turn of the century. 

A cagey first half under the hot Aqaba sun ended scoreless, just as it did five days earlier. Manager Ahmed Hammad went to his bench and called on Selina Ghneim to change the match. 

The forward did just that, thumping home a header from Narin Abu Asfar’s corner to open the scoring. 

Jordan answered through a substitute of their own, Marah Abbas, who also scored off a corner kick. 

A penalty shootout was needed to settle the match, which ended 1-1. Typically, underdogs favor the lottery of the shootout, which increases their chances of victory considerably. There was just one problem for Palestine. Their goalkeeper Miraf Maarouf had broken her foot in warmups. 

Any doubt as to the imperious goalkeeper’s ability to perform injured and under pressure was immediately put to rest. Maarouf dove to her right and blocked Jordan’s first two attempts giving Palestine a lead in the shootout they would not relinquish. 

An embarrassing moment of confusion took place after captain Naomi Philips scored to make it 3-1 after three and a half rounds. Palestine’s players rushed on to the pitch to celebrate with Maarouf, who was imploring her teammates to clear the area because there was still a Jordanian kick to deal with. 

Jordan scored to force a fifth round of kicks but Miral Kassis did not feel the pressure. The FC Masar forward had to leave the team midway through the tournament due to club commitments. She had played in Egypt less than 24 hours before and arrived in Aqaba only on the day of the final. 

Her winning penalty came with a high dose of bravado, with the 19-year-old seeming to ask Celine Seif which side she wanted to be scored on. 

“Forget tactics and all that. We played for Gaza. We took care of organization (to correct mistakes from the first game) but the players fought to get the win,” Omar Barakat, the team’s assistant coach, told Arab News. 

Reaction from a fanbase starved of success has turned dramatically with snide and sexist comments conspicuously absent from recent comments.

“We are proud of ourselves because we play for Gaza. We play in the name of Palestine in the name of every mother that has lost her son, in the name of every martyr,” Malak Barakat told the media after the historic win. 

“My message is that this is only the start and you will be hearing more from us in the future.” 

Barakat might be right — she and several of her teammates have already made the jump to the senior team. 

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‘Papaya’s not going anywhere’: How McLaren banished the wilderness years on and off the track

Updated 16 December 2025
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‘Papaya’s not going anywhere’: How McLaren banished the wilderness years on and off the track

  • On-track success of 2 constructors’ championships and Lando Norris’s title win matched by a rebrand attracting a new generation of fans to the British F1 team

ABU DHABI: It’s been just over a week since Lando Norris claimed his first Formula One championship title, but for McLaren’s growing army of supporters the party continues.

When the British driver crossed the finish line at Abu Dhabi’s Yas Marina Circuit in third place to confirm his title victory, you could be forgiven for thinking the post-race celebrations had a familiar look to others in recent years at the season-closing Grand Prix in the UAE’s capital.

This time however, the celebrating fans were sporting the orange of McLaren’s distinctive “papaya” livery, rather than the orange of Max Verstappen’s native Netherlands.

The resurgence of the British team in recent years has been nothing short of remarkable. On the track, their overwhelming supremacy has been secured by a superior car and two gifted drivers in Norris and Australia’s Oscar Piastri. Off it, they deployed one of motor sport’s most successful rebranding campaigns, as a result of which McLaren’s main color now rivals Ferrari’s red as the most iconic in F1.

“You know, it was the fans’ choice to bring papaya back,” Matt Dennington, co-chief commercial officer at McLaren, told Arab News.

“Back in, I think it was 2016, we went out to our fans and it was an overwhelming ‘yes’ that they wanted to see our heritage come back into the team. It’s a key brand asset for us.”

Speaking during a “Live Your Fandom” event at Yas Island in Abu Dhabi, co-hosted with Velo, a team sponsor since 2019, he said: “For us, the fans are the lifeblood of our sport. We don’t go racing without them, and to be able to celebrate our fans and our partners together has been awesome.”

Norris’s success in Abu Dhabi was a crowning moment for the team, but the development on the track has been clear and dramatic for several years.

In 2017, the team finished a lowly ninth out of 10 in the constructors’ championship. Improvements to the car, particularly after switching to a Mercedes engine, helped the team move up to become a fixture in the “mid-field” F1 grid. Then, in 2024, came the giant leap forward as McLaren won the team title and then retained it this year.

In tandem with those successes, the commercial work that has taken place off the track has helped McLaren, in large part thanks to return of its papaya colors, develop one of the strongest brand identities in all of sports.

“Obviously, the on-track performance has been a great boost for that,” Dennington said. “You know, the other areas that have helped progress our fandom, and the sport, is the work that Liberty Media have done in the schedule.”

Liberty, an American mass media company, acquired Formula One Group from CVC Partners in 2017 for $4.4 billion. The popularity of the sport has skyrocketed since then thanks to huge engagement across media channels — including a certain Netflix show.

“More races, more races in the US, ‘Drive to Survive’ (on Netflix, and) we had the F1 movie,” Dennington said. “So there’s some great media platforms really driving the audience growth and the diversity of the audience.

“As a team, we’ve been pushing ourselves to be more sophisticated in the way in which we engage and communicate with our teams, but also looking at the partners we work with to give our fans the access to the McLaren brand and access to racing culture.”

The team’s portfolio now boasts more than 50 sponsors, among them Google, Mastercard and British American Tobacco. Dennington highlighted a number of campaigns that caught the public’s imagination.

“Some good examples of that is the work that we’ve done with Reiss and Abercrombie & Fitch — we bought our first women’s line of fashion through those organizations; the work we’re doing with Lego in capturing those sort of youth consumers into the brand; and also the work we’ve done with Tumi over the last few years in the luggage category.

“So we’re trying to extend the brand, we’re trying to create more access.”

In August, McLaren and Velo launched the “Live Your Fandom” campaign, offering nine superfans from the UK, Romania, the Czech Republic, Mexico and other places a “golden ticket” F1 experience in the form of a full day at the McLaren Technology Centre in Woking, England.

The chosen fans enjoyed a behind-the-scenes tour, shared their memories of the team directly with McLaren Racing CEO Zak Brown, and took part in a surprise Q&A session with Norris.

One high-profile result of their special day was the graphical contributions they made to the team’s 2025 Abu Dhabi livery design, unveiled just days before Norris claimed the title, which featured art they helped create inspired by their most defining McLaren moments.

The livery features a series of bespoke images, including the “Papaya Family” representing the community spirit among McLaren F1 fans around the world; a “Forever Forward” friendship bracelet; and “Home Wins,” symbolizing the team’s victories this season in its home country at the British Grand Prix at Silverstone, and at the Bahrain Grand Prix, which is considered the team’s second home.

Other images celebrated the back-to-back constructors’ championship victories; 200 race wins; 50 top-two race finishes; and the fastest pitstop of the 2025 season (1.91 seconds).

Louise McEwen, McLaren Racing’s chief marketing officer, said: “Our fans are at the heart of everything we do, and this special livery is another way of showing our appreciation.

“Through the ‘Live Your Fandom’ campaign with Velo we’ve been able to celebrate their passion and creativity in a way that truly brings the Papaya Family together.”

Such efforts by McLaren to bring more fans even closer to the action will continue, Dennington said.

“Less than 1 percent of all fans in Formula One over their lifetime get to go to a race,” he added. “So I think it’s up to us as a sport, as teams, to be able to create more opportunities for them (and) to connect with our fans.”

As for the image and identity of the team moving forward, he had a reassuring message for fans: “Papaya’s not going anywhere and you’ll continue to see that into the future.”