Rawat Fort: A forgotten Pakistani archaeological treasure undergoes restoration

This photo, taken on February 7, 2025, shows the Pakistani archaeological site Rawat Fort in Potohar region, in northern Punjab, Pakistan. (AN Photo)
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Updated 14 February 2025
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Rawat Fort: A forgotten Pakistani archaeological treasure undergoes restoration

  • 16th-century fort is believed to have been founded during Delhi Sultanate as an inn for traveling caravans and merchants
  • Monument, currently undergoing restoration, has three gates, mosque, central courtyard that houses ruins of graves of Gakhar chieftains 

ISLAMABAD: Among the many forgotten relics dotting the vast spread of the Potohar Plateau in northern Punjab is the Rawat Fort, which stands as a silent witness to centuries of history in what is this part of present-day Pakistan.
The fort lies about 18 kilometers east of the garrison city of Rawalpindi on the Grand Trunk Road highway and is believed to have been built in the 15th or 16th centuries during the Delhi Sultanate period. 
There are many legends about the fort’s founding and its purpose. According to Pakistan’s Department of Archaeology and Museums (DOAM), the fort, which derives is named from the Arabic word rabat meaning caravanserai, was built as an inn that provided lodging for travelers, merchants, and caravans passing through the strategic location of Rawat, at the crossroads of trade routes and a gateway to Kashmir and Central Asia.
Some historians, however, believe the fort was built in 1036 AD by Sultan Masood, the son of Sultan Mehmood Ghaznavi, the head of the Ghaznavid Empire who ruled from 998 to 1030 AD and who had at the time of his death raised an extensive military empire that extended from northwestern Iran proper to the Punjab in the Indian subcontinent, Khwarazm in Transoxiana, and Makran. Other historical accounts say the fort was built by Sultan Sarang Khan Gakhar, the chief of the Gakhar tribes who was made ruler of the Pothohar Plateau by Mughal emperor Babar in 1520.
Dr. Abdul Ghafoor Lone, a director at DOAM which is restoring the monument, told Arab News Rawat Fort was one of many hidden relics near the Pakistani capital of Islamabad and its main attraction was a central courtyard that housed the ruined graves of Sultan Sarang and a number of his sons who died fighting Sher Shah Suri, the ruler of Bihar from 1530 to 1540 and Sultan of Hindustan from 1540 until his death in 1545. In fact, the area in which the fort is located is known as a key battleground between the Gakhar tribe and Suri.
“Tatar Khan had two sons, Sarang Khan and Adam Khan,” Lone explained. “Islam Shah, who was the son of [emperor] Sher Shah Suri, when he fought Sarang Khan, Sarang Khan was killed in battle. Sarang Khan and his 12-13 sons were also killed.”




This photo, taken on February 7, 2025, shows aerial view of the Pakistani archaeological site Rawat Fort in Potohar region, in northern Punjab, Pakistan. (AN Photo)

Adam Khan recovered the bodies, the archaeologist said, and built a tomb in their honor inside Rawat Fort. 
Indeed, the structure has witnessed the rise and fall of many empires and military commanders. The building’s strategic importance led to its inclusion in the Mughal defensive line against invaders from the North-West. The fort’s location on the route used by Mughal emperors traveling to Kashmir for pleasure and strategic purposes also cemented its importance.
In the early 19th century, Sikh forces led by Sardar Milkha Singh captured Rawat Fort, and under Sikh rule, the fort underwent significant renovations and expansions. But the British annexation of Punjab in 1849 marked the beginning of the fort’s decline as the British no longer saw it as strategically essential. Over time, the once-imposing structure fell into disrepair.




This photo, taken on February 7, 2025, shows the Pakistani archaeological site Rawat Fort in Potohar region, in northern Punjab, Pakistan. (AN Photo)

“It has been used throughout the ages,” Dr. Tahir Saeed, an archaeologist and visiting professor at the Quaid-e-Azam University in Islamabad, told Arab News. 
“During the Sher Shah Suri period, it was used as a port for the Mughals … The caravans passing through GT Road used it as a port. It was an important place from a strategic point of view … After the Mughal period, the Sikhs came here and used it as a stable or court.”
RESTORATION
The management of Rawat Fort shifted from the federal government to the Punjab provincial government due to administrative changes in 2010 after a constitutional amendment devolved power to the provinces. The transition period from 2011 to 2017 saw significant encroachment, according to the DOAM, until the monument was returned to the department in 2017.
The fort, a quadrangular monument with three main gates, has several small cells that used to be rented out to merchants, and which are now undergoing restoration by authorities, as well as a mosque with three domes. The main attraction is the tomb of Sarang Khan, built by his brother Adam Khan who assumed leadership of the tribe and became the next Gakhar chief after 1546. 




