What We Are Reading Today: ‘On the Freedom of the Will’

Photo/Supplied
Short Url
Updated 17 January 2025
Follow

What We Are Reading Today: ‘On the Freedom of the Will’

  • Schopenhauer distinguishes between different types of freedom, including physical, intellectual and moral

Author: Arthur Schopenhauer

Arthur Schopenhauer’s “On the Freedom of the Will” is a landmark philosophical work that explores one of humanity’s most debated questions: Do we have free will?

Published in 1839 as part of a prize competition held by the Royal Norwegian Society of Sciences, this essay won first prize for the author and remains one of his most influential works.

In it, Schopenhauer rigorously examines the concept of free will, combining insights from metaphysics, psychology and science.

He argues for a deterministic view of human action, asserting that while humans may feel free in their decisions, their choices are ultimately determined by external circumstances and internal motivations beyond their control.

Schopenhauer distinguishes between different types of freedom, including physical, intellectual and moral.

While he concedes that humans have physical freedom (freedom from external coercion), he rejects the notion of metaphysical freedom — the idea individuals can act independently of causality.

One of the essay’s key contributions is Schopenhauer’s clear articulation of the relationship between will and action. He asserts that our actions are a direct expression of our unchanging character, which itself is shaped by factors outside our control.

This perspective challenges traditional notions of moral responsibility, as it questions whether individuals can be truly “free” in a moral sense.

The essay also explores the implications of determinism for ethics and human behavior.

Schopenhauer’s arguments are deeply rooted in his broader philosophical system, particularly his concept of the “will” as the driving force behind all existence.

He blends philosophical reasoning with practical examples, making his work both intellectually rigorous and accessible to readers.

Schopenhauer’s writing style is notable for its clarity and precision, though it carries his characteristic pessimism and sharp critiques of opposing views. His dismissal of metaphysical freedom as an illusion is provocative and has sparked debate among philosophers for centuries.

“On the Freedom of the Will” is a profound, thought-provoking work that challenges readers to reconsider their assumptions about free will, causality and moral responsibility.

Schopenhauer’s arguments remain relevant today, influencing contemporary discussions in philosophy, neuroscience, and psychology.

 


What We Are Reading Today: ‘A Love Story from the End of the World’

Photo/Supplied
Updated 17 January 2026
Follow

What We Are Reading Today: ‘A Love Story from the End of the World’

Author: Juhea Kim

Juhea Kim’s 2024 climate fiction work “A Love Story from the End of the World,” turns the climate catastrophe inward, offering ten stories where environmental collapse is felt in the fragile interiors of the human experience.

The short stories in this book imagine a familiar world where ecological collapse is a lived reality. Global cities are sealed inside domes to survive toxic air. Humans drift across ruined landscapes on mobile arks. Islands become landfills for the waste of richer nations. 

Yet Kim keeps her focus trained on the human scale, writing about how people continue to reach for life and one another even as the ground beneath becomes less stable.

They are all love stories, though not in the traditional sense. Some explore romance and longing, others center on family bonds, friendship, or the connection between humans and the natural world.

The writing is clear and precise, never overwrought, delivering characters’ thoughts and emotions while keeping the bigger concerns in clear view.

“Mountain, Island” follows a boy living on a massive landfill island who gains online fame for his K-pop-inspired dances. The contrast between joy and horror is almost unbearable, and it brings to light the global inequalities that we have grown far too used to accepting. 

In “Biodome,” the opening story, Seoul is sealed beneath a protective dome and follows a civil engineer navigating prospects for an arranged marriage. Intimacy and connection feel constrained, shaped by a reality where even the air is controlled and the possibilities of life have narrowed.

“Bioark,” meanwhile, imagines humanity surviving aboard a massive ark after Earth’s land becomes uninhabitable, using this floating world to examine class and capitalism even at the end of everything. 

Kim has spoken in interviews about conceiving this short story collection as an exhibition, inspired by colors and life changing art experiences around the world. Each story, indeed, feels like a distinct work, yet is enriched by its neighbors. Read together, they form a gallery of love, grief and hope.

“A Love Story from the End of the World” is not a fun and cozy read, despite the title. It is heavy, often heartbreaking, and attentive to the ways we remain human even as the world falls apart. 

Readers who loved “How High We Go in the Dark” by Sequoia Nagamatsu or “What We Fed to the Manticore” by Talia Lakhsmi Kolluri, will find a familiar ache in these stories, and perhaps something to ponder long after the final page is turned.