Saudi artist’s ‘Tafawut’ exhibition showcases harmony between art and architecture 

1 / 6
With a background in interior design and architecture, Al-Amir creates spaces that blend functionality with artistic expression, transforming each project into an exciting adventure. (AN Photo by Hind AlKhunaizi)
2 / 6
With a background in interior design and architecture, Al-Amir creates spaces that blend functionality with artistic expression, transforming each project into an exciting adventure. (AN Photo by Hind AlKhunaizi)
3 / 6
With a background in interior design and architecture, Al-Amir creates spaces that blend functionality with artistic expression, transforming each project into an exciting adventure. (AN Photo by Hind AlKhunaizi)
4 / 6
With a background in interior design and architecture, Al-Amir creates spaces that blend functionality with artistic expression, transforming each project into an exciting adventure. (AN Photo by Hind AlKhunaizi)
5 / 6
With a background in interior design and architecture, Al-Amir creates spaces that blend functionality with artistic expression, transforming each project into an exciting adventure. (AN Photo by Hind AlKhunaizi)
6 / 6
With a background in interior design and architecture, Al-Amir creates spaces that blend functionality with artistic expression, transforming each project into an exciting adventure. (AN Photo by Hind AlKhunaizi)
Short Url
Updated 20 February 2025
Follow

Saudi artist’s ‘Tafawut’ exhibition showcases harmony between art and architecture 

  • Salman Al-Amir’s use of acrylic and oil paint allows for a wide range of textures and tones making his works both thought-provoking and visually striking

RIYADH: Saudi artist and architect Salman Al-Amir’s exhibition, “Tafawut” (Disparity) which was held at Mahd Alfnon Gallery in Riyadh from Feb. 13-19, showcased a glimpse of his creative process, in which he skillfully blended art and architecture. 

Born in 1963 in Al-Ahsa, Al-Amir holds a master’s from Syracuse University and a bachelor’s from King Faisal University. 

With a background in interior design and architecture, he creates spaces that blend functionality with artistic expression, transforming each project into an exciting adventure.

“Tafawut” presented a diverse and engaging collection of 37 artworks that serve as a window into the artist’s emotions and experiences. 

The exhibition showcased a stunning variety of styles and mediums; some pieces were abstract and displayed a masterful play of geometric shapes and others representational, with artworks focusing on people, animals, or objects. Some featured prints, while others featured dreamy backdrops. 

His use of acrylic and oil paint allows for a wide range of textures and tones making his works both thought-provoking and visually striking.

The color palettes were equally varied, ranging from earthy to vibrant tones, further demonstrating the versatility of Al-Amir’s artistic vision and skill. 

This flair is a testament to Al-Amir’s architectural background, where precision and creativity come together. Each artwork invites viewers to explore the harmonious relationship between structure and form. 

His talent lies in merging his architectural expertise with his artistic passion. The paintings on display incorporate intricate details, touching upon various elements of Al-Amir’s experiences.

When asked about a specific painting that links his personal and professional experiences, Al-Amir said: “A painting titled ‘Ideas on a Flat Carpet’ is devoid of ideas but filled with the principles and foundations of Islamic miniature arts, often overlooked in our Islamic cultural heritage, yet rich with inspiration for the Saudi, Arab, and Islamic artist.” 

This painting reflects Al-Amir’s strong connection to his cultural roots and his passion for reinterpreting traditional artistic forms in a contemporary context.

Reflecting on his creative process, Al-Amir explained: “I am still on a journey to discover the creative form that satisfies me and relieves me from the arduous search.” 

The exhibition itself displays this ongoing exploration and experimentation.

Discussing the exhibition’s theme, Al-Amir stated: “Disparity here means diversity, not a difference in levels.

“This is precisely the message I wanted to convey to my fellow artists and amateurs to explore the depths of their talents and strive to reveal them,” Al-Amir told Arab News. 

The exhibition celebrated the multifaceted nature of art and the importance of embracing diverse styles and approaches.

As Al-Amir looks ahead, he shared his artistic goals. “I’m working to bring more Eastern influences into my art,” he explained.

He aims to give his creations a unique character that reflects the beauty and richness of Eastern traditions.

The artist shared valuable advice for aspiring artists. “Learn the rules like a professional so you can break them like an artist. Additionally, I encourage aspiring artists not to imitate Western styles; instead, they should adapt and reformulate these influences to support their local identity.”

