NEW YORK: Last year was the deadliest for journalists in recent history, with at least 124 reporters killed — and Israel responsible for nearly 70 percent of that total, the Committee to Protect Journalists reported Wednesday.
The uptick in killings, which marks a 22 percent increase over 2023, reflects “surging levels of international conflict, political unrest and criminality worldwide,” the CPJ said.
It was the deadliest year for reporters and media workers since CPJ began keeping records more than three decades ago, with journalists murdered across 18 different countries, it said.
A total of 85 journalists died in the Israeli-Hamas war, “all at the hands of the Israeli military,” the CPJ said, adding that 82 of them were Palestinians.
Sudan and Pakistan recorded the second highest number of journalists and media workers killed, with six each.
In Mexico, which has a reputation as one of the most dangerous countries for reporters, five were killed, with CPJ reporting it had found “persistent flaws” in Mexico’s mechanisms for protecting journalists.
And in Haiti, where two reporters were murdered, widespread violence and political instability have sown so much chaos that “gangs now openly claim responsibility for journalist killings,” the report said.
Other deaths took place in countries such as Myanmar, Mozambique, India and Iraq.
“Today is the most dangerous time to be a journalist in CPJ’s history,” said the group’s CEO Jodie Ginsberg.
“The war in Gaza is unprecedented in its impact on journalists and demonstrates a major deterioration in global norms on protecting journalists,” she said.
CPJ, which has kept records on journalist killings since 1992, said that 24 of the reporters were deliberately killed because of their work in 2024.
Freelancers, the report said, were among the most vulnerable because of their lack of resources, and accounted for 43 of the killings in 2024.
The year 2025 is not looking more promising, with six journalists already killed in the first weeks of the year, CPJ said.
124 journalists killed, most by Israel, in deadliest year for reporters
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124 journalists killed, most by Israel, in deadliest year for reporters
- The uptick in killings marks a 22 percent increase over 2023
- Journalists murdered across 18 different countries, including Palestine's Gaza, Sudan and Pakistan
Paris exhibition marks 200 years of Le Figaro and the enduring power of the press
- The exhibition celebrated the bicentennial of Le Figaro, offering visitors a rare opportunity to step inside the newspaper’s vast historical archive
PARIS: One of France’s most influential newspapers marked a major milestone this month with a landmark exhibition beneath the soaring glass nave of the Grand Palais, tracing two centuries of journalism, literature and political debate.
Titled 1826–2026: 200 years of freedom, the exhibition celebrated the bicentennial of Le Figaro, offering visitors a rare opportunity to step inside the newspaper’s vast historical archive. Held over three days in mid-January, the free exhibition drew large crowds eager to explore how the title has both chronicled and shaped modern French history.
More than 300 original items were displayed, including historic front pages, photographs, illustrations and handwritten manuscripts. Together, they charted Le Figaro’s evolution from a 19th-century satirical publication into a leading national daily, reflecting eras of revolution, war, cultural change and technological disruption.
The exhibition unfolded across a series of thematic spaces, guiding visitors through defining moments in the paper’s past — from its literary golden age to its role in political debate and its transition into the digital era. Particular attention was paid to the newspaper’s long association with prominent writers and intellectuals, underscoring the close relationship between journalism and cultural life in France.
Beyond the displays, the program extended into live journalism. Public editorial meetings, panel discussions and film screenings invited audiences to engage directly with editors, writers and media figures, turning the exhibition into a forum for debate about the future of the press and freedom of expression.
Hosted at the Grand Palais, the setting itself reinforced the exhibition’s ambition: to place journalism firmly within the country’s cultural heritage. While the exhibition has now concluded, the bicentennial celebrations continue through special publications and broadcasts, reaffirming Le Figaro’s place in France’s public life — and the enduring relevance of a free and questioning press in an age of rapid change.
