Japan’s Drum Tao deliver heart-pounding beats on Saudi debut

The shows are part of a 17-day cultural exchange, “Ithra Cultural Days Japan,” which concludes on Feb. 8. (Supplied)
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Updated 30 January 2025
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Japan’s Drum Tao deliver heart-pounding beats on Saudi debut

DHAHRAN: Drum Tao, the internationally acclaimed Japanese drumming ensemble, delivered a heart-pounding performance at the King Abdulaziz Center for World Culture’s theater on Wednesday night.

Their show at Ithra, titled “The Dream,” is running nightly until Feb. 1, with two performances on Jan. 31.

For over an hour, the audience regularly clapped in unison. With no lyrics, the performance relied entirely on sight and sound to tell its story.




Their show at Ithra, titled “The Dream,” is running nightly until Feb. 1, with two performances on Jan. 31. (Supplied)

The stage lighting shifted throughout, intending to evoke a range of emotions. The interplay of flute and drums created a soundscape that was at once soft and powerful, gentle yet aggressive.

The energy was serene and melancholic, tender and intense, seamlessly blending contrasts. The seemingly chaotic performance was expertly synchronized and at times humorous.

Known for their fusion of traditional wadaiko drumming, modern choreography, and dynamic storytelling, Drum Tao was founded in 1993 in Oita, Japan.

They have performed in more than 500 cities for more than 9 million spectators worldwide.




The shows are part of a 17-day cultural exchange, “Ithra Cultural Days Japan,” which concludes on Feb. 8. (Supplied)

They made their off-Broadway debut in New York to a sold-out audience in 2016 before bringing their performances to Tokyo and Osaka’s most popular nightclubs in 2022 as a part of Club Tao.

Directed by Drum Tao founder Ikuo Fujitaka, the evening at Ithra fused the thunderous beats of taiko drums with the delicate melodies of Japanese flutes and harps.

The choreography — an athletic feat in itself — added another layer of spectacle, making it a true crowd pleaser.

For the audience, the evening was more than just a performance — it was a vivid exploration of Japanese culture.

The shows are part of a 17-day cultural exchange, “Ithra Cultural Days Japan,” which concludes on Feb. 8.

Other Japanese musicians and artists also traveled to Ithra to showcase their talents.

One of them, Kohei Matsumoto, whose performances can be seen at Ithra’s Lush Garden, spoke to Arab News about how Japanese music is fostering cultural exchange and understanding.

“I’m really happy to see (Saudi) Arabian people enjoying Japanese culture through music — people can experience authentic Japanese traditions here (at Ithra’s Japan cultural days),” Matsumoto said.


At Jazan festival, Suad Al-Asiri paints memory, land and leadership

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At Jazan festival, Suad Al-Asiri paints memory, land and leadership

  • Local artist channels personal hardship into works that reflect Jazan’s identity, heritage
  • Centerpiece of display, Jazan: A Nation and a Prince, places the region at the heart of a composition featuring Prince Mohammed bin Abdulaziz and Prince Nasser bin Mohammed bin Abdullah bin Jalawi

RIYADH: At the Ahad Al-Masarihah pavilion at Jazan Festival 2026, Suad Al-Asiri’s paintings blend memory, place and personal history, offering visual narratives shaped by beauty and hardship. 

A novelist and visual artist, Al-Asiri has long used art as a storytelling tool. After a near-fatal car accident in March 2024, her work took on a new urgency. Bedridden for 11 months, cut off from the public world for more than a year, she describes that period as one of the most painful in her life — yet also transformative. 

“First of all, praise be to God for granting me life, as the accident was extremely severe,” she said. “By God’s grace, I was given a new life. All my thinking after the accident was about becoming an inspiration to others — about enduring pain and obstacles, and still leaving an impact.” 

Her return to public life came in 2025, when she participated in National Day celebrations with the ministry of interior. By the time she arrived at Jazan Festival, she was ready to channel that experience into her art. 

The centerpiece of her display, “Jazan: A Nation and a Prince,” places the region at the heart of a composition featuring Prince Mohammed bin Abdulaziz and Prince Nasser bin Mohammed bin Abdullah bin Jalawi, governor and deputy governor of Jazan respectively. 

Visitors linger over the details: the painting incorporates coffee beans, sesame and khudair — materials drawn from local products.

“I wanted people to recognize these products immediately,” she said. “They are part of Jazan’s daily life, and using them makes the work more tangible, more connected to everyday experience.” 

The painting sparks conversation. Visitors discuss leadership, identity, and the intimate relationship between people and their environment. 

Beyond the central piece, Al-Asiri presents individual portraits of the two princes, expanding the dialogue into a broader exploration of heritage and memory.  

Her journey into art is tied to her life as a storyteller. Early experiments with charcoal and pencil evolved into abstract art, drawn by its expressive freedom. 

From there, she explored realism, surrealism, and eventually modern art, particularly pop art, which has earned her wide recognition in artistic circles. Her novels and media work complement her visual practice, earning her the title “the comprehensive artist” from the governor.

Yet what stands out most in this exhibition is how Al-Asiri’s personal resilience flows through each piece. Her experience of surviving a devastating accident, enduring months of immobility, and returning to the public eye informs every brushstroke. 

Visitors sense not just her artistic skill, but her determination to turn life’s hardships into inspiration for others. 

Walking through the pavilion, one can see it in the way she blends heritage symbols, southern landscapes, and scenes of daily life. 

Each painting becomes both a document and a dialogue — a celebration of Jazan’s culture, a reflection on identity, and a testament to the power of human perseverance. 

At Jazan Festival 2026, Suad Al-Asiri’s art is a quiet, persistent inspiration for anyone who pauses long enough to listen.