Al-Amir is a dynamic force in the art world, leading workshops that ignite creativity. As a juror for art shows and a lecturer at King Fahd University, he inspires and helps direct many other aspiring artists.


Saudi Arabia witnessing comprehensive cultural development, says expert

Updated 14 February 2026
Follow

Saudi Arabia witnessing comprehensive cultural development, says expert

  • Clotilde Entrecanales of Acciona hails pace of change in Kingdom

JEDDAH: Museums, exhibitions and art centers play a crucial role in the development of free and educated societies such as the one now burgeoning in Saudi Arabia, an expert has told Arab News.

Clotilde Entrecanales, the Spanish art historian and cultural executive who heads Acciona Living & Culture, a leading creator of technology-driven interactive museums, exhibits and events, said the Kingdom is making efforts to expand the role of culture development to show the world the greatest possible cultural offer.

She added that the Kingdom has quickly infused new energy into the region, and is rapidly establishing itself as a global cultural hub through massive investment in world-class museums, public art and international events, aligning with its 2030 vision.

She said: “With around 70 percent of the population under 30, cultural consumption looks very different than in Europe or the US. These spaces can’t feel like quiet, isolated institutions … they need to be fast, dynamic, brave and deeply connected to the city, blending into everyday urban life rather than sitting apart from it.”

Asked about the role of these sites in the evolving global cultural landscape, particularly in emerging cultural hubs like Saudi Arabia, Entrecanales said: “Our vision is to be a purpose-led partner for cultural and entertainment institutions, helping them be more relevant, connected, inclusive and sustainable.”

She added: “In emerging cultural hubs like Saudi Arabia, that approach feels especially relevant. The cultural transformation underway is moving fast — with major heritage and cultural destinations being developed and opened to the world.”

Speaking about her impression of the Kingdom’s approach to blending heritage with modernity face, Entrecanales said: “Others who attempt to achieve this balance often end up turning heritage into a theme, a layer of storytelling or a cultural program. What feels different about Saudi’s approach is how much pressure there is to treat heritage as the foundation, not just the surface.

“When you’re building at this speed and scale, there’s always a risk that history becomes a backdrop instead of a backbone. The projects that work best are the ones that slow down just enough to let the past set the rhythm for the present.”

Regarding opportunities and challenges, she said: “The opportunity is nothing less than positioning Saudi Arabia as a global cultural center. The challenge, as always, lies in balancing the speed and scale of that ambition with long-term sustainability and a sense of authenticity that remains credible and rooted.”

She added: “You can really feel this in places like the Islamic Arts Biennale, which shows hundreds of historical artefacts of the Islamic world, while re-framing them through contemporary scenography and designs by some of the best design studios in the world; or in AlUla, a world-class heritage site that hosts a major contemporary platform like Desert X, allowing ancient context and present-day artistic practice to coexist in a way that feels genuine.”

Under her guidance, ACCIONA Cultura aspires to create museums and cultural experiences that function as landmarks while fostering sustainable, inclusive and immersive interactions.

She elaborated on how the company is integrating technology, culture, and sustainability to preserve and promote the region’s cultural heritage: “We always start with human connection and storytelling: what’s the story, what should people leave with? Tech comes later.”

Recently, ACCIONA Cultura has been involved in significant projects in Saudi Arabia and is looking forward for more.

She said: “Right now, for example, we’re designing and curating a museum gallery where the entire space is shaped by the practice of a Saudi artist. Another example is the Net Zero exhibition at the King Abdulaziz Center for World Culture (Ithra), where we brought together Saudi and international artists to explore sustainability and our relationship with the planet, including voices like Dina Haddadin, Mohammed Al-Faraj, and Zahrah Al-Ghamdi.”

She added: “One of the projects I’m most proud of isn’t a museum, but our NEXT IN Summit, which we’ve hosted in two editions in our ACCIONA Campus in Madrid, highlighting the Kingdom’s unprecedented cultural momentum as it builds future-facing institutions with a startup mindset.”

About further collaboration with Saudi Arabia, she said: “Let’s just say … something’s definitely simmering in the kitchen.”

Commenting on being recognized among the Blooloop 50 Museum Influencers for 2025, she said: “It means a lot. More than anything, it feels like a nod to the years of teamwork and dedication behind Acciona Cultura, rather than to me personally.”