WASHINGTON: Miami Beach Mayor Steven Meiner said on Wednesday he dropped his threat to evict an art house cinema from city property for screening Oscar-winning “No Other Land,” a film about the Israeli displacement of a Palestinian community in the Israeli-occupied West Bank.
The move came after multiple rights advocates and artists in recent days criticized Meiner’s threat and said it would violate free speech.
Meiner said earlier he sought to evict and halt future grant payments to the non-profit O Cinema in South Beach.
City commissioners were scheduled to vote on Wednesday on a resolution introduced by Meiner and made public last week.
In the session, a majority of the seven-member commission said they opposed the resolution, as did dozens of people who gathered.
Meiner said he would introduce another resolution aimed at encouraging O Cinema to show movies highlighting “a fair and balanced viewpoint of the current war” and it would be deferred to a later meeting.
Meiner called the movie “one-sided propaganda” and antisemitic. The film’s co-directors, Palestinian activist Basel Adra and Israeli journalist Yuval Abraham, dismissed antisemitism allegations.
The American Civil Liberties Union of Florida, the Foundation for Individual Rights and Expression and other rights advocates condemned Meiner’s earlier threat as being against free speech.
Despite winning the Oscar for documentary feature film, “No Other Land” has not been picked up by mainstream US distributors.
The film shows Israeli soldiers tearing down homes and evicting residents to create a military training ground and the encroachment of Jewish settlers on the Palestinian community.
The directors accused Washington of blocking a solution to the decades old Israeli-Palestinian conflict whose latest bloodshed involves the ongoing devastating Israeli military assault on Gaza following a deadly October 2023 Hamas attack.
Florida mayor drops threat to evict cinema for screening ‘No Other Land’
https://arab.news/8enwp
Florida mayor drops threat to evict cinema for screening ‘No Other Land’
- Miami Beach Mayor Steven Meiner vowed to evict and halt future grant payments to the non-profit O Cinema following the screening
- Accusations of “one-sided propaganda” and antisemitism by Meiner intensified the debate surrounding pro-Palestinian activism
To infinity and beyond: Grendizer’s 50 years of inspiring Arabs
- 50 years after its creation, the Grendizer anime series continues to capture Arab imagination
- Arab News Japan speaks to creator Go Nagai, Middle Eastern fans and retells the story behind the UFO Robot tasked with protecting our planet
LONDON: Few cultural imports have crossed borders as unexpectedly, or as powerfully, as Grendizer, the Japanese giant robot that half a century ago became a childhood hero across the Arab world, nowhere more so than in Saudi Arabia.
Created in Japan in the mid-1970s by manga artist Go Nagai, Grendizer was part of the “mecha” tradition of giant robots. The genre was shaped by Japan’s experience during the Second World War, and explored themes of invasion, resistance and loss through the medium of science fiction.
But while the series enjoyed moderate success in Japan, its true legacy was established thousands of kilometers away in the Middle East.
The anime “UFO Robot Grendizer” arrived on television in the region in 1979, dubbed into Arabic and initially broadcast in Lebanon during the Lebanese civil war. The story it told of the heroic Duke Fleed, a displaced prince whose planet had been destroyed by alien invaders, struck a chord with children growing up amid regional conflict and occupation by Israel.
Its themes of defending one’s homeland, standing up to aggression and protecting the innocent were painfully relevant in the region, transforming the series from mere entertainment into a kind of emotional refuge.
Much of the show’s impact came from its successful Arabization. The powerful Arabic dubbing and emotionally charged voice-acting, especially by Lebanese actor Jihad El-Atrash as Duke Fleed, lent the show a moral gravity unmatched by other cartoons of the era.
The theme song for the series, performed by Sami Clark, became an anthem that the Lebanese singer continued to perform at concerts and festivals right up until his death in 2022.
By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. For many, it was not only their first exposure to anime, it also delivered lessons on values such as justice and honor.
Grendizer was so influential in the region that it became the subject of scholarly research, which in addition to recognizing the ways in which the plight of the show’s characters resonated with the audience in the Middle East, also linked the show’s popularity to generational memories of displacement, particularly the Palestinian Nakba.
Half a century later, “Grendizer” remains culturally alive and relevant in the region. In Saudi Arabia, which embraced the original version of the show wholeheartedly, Manga Productions is now introducing a new generation of fans to a modernized version of the character, through a video game, The Feast of The Wolves, which is available in Arabic and eight other languages on platforms including PlayStation, Xbox and Nintendo Switch, and a new Arabic-language anime series, “Grendizer U,” which was broadcast last year.
Fifty years after the debut of the show, “Grendizer” is back — although to a generation of fans of the original series, their shelves still full of merchandise and memorabilia, it never really went away.
