DAMASCUS: The mother of US journalist Austin Tice, who went missing in Syria in 2012, said on Monday in Damascus that the war-torn country's new leadership was committed to finding him.
Tice was working as a freelance journalist for Agence France-Presse, McClatchy News, The Washington Post, CBS and other media outlets when he was detained at a checkpoint in August 2012.
“I have been privileged to meet with the new leadership of Syria,” Debra Tice told journalists in Damascus, after holding talks with Syria’s new leader Ahmed al-Sharaa.
“It was so wonderful to learn that they are dedicated and determined to bring home my son, and your son,” she added.
She expressed hope the incoming administration of Donald Trump, who takes office as US president later on Monday, will work to bring her son home.
“Today... Trump will be sworn into office and a page will be turned,” she said.
“I have great hope that the Trump administration will be very engaged in diligent work to bring Austin home.
“I look forward to working closely with the team, including National Security Advisor Mike Waltz and Special Presidential Envoy Adam Logan.”
Debra Tice said she was “looking forward” to engaging with the Trump administration.
“His people have already reached out to me,” she said.
“I haven’t experienced that for the last four years, and so I’m very much looking forward to their help and involvement, and I think they’re going to be quick at it.”
Last month, US officials said Syria’s new leadership had assisted in the hunt for Tice, including searches at sites of interest.
“We feel it’s our duty as the US government to press on until we know with certainty what happened to him, where he is and to bring him home,” said Roger Carstens, the US point man on hostages.
He made the remarks during the first visit to Damascus by US officials since Islamist-led forces toppled autocratic Syrian president Bashar al-Assad.
Missing US journalist’s mother says new Syria leaders ‘determined’ to find son
https://arab.news/v3vzg
Missing US journalist’s mother says new Syria leaders ‘determined’ to find son
To infinity and beyond: Grendizer’s 50 years of inspiring Arabs
- 50 years after its creation, the Grendizer anime series continues to capture Arab imagination
- Arab News Japan speaks to creator Go Nagai, Middle Eastern fans and retells the story behind the UFO Robot tasked with protecting our planet
LONDON: Few cultural imports have crossed borders as unexpectedly, or as powerfully, as Grendizer, the Japanese giant robot that half a century ago became a childhood hero across the Arab world, nowhere more so than in Saudi Arabia.
Created in Japan in the mid-1970s by manga artist Go Nagai, Grendizer was part of the “mecha” tradition of giant robots. The genre was shaped by Japan’s experience during the Second World War, and explored themes of invasion, resistance and loss through the medium of science fiction.
But while the series enjoyed moderate success in Japan, its true legacy was established thousands of kilometers away in the Middle East.
The anime “UFO Robot Grendizer” arrived on television in the region in 1979, dubbed into Arabic and initially broadcast in Lebanon during the Lebanese civil war. The story it told of the heroic Duke Fleed, a displaced prince whose planet had been destroyed by alien invaders, struck a chord with children growing up amid regional conflict and occupation by Israel.
Its themes of defending one’s homeland, standing up to aggression and protecting the innocent were painfully relevant in the region, transforming the series from mere entertainment into a kind of emotional refuge.
Much of the show’s impact came from its successful Arabization. The powerful Arabic dubbing and emotionally charged voice-acting, especially by Lebanese actor Jihad El-Atrash as Duke Fleed, lent the show a moral gravity unmatched by other cartoons of the era.
The theme song for the series, performed by Sami Clark, became an anthem that the Lebanese singer continued to perform at concerts and festivals right up until his death in 2022.
By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. For many, it was not only their first exposure to anime, it also delivered lessons on values such as justice and honor.
Grendizer was so influential in the region that it became the subject of scholarly research, which in addition to recognizing the ways in which the plight of the show’s characters resonated with the audience in the Middle East, also linked the show’s popularity to generational memories of displacement, particularly the Palestinian Nakba.
Half a century later, “Grendizer” remains culturally alive and relevant in the region. In Saudi Arabia, which embraced the original version of the show wholeheartedly, Manga Productions is now introducing a new generation of fans to a modernized version of the character, through a video game, The Feast of The Wolves, which is available in Arabic and eight other languages on platforms including PlayStation, Xbox and Nintendo Switch, and a new Arabic-language anime series, “Grendizer U,” which was broadcast last year.
Fifty years after the debut of the show, “Grendizer” is back — although to a generation of fans of the original series, their shelves still full of merchandise and memorabilia, it never really went away.