This photo, taken on February 7, 2025, shows entrance gate of the Pakistani archaeological site Rawat Fort in Potohar region, in northern Punjab, Pakistan. (AN Photo)

“We try our maximum effort to maintain the authenticity of our monuments and artifacts,” said Lone. 
“You can do conservation, preservation and restoration. But we don’t reconstruct them. We try to restore the material that has been used for the original construction. Wherever it is available, we bring and use it or if it is lying there, we restore it.”
At the last stage of the restoration, he added, the ruined graves would be restored so “that people can understand that there is a grave of Sarang Khan in it and all his sons who were martyred are buried here.”
Pakistan has six UNESCO heritage sites and 25 which are on a tentative list, according to Lone. Rawat Fort is not on either list but when it achieves the status of a UNESCO heritage site, it would boost tourism in the area and also lead to better upkeep, he added.




This photo, taken on February 7, 2025, shows aerial view of the Pakistani archaeological site Rawat Fort in Potohar region, in northern Punjab, Pakistan. (AN Photo)

The archaeologist stressed the need for a sense of “shared ownership” of monuments and historical sites by the government and members of the public to help preserve them for generations to come.
“This is our heritage. We all have to take ownership of it,” Lone said. “Only if we take ownership of it can we protect it.”
Saeed, the archaeology professor, also called for more government funding.
“The government will have to set priorities,” he said. 
“They will have to provide maximum funding and continuous funding so that conservation work on sites, archaeological sites, monuments and heritage sites can continue.”


Producer Zainab Azizi hopes ‘Send Help’ will be a conversation starter

Updated 31 January 2026
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Producer Zainab Azizi hopes ‘Send Help’ will be a conversation starter

DUBAI: Afghan American film producer Zainab Azizi cannot wait for audiences to experience Sam Raimi’s new horror comedy “Send Help.”

In an interview with Arab News, the president at Raimi Productions kept returning throughout her interview to one central theme: the communal thrill of horror.

“I started watching horror from the age of six years old. So, it’s kind of ingrained in my brain to love it so much,” she said, before describing the formative ritual that still shapes her work: “What I loved about that was the experience of it, us cousins watching it with the lights off, holding hands, and just having a great time. And you know, as an adult, we experience that in the theater as well.”

Asked why she loves producing, Azizi was candid about the mix of creativity and competition that drives her. “I’m very competitive. So, my favorite part is getting the film sold,” she said. “I love developing stories and characters, and script, and my creative side gets really excited about that part, but what I get most excited about is when I bring it out to the marketplace, and then it becomes a bidding war, and that, to me, is when I know I’ve hit a home run.”

Azizi traced the origins of “Send Help” to a 2019 meeting with its writers. “In 2019 I met with the writers, Mark and Damien. I was a fan of their works. I’ve read many of their scripts and watched their films, and we hit it off, and we knew we wanted to make a movie together,” she said.

From their collaboration emerged a pitch built around “the story of Linda Little,” which they developed into “a full feature length pitch,” and then brought to Raimi. “We brought it to Sam Raimi to produce, and he loved it so much that he attached to direct it.”

On working with Raimi, Azizi praised his influence and the dynamic they share. “He is such a creative genius. So, it’s been an incredible mentorship. I learned so much from him,” she said, adding that their collaboration felt balanced: “We balance each other really well, because I have a lot of experience in packaging films and finding filmmakers, so I have a lot of freedom in the types of projects that I get to make.”

When asked what she hopes audiences will take from “Send Help,” Azizi returned to the communal aftermath that first drew her to horror: “I love the experience, the theatrical experience. I think when people watch the film, they take away so many different things. ... what I love from my experience on this film is, especially during test screenings, is after the film ... people are still thinking about it. Everybody has different opinions and outlooks on it. And I love that conversation piece of the film.”