Majority of listeners tune in to Spotify during Ramadan’s pre-dawn hours

Streaming and content consumption habits change as audiences adjust to different routines during Ramadan, according to new data from Spotify. (Supplied)
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Updated 28 March 2025
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Majority of listeners tune in to Spotify during Ramadan’s pre-dawn hours

  • Spiritual, peaceful and relaxing audio is the most popular choice during Ramadan, with listenership of such playlists increasing by more than 3,000 percent in the first two weeks.

DUBAI: Streaming and content consumption habits change as audiences adjust to different routines during Ramadan, according to new data from Spotify.

This year saw a return of the streaming platform’s Ramadan Hub, with a specially curated selection of playlists, music and podcasts.

Based on an analysis of customers’ streaming habits during the first two weeks of Ramadan, Spotify found the majority of Saudi listeners tune in at around 3 a.m. Spiritual, peaceful and relaxing audio is the most popular choice, with listenership of such playlists increasing by more than 3,000 percent.

“With the Ramadan Hub, Spotify continues to be a companion for every moment of the holy month,” Mark Abou Jaoude, the platform’s head of music for the Middle East, North Africa and Pakistan told Arab News.

The playlist with the highest increase in listeners (3,750 percent) was “Duaa,” which features prayers and supplications. Similarly, “Ramadaniyat,” which features traditional Islamic songs, saw a streaming rise of almost 1,890 percent.

Users’ love of TV dramas is reflected in their streaming habits with the “Titrat Ramadan” playlist recording a 2,900 percent increase in streams. This features songs that appear in popular shows at this time, known as “titrat” and traditionally sung by Arab pop stars.

Another playlist gaining popularity is “Cooking Time,” which saw the number of streams increase by 743 percent. This serves as a cooking companion and features songs such as Nancy Ajram’s “Aam Betaala’ Feek,” Marwan Khoury’s “Kel El Qasayed” and Amr Diab’s “El Kalam Leek.”

“Over the past two years, local podcast listening hours have increased by nearly 90 percent (on Spotify),” Abou Jaoude said.

Spotify has also seen significant increases in the popularity of local podcasts such as “Finjan with Abdul Rahman Abu Maleh” and “Sawalif Business.” Users are also listening to lighter entertainment content, such as “Kanabat al-Sabt,” “Saturday Couch” and the “Abjoorah Podcast,” as well as religious shows like the “Omam Podcast,” which puts a modern spin on the stories of prophets.

“These shifting listening habits reflect the growing trend of audio in setting the atmosphere for these shared experiences during the month,” said Abou Jade.

“It’s great to see how our Saudi listeners use Spotify to enrich their Ramadan journey and deepen their connections during this meaningful time.”


Foreign media group slams Israel for refusing to lift Gaza press ban

Updated 07 January 2026
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Foreign media group slams Israel for refusing to lift Gaza press ban

  • Foreign Press Association expresses 'profound disappointment' with Israeli government’s response to a Supreme Court appeal
  • Israel has barred foreign journalists from independently entering the devastated territory since the war started

JERUSALEM: An international media association on Tuesday criticized the Israeli government for maintaining its ban on unrestricted media access to Gaza, calling the move disappointing.
The government had told the Supreme Court in a submission late Sunday that the ban should remain in place, citing security risks in the Gaza Strip.
The submission was in response to a petition filed by the Foreign Press Association (FPA) — which represents hundreds of journalists in Israel and Palestinian territories — seeking immediate and unrestricted access for foreign journalists to the Gaza Strip.
“The Foreign Press Association expresses its profound disappointment with the Israeli government’s latest response to our appeal for full and free access to the Gaza Strip,” the association said on Tuesday.
“Instead of presenting a plan for allowing journalists into Gaza independently and letting us work alongside our brave Palestinian colleagues, the government has decided once again to lock us out” despite the ceasefire in the territory, it added.
Since the outbreak of the Gaza war in October 2023, triggered by an attack on Israel by the Palestinian militant group Hamas, the government has barred foreign journalists from independently entering the devastated territory.
Instead, Israel has allowed only a limited number of reporters to enter Gaza on a case-by-case basis, embedded with its military inside the blockaded Palestinian territory.
The FPA filed its petition in 2024, after which the court granted the government several extensions to submit its response.
Last month, however, the court set January 4 as a final deadline for the government to present a plan for allowing media access to Gaza.
In its submission, the government maintained that the ban should remain in place.
“This is for security reasons, based on the position of the defense establishment, which maintains that a security risk associated with such entry still exists,” the government submission said.
The government also said that the search for the remains of the last hostage held in Gaza was ongoing, suggesting that allowing journalists in at this stage could hinder the operation.
The remains of Ran Gvili, whose body was taken to Gaza after he was killed during Hamas’s 2023 attack, have still not been recovered despite the ceasefire.
The FPA said it planned to submit a “robust response” to the court, and expressed hope the “judges will put an end to this charade.”
“The FPA is confident that the court will provide justice in light of the continuous infringement of the fundamental principles of freedom of speech, the public’s right to know and free press,” the association added.
The Supreme Court is expected to issue a ruling on the matter, though it is unclear when a decision will be handed down.
An AFP journalist sits on the board of the FPA